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Analysis of the film The Lion King
Analysis of themes in the lion king
Analysis of the film The Lion King
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The Rise And Fall Of Pride Rock
In the movie, The Lion King, the protagonist is a young lion cub named Simba who is Prince of Pride Rock. After being framed for his father, Mufasa's death,he is exiled. This leaves his uncle Scar who framed him, to rule Pride Rock. Simba later returns to reclaim his power on pride rock (The Lion King). Marxist Criticism argues that economics is the infrastructure for all social, political, and ideological reality.The appearance of economic inequalities is a power construction that motivates our society’s past and influences distinctions in legislation, religion, race, ethnicity, and gender (SpringBoard 89). In The Lion King, the Marxist Criticism is evident, because there is a struggle for power between both
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Scar finally reveals that he killed his brother Mufasa, when he was understood to have successfully hid this fact for so long, only then does he truly become a threat that fails in the end (The Lion King). The movie chooses to portray Scar as a character who is inequivalent to Mufasa as his tinier body has the viewer see Scar as"physically inferior to his larger and stronger brother” thus allowing him to be animated in a black thinner less vibrant mane than his brother's richer illuminating mane in comparison (Haerne). Despite the fact that Scar is a lion, he is not Mufasa and Simba's equal, rather he is a being that can only be tolerated and never respected causing him to seek the power of being superior with the aid of the hyenas. Although ultimately leading him to kill Mufasa,the scene emphasizes Scar's inferiority, for the movie has a preference for brawn over brains. This is displayed through Scar's color arrangement and animation, as he is envisioned with a dark mane, a thin body, and green envious eyes. It makes him an equal to those below him on the food chain, but never to those that are his equal. Ultimately Scar for the sake of his life, needed to reveal the truth illustrating his failed attempt at rebellion. It is only through the utilization of color pattern and the climactic conclusion of the Lion King, that one can truly understand the economic crumble and restructure of Pride
In the movie Simba feels that the death of his father, Mufasa, is his fault and that he is the one to blame, when in actuality Scar killed Mufasa so that he would have chance a being next in line for the throne to claim the title as King. Because of his father's death Simba runs away and tries to live a life of no responsibilites. “As Simba says, “I just needed to get out on my own, live my own life, and I did, and it’s great.” There are clear parallels here with Jesus’s Parable of the Prodigal Son (Luke 15:11 32). In the parable, the son thinks he can live better without the responsibilities he has while living with his family, and so leaves to live in a ‘far country’. This is exactly how Simba behaves.” (Barfield, Jonathan), so as you can see, the two have a lot in common, The Lion King retold the story in a children friendly
The featured protagonists in the Lion King, Scar, and in Shakespeare's Hamlet: Prince of Denmark, Claudius, are two comparable characters due to their envy of what has been denied to them by birth right — to be king. In the following you will read what separates the text from the 1994 film and what brings them together, with details of how they murdered their brother, whether they’re capable monarchs, and how their treason comes back to haunt them. By comparing the children's classic villain, Scar with the early modern english classic, Claudius, we can identify the subtle differences as well as the similarities between the characters from the film and the play.
The Lion King is a Disney animated movie portraying the life and times of Simba, who later becomes the greatest lion king known in the land. Simba's rise to the throne is a journey fraught with perils and hardships that make it an absolutely trilling story for the whole family! Although The Lion King is an exciting and entertaining movie, the movie is also a good illustration of several psychology concepts.
The Lion King is a well-known children’s movie that was produced by Disney. The movie begins with a small cub being presented to the kingdom by his parents, Mufasa and Sarabi (Hahn, Minkoff, & Allers, 1994). The small cub is named Simba and he will one day become the king of his father’s kingdom. Mufasa’s brother, Scar, does not like that Mufasa’s son will one day take over, and plots to kill Mufasa and Simba (Hahn, Minkoff, & Allers, 1994). The movie continues on, and Mufasa saves Simba from a stampede, but Scar will not save Mufasa (Hahn, Minkoff, & Allers, 1994).
Simba embraces Scar valiantly, avenging his father's death, and destroying the shadow that destroyed him. The death of Scar brings the rebirth of the kingdom, the rebirth of Pride Rock, and the rebirth of power and justice. Simba roars a vociferous roar, restoring life to the pridelands. It begins to rain, symbolizing the cleansing of power, and the rejuvenation of Simba.
