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The lion the witch and the wardrobe summary essay
Lion witch wardrobe symbolism explained
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The Lion, the Witch, and the Wardrobe is the first of several novels in the C.S. Lewis’s Chronicles of Narnia. These books tell stories of another universe that is called Narnia. Here there are many unearthly things from talking animals and evil witches. The Lion, the Witch, and the Wardrobe is the story of four young siblings who discover this new world by entering a wardrobe. Little did they know, they were destined to become the new royalty of Narnia but only after going through many battles. In The Lion, the Witch, and the Wardrobe, C.S. Lewis analyzes the character Lucy, the theme of good versus evil, and the parallels of Narnia to other literature and Lewis’s life.
In this book, Lucy is one of the children featured as protagonist. Her name came from C.S. Lewis’s goddaughter, Lucy Barfield. Throughout the book, the view point is almost always from Lucy (Emerson). She was even the first to find the wardrobe leading into Narnia (Lewis 8). Emerson said, “So in a sense, at least The Lion, the Witch, and the Wardrobe is Lucy’s story” (Emerson).
Lucy has an innocence and goodness. These are her strengths. They directly influence the people around her to clearly see her as an extraordinary and trustworthy young girl (Emerson). These qualities eventually lead her to become known as Queen Lucy the Valiant (Miller). In Narnia, all citizens had been charged to turn in any Sons of Adam or Daughters of Eve to the White Witch. Mr. Tumnus, a faun and the first creature Lucy met in Narnia, was a kidnapper for the White Which (Lewis 19). After Mr. Tumnus spent time with Lucy he could not allow himself to turn her in (Emerson). He did not turn her into the White Witch because he could not bring himself to turn in an innocent little girl ...
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...Narnia." Mythlore 28.1-2 (2009): 113+. Literature Resources from Gale. Web. 24 Jan. 2012.
Patterson, Nancy-Lou. "Always Winter and Never Christmas: Symbols of Time in Lewis' Chronicles of Narnia." Mythlore 18.1 (Autumn 1991): 10-14. Rpt. in Children's Literature Review. Ed. Tom Burns. Vol. 109. Detroit: Gale, 2005. Literature Resources from Gale. Web. 24 Jan. 2012.
Pietrusz, Jim. "Rites of Passage: The Chronicles of Narnia and the Seven Sacraments." Mythlore 14.4 (Summer 1988): 61-63. Rpt. in Children's Literature Review. Ed. Tom Burns. Vol. 109. Detroit: Gale, 2005. Literature Resources from Gale. Web. 24 Jan. 2012.
Russell, James. "Narnia as a site of national struggle: marketing, Christianity, and national purpose in the Chronicles of Narnia: The Lion, the Witch and the Wardrobe." Cinema Journal 48.4 (2009): 59+. Literature Resources from Gale. Web. 25 Jan. 2012
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
The symbolism between C.S. Lewis’ The Lion, The Witch and The Wardrobe, the fourth book in The Chronicles of Narnia, and the New Testament in the Bible, particularly the account of Jesus’ death is not merely coincidental because The Lion, The Witch and The Wardrobe is, in fact, an allegory. An allegory is a story with morals in which characters, plots and settings are used as symbols. The Lion, The Witch and The Wardrobe, by C.S. Lewis is rich with Christian symbolism even though the allegorical nature of it is the subject of much controversy. Nonetheless, The Lion, The Witch and The Wardrobe is an allegory. In this tale, four ordinary children find a wardrobe that leads them into Narnia, an extraordinary land parallel to our universe with talking animal and fantasy creatures. An evil witch has cast a spell of eternal winter over the land and has lured one of the children into betraying the others for enchanted Turkish Delights. Meanwhile, a magical lion, the nemesis of the witch, has arrived after a 100-year absence because of the betrayal of Edmund and ancient prophecies. Soon the children find themselves as involved in the battle as the other creatures and the lion must free Narnia from the clutches of the evil witch and atones for Edmund’s betrayal. The symbolism in the characters, plots, setting, miscellaneous things and themes prove Narnia is, indeed, allegorical
There is a picture of a ship on the wall and as Eustace calls Narnia, fake water begins coming into the room out of the picture. The next thing they know is they are in the ocean and the ship is on their side. The ship is a group of Narnians sailing east looking for the seven lost lords of Narnia. Caspain, the king of Narnia, leads the search group along with Ripecheep, the leader of the talking mice. In Narnia, animals talk and walk around like humans: Edmund, Lucy, and Eustace.
