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Essays on the movie lion king
Philosophy of the lion king
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A Thematic Analysis of The Lion King Versus Scar: The Hero King
In the children’s film The Lion King, directed by Roger Allers and Rob Minkoff of the Walt Disney Company in 1994, we see young lion cub Simba deal with the murder of his father at the hands of his uncle. While Simba is the heir to the throne that his father wielded as king, his uncle seeks to be ruler himself, leading him to kill Simba’s father, Mufasa. To ensure that he becomes king, Simba’s uncle Scar tricks the young cub into believing that it was Simba who caused the death of his father. Feeling immense guilt for killing his father, Simba runs away to the jungle. It’s not long before he meets meerkat Timon and warthog Pumbaa. This duo teaches Simba to forget about any of his problems and live a carefree life. Simba gradually embraces this life philosophy and lives for years in a self imposed exile. It’s not until he reaches young
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adulthood that a childhood friend finds him and attempts to convince him to return home and take back the throne from his uncle, Scar.
While Simba is initially reluctant to return after living such a peaceful life in the jungle, the spirit of his dead father speaks to him and convinces him to take back the throne from Scar. Simba listens to the words of his father and heads back to confront Scar for a final and decisive fight that will define who would be king for years to come.
Recently, I adapted the children’s story to show a lesser known perspective: that of Scar, the antagonist of The Lion King. In Scar: The Hero King, we witness the events of The Lion King unfold through the eyes of Scar, the uncle of Simba who is an outcast among the other animals. Throughout the story, we begin to see Scar not as the villain that he is
portrayed as in The Lion King, but a misguided hero who just wants to fight for what he thinks is right. Told through the first-person perspective of Scar himself, he explains in the story that he is friends with the hyenas, a group of animals that he believes has been mistreated. In order to aid these hyenas, Scar talks to the King Mufasa who is also his brother. When their discussion turns into a fight, Scar says that he didn’t think that he killed Mufasa, but instead just thinks that Mufasa ran away from embarrassment after being beaten in a fight. With Mufasa out of the picture, Scar takes the throne out of a feeling of necessity. He then improves the lives of the hyenas and does what he thinks is right as king. Despite this, the changes that Scar introduce cause a famine throughout the kingdom. Unfortunately, Scar doesn’t take responsibility for these actions and just blames it on the weather. After many years have passed, Mufasa’s son Simba, returns to confront Scar. Simba beats Scar in a fight and Scar lives out the rest of his life in exile, believing that the actions that he took were justified. While The Lion King tends to exemplify the how it is morally righteous to follow your fate and the natural order of the universe, Scar: The Hero King places an emphasis on how a refusal to objectively reflect and take responsibility for one’s actions leads to moral blindness.
literally knock sense into the young lion king to ensure Simba overcomes his fear of the past to return
In the movie Simba feels that the death of his father, Mufasa, is his fault and that he is the one to blame, when in actuality Scar killed Mufasa so that he would have chance a being next in line for the throne to claim the title as King. Because of his father's death Simba runs away and tries to live a life of no responsibilites. “As Simba says, “I just needed to get out on my own, live my own life, and I did, and it’s great.” There are clear parallels here with Jesus’s Parable of the Prodigal Son (Luke 15:11 32). In the parable, the son thinks he can live better without the responsibilities he has while living with his family, and so leaves to live in a ‘far country’. This is exactly how Simba behaves.” (Barfield, Jonathan), so as you can see, the two have a lot in common, The Lion King retold the story in a children friendly
Scar and Claudius comparably murdered their victims, but their ultimate demise at the end of each story is a backfire of their evil mannerisms throughout the tragedy. Scar’s unremorseful actions toward his brother resembles his death as his final interactions were with Mufasa’s son, Simba, who threw him into the wild pack of hyenas below pride rock.
In The Lion King, the role of the young prince whose father is murdered is played by a cub named Simba, whose naivete procures him more than his fair share of hardships and troubles. By the acts in the story alone, one can see that Simba is a direct representation of Shakespeare's Hamlet Jr., but not only that, each of them shares similar actions in the play. Interpretations if Simba's actions are as profound as Hamlet's, particularly of why Hamlet delayed in exacting vengeance for his father's death (Harrison 236). Both Simba and Hamlet Jr. "delay" their action of retribution for their respective father's deaths. The loss of their paternal companion leaves Hamlet incre...