The Lion King is an adaptation of Shakespeare’s Hamlet, with some minor differences and a happier ending. Both narratives follow the Hero’s Journey, but The Lion King follows all twelve steps flawlessly. Simba’s experience in the belly of the whale is perhaps the shortest of the three examples, only really encompassing his fight with his uncle. It is Scar that initiates the fight, throwing embers into Simba’s eyes, they fight for a few minutes, and just when the audience thinks Simba is doomed, collapsed on the ground as his uncle pounces on him out of the flames, he throws Scar over a nearby cliff and into a group of vengeful
...f her son. She starts to feel the poison and she warns Hamlet of it before she dies. It is too late though, the poisonous sword had cut Hamlet. In anger, Hamlet steals the poisoned sword and runs it into Laertes. He then charges Claudius and runs it into him. He also takes the wine and forces Claudius to drink from it. Both Claudius and Laertes die before Hamlet. Hamlet regains his throne for a few seconds, until the poison sets in and takes his life. The Lion King has a happy ending. Simba returns to his kingdom and he finds Scar. He tells Scar that he knows about his father’s death. Scar lies to Simba by telling him that the Hyenas were the ones who killed Mufasa. This upsets the Hyenas. They leave Scar to fight Simba by himself. Simba wins the fight and throws Scar off a cliff, into the herd of the Hyenas. The hyenas show no remorse for Scar and they trample over him, killing him. Once Simba takes back the throne, the whole kingdom becomes beautiful again and everyone is happy.
“Blessed are the meek, for they shall inherit the earth (The Holy Bible, Matthew 5:5). This quote is the third Beatitude in “The Bible” which means that any person who exhibits self-control and modesty will be rewarded with peace, prosperity and eternal life. There are many stories in the bible, as well as novels, plays, and motion pictures that help display the consequences of not leading a humble life. Macbeth (from Shakespeare’s “Macbeth”) and Scar (from Rob Minkoff and Roger Aller’s “The Lion King”) are two characters that fail to portray the virtues of the third Beatitude. In both adaptations, there are many parallels between both characters as they possess selfish qualities and murder for their own benefits. Although Scar and Macbeth both commit regicide out of their own desire for power and create chaos among the land, Macbeth presents moral qualities while Scar is corrupt and dishonest throughout the “Lion King”. The main characters of both adaptations bring attention to the
The biblical characters are prophets and kings. In the narratives of the people of Israel, it is not difficult to see the pattern of almost all the kings. All but a few are corrupted, and get Israel in a lot of trouble with God. They help lead Israel to destruction. The role of the prophets is not only to warn the people of the coming punishment, but to also give hope and advice on how to make things right in the future. When looking at the Lion King, Scar embodies the kings and Simba embodies the prophets. Scar is a corrupt figure, and once he becomes king, the land becomes more desolate and the food supply starts running out. This resembles how the Israelites were to be punished for corruption. Simba comes
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
lion cub that is now to be king is forced to leave his Pride Land by
The characters in The Lion King closely parallel Hamlet. Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne. The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure. In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius. Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed. The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil. They support Scar completely, just as Laertes supports Claudius. Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively. Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical. The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala. Nala concentrates on the aspect that Simba is the rightful King and that it is his responsibility to ascend to the throne. She is his best friend and someone whom he trusts. Just as Horatio loyally follows Hamlet, Nala is completely loyal to Simba. Not only are there ties of friendship, but there is also an element of respect and reverence in both friendships. Horatio and Nala both know that they are friends and loyal followers of the rightful king.
It tells the meaning and the significance of the what the story is happening and what the character are doing. It also enhance drama, when Scar kills Mufasa. And the scene comes with a lot of sadness which means that the father is dead and the son feels that it was all of his fault. It also establish character. It shows when Simba left the pride land, because of his father’s death, and got saved by Pumbaa and Timon, it showed his matured and adulthood that he would be the next pride land king. It also gives and psychological insight showing what would an animal do if it got away of his home town and what made the lion a king. It also show the intensity of drama when Simba and Scar were fighting because Scar killed Simba’s father. It also gave the film continuity when at the end of the film came out the heir of the pride
In once of his many escapades his evil uncle Scar is teaching him how to growl which results in a stampede of wildebeest to come towards him. Mufasa, who is Simba’s father, in an attempt to save him dies by the hands of his older, jealous, brother. Scar pushes Mufasa off the cliff into the stampede. When Simba discovers his dead father he flees, feeling responsible for the death of his father, and Scar becomes the new ‘king’ of the jungle. Simba is raised by two strangers he meets in the desert and after some time passes he discovers that his uncle is the reason his father is dead and that he has taken control of the prairie. After being conflicted by his emotions and meeting an apparition of his father he finally decides to confront his uncle and take back the kingdom. The film ends with scar, the uncle, being eaten alive by his minions and he is the cause of his own demise. Simba restores balance to the ecosystem and all is well, which is a beautiful ending to a Disney film.
The Lion King is a movie created by Disney and was released in the summer of 1994. It is about a pride of lions that uphold the cycle of nature, or as they call it “the circle of life” (The Lion King, 1994). The lion pride is considered royalty within the “Pride Lands” and are just and fair when it comes to hunting only what they need. A young prince named Simba is introduced and he is next in line to be the future king. However, Simba’s uncle Scar had other plans. He believed that it was his right all along to be named future king and wanted all of the glory to himself. Eventually, Scar comes up with an elaborate plan to rid the Pride Lands of Simba and the current King, Mufasa and take the throne for himself.