In conclusion, C.S Lewis symbolizes good and evil into his characters. The good one would be Aslan and the bad one would be the White Witch. They embody their role with characterization. This can be shown with the description of the two characters. Aslan is pure of heart and powerful and the Witch is cruel and terrifying. Also, their actions are key facts to demonstrate their chosen side. Aslan is always doing beneficial action for others, instead of the Witch that wants more and more power, willing to destroy life to achieve her goals. Through this book, the two opposite characters are really well explained and analysed.
C.S Lewis is the author of The Chronicles of Narnia: The Lion, the Witch, and the Warrdrobe. Lewis was born on November 29, 1898, in Belfast, Ireland. He was born Clive Staples Lewis to Flora August Hamilton Lewis and Albert J. Lewis. Lewis’s mother passed away when he was on ten years old. After his mother died he went on to get his pre-college education at boarding schools and he also received help from a tutor. Lewis served in World War I with the English Army, but unfortunately was sent home when he was wounded. Lewis was a graduate of Oxford University with a focus on classic philosophy and literature. As a child, he was disappointed with the Christian faith, but when he became older he found himself embracing Christianity. During World War II, he gave popular radio broadcasts on Christianity and they won many converts. Lewis’ speeches were collected in Mere Christianity. In the year of 1954, C.S. Lewis joined the staff of Cambridge University as a literature professor. He met an English teacher by the name of Joy Gresham and in 1956 they married each other and became a happily married family. The two were joyful during their marriage; unfortunately in 1960, the wife became ill with cancer died. Lewis began publishing his works in the mid- 1920s. Lewis started to publish The Chronicles of Narnia during the 1950s. The Lion, the Witch, and the Wardrobe was the first in the seven book series to be released. This was the story of four siblings who discovered a wardrobe with a magical land in the back of it (“Clives…”). In The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Lewis describes Aslan, Edmund, and Lucy.
· Wood, Ralph C. "Traveling the one road: The Lord of the Rings as a "pre-Christian" classic." The Christian Century Feb. 93: 208(4).
Lewis did not intend for The Lion, The Witch and the Wardrobe to attempt to strike at moral standpoints. Lewis stated in an interview, “’I don’t like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question: ‘What do modern children need?’ will not lead you to a good moral”’ (Sadler). However, his use of the innocence of children evokes the essence of purity and good. This purity conflicts with the cruelty and scorn displayed through the White Witches actions, resulting in her becoming an evil figure. The archetype of good vs. evil that writers use throughout literature has proven to be a successful means of striking intrigue in an audience. This combined with the magical setting employed by the mysterious Narnia allows Lewis’ work to be so interesting to readers through decades and generations.
Narnia: the Lion, the Witch, and the Wardrobe, based off of the novel written by C.S. Lewis, Edmund
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
In conclusion, the secondary world of Narnia in C.S Lewis' epic tale offers much by way of literary significance. It provokes debate over abstract, complex ideas such as truth and faith. It allows reflection on our role in the real' world. It inspires hope that we all serve a purpose; that we are capable of affecting change. It provokes new reflections on the story of Jesus and the meaning of sacrifice. Finally, it presents us with a vision of clear values; stripping good and evil down to their cores so that we may return to the real world more certain of our own convictions.
In Children’s literature, the characters are good or bad. The author attempts to teach the children without confusing them. They are learning right from wrong when doing this. In the Lion the Witch and the Wardrobe, Clive Staples Lewis uses this in his novel with his characters. “He parallels the difference between right and wrong” (“Faith”). In the Lion the Witch and the Wardrobe, Lewis shows good vs. evil and the archetypes hero and villain in his novel.
The characters in Alice in Wonderland and Through the Looking Glass are more than whimsical ideas brought to life by Lewis Carroll. These characters, ranging from silly to rude, portray the adults in Alice Liddell’s life. The parental figures in Alice’s reality, portrayed in Alice in Wonderland, are viewed as unintellectual figures through their behaviors and their interactions with one another. Alice’s interactions with the characters of Wonderland reflect her struggles with adults in real life. Naturally curious as she is, Alice asks questions to learn from the adults.