The Lion King is a Disney animated movie portraying the life and times of Simba, who later becomes the greatest lion king known in the land. Simba's rise to the throne is a journey fraught with perils and hardships that make it an absolutely trilling story for the whole family! Although The Lion King is an exciting and entertaining movie, the movie is also a good illustration of several psychology concepts.
Simba embraces Scar valiantly, avenging his father's death, and destroying the shadow that destroyed him. The death of Scar brings the rebirth of the kingdom, the rebirth of Pride Rock, and the rebirth of power and justice. Simba roars a vociferous roar, restoring life to the pridelands. It begins to rain, symbolizing the cleansing of power, and the rejuvenation of Simba.
The Lion King is an adaptation of Shakespeare’s Hamlet, with some minor differences and a happier ending. Both narratives follow the Hero’s Journey, but The Lion King follows all twelve steps flawlessly. Simba’s experience in the belly of the whale is perhaps the shortest of the three examples, only really encompassing his fight with his uncle. It is Scar that initiates the fight, throwing embers into Simba’s eyes, they fight for a few minutes, and just when the audience thinks Simba is doomed, collapsed on the ground as his uncle pounces on him out of the flames, he throws Scar over a nearby cliff and into a group of vengeful
This upsets the Hyenas. They leave Scar to fight Simba by himself. Simba wins the fight and throws Scar off a cliff, into the herd of the Hyenas. The hyenas show no remorse for Scar and they trample over him, killing him. Once Simba takes back the throne, the whole kingdom becomes beautiful again and everyone is happy.
The Lion King is a story based around the betrayal of a king by his brother. The brother’s ambition of becoming the king leads to him killing the true and current king. In The Lion King, Scar betrays his brother by killing him to gain the throne for himself. Through Psychoanalytic Theory, it is clear that Scar feels shame because he is not the king and the next in line for the throne is his nephew. This shame eventually leads to Scar betraying his brother because of his ambition.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The Lion King is Disney's most successful movie to date. Many believe that the Lion King is Disney's only original movie; the only movie not previously a fairy tale from one country or another. In fact, The Lion King is in on based on Shakespeare’s Hamlet. Disney writers conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. On the other hand William Shakespeare’s Hamlet was based on the Epic of Son-Jara or Sundiata. This lead to the debate is the Lion King based on Shakespeare’s Hamlet or the West African story, the Epic of Son Jara. Simba, Hamlet, and Son-Jara are all heroes in their own story. All of them must take on a villain that knew very well, but who does Simba’s journey resemble the most Does Simba represent Hamlet, the prince of Denmark, or Son-Jara, the lion king.
lion cub that is now to be king is forced to leave his Pride Land by
The characters in The Lion King closely parallel Hamlet. Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne. The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure. In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius. Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed. The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil. They support Scar completely, just as Laertes supports Claudius. Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively. Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical. The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala. Nala concentrates on the aspect that Simba is the rightful King and that it is his responsibility to ascend to the throne. She is his best friend and someone whom he trusts. Just as Horatio loyally follows Hamlet, Nala is completely loyal to Simba. Not only are there ties of friendship, but there is also an element of respect and reverence in both friendships. Horatio and Nala both know that they are friends and loyal followers of the rightful king.
In once of his many escapades his evil uncle Scar is teaching him how to growl which results in a stampede of wildebeest to come towards him. Mufasa, who is Simba’s father, in an attempt to save him dies by the hands of his older, jealous, brother. Scar pushes Mufasa off the cliff into the stampede. When Simba discovers his dead father he flees, feeling responsible for the death of his father, and Scar becomes the new ‘king’ of the jungle. Simba is raised by two strangers he meets in the desert and after some time passes he discovers that his uncle is the reason his father is dead and that he has taken control of the prairie. After being conflicted by his emotions and meeting an apparition of his father he finally decides to confront his uncle and take back the kingdom. The film ends with scar, the uncle, being eaten alive by his minions and he is the cause of his own demise. Simba restores balance to the ecosystem and all is well, which is a beautiful ending to a Disney film.
The Lion King is a movie created by Disney and was released in the summer of 1994. It is about a pride of lions that uphold the cycle of nature, or as they call it “the circle of life” (The Lion King, 1994). The lion pride is considered royalty within the “Pride Lands” and are just and fair when it comes to hunting only what they need. A young prince named Simba is introduced and he is next in line to be the future king. However, Simba’s uncle Scar had other plans. He believed that it was his right all along to be named future king and wanted all of the glory to himself. Eventually, Scar comes up with an elaborate plan to rid the Pride Lands of Simba and the current King, Mufasa and take the throne for himself.