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Essay on the 20 century theatre movement
Essay on the 20 century theatre movement
Essay on the 20 century theatre movement
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The aisles of the theatre fill with a herd of animals and life-size puppets that charge with excitement (Kroll 70). The crowd is mesmerized by the burning intensity of paintings and the fierce costumes that take their breath away (Kroll 70). With a marvelous combination of lighting and color The Lion King musical is a must see. The Lion King musical represents the 21st century through its expression of youth that is brought to life by its enchanting costumes, expressive sensitivity and playful animations that come to life, in a time of political dispute.
During the 21st century musicals have been greatly influenced by historical forces (Everett xxxv). Historical events such as two world wars, civil rights, economic decline, and prosperity have helped the 21st century musicals (Everett xxxv). In 2001, U.S. bombers hit Taliban defenses around Kandahar in Afghanistan (Day 665). This attack took place as a response to the terrorist attack on September 11.
Presidential elections have also played a big role in the influence on the 21st century (Day 665). In 2000, Florida secretary of state Katherine Harris certified Governor George W. Bush (Day 665). This election was one of the most contested presidential races in U.S. history. George W. Bush was certified as the winner in the state’s presidential election by a 537-vote margin (Day 665).
From terrorist attacks to great presidential elections, missiles seem to find their way into historical events. In 1977, the last Minuteman II missile was destroyed in Dederick, Missouri (Day 677). The missiles, aimed at the Soviet Union were destroyed because of the 1995 Strategic Arms Reduction Treaty.
Theatre in the 21st century has greatly adapted when it comes to seating. The cheap seats are f...
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... The special effects throughout the musical enhance this human versus nature experience. The puppets and masks express great detail that transform, for example half-human half-thing, or half-alive, half-dead (Rothstein 52).
Overtime the 21st century has evolved into something great. From the Elizabethan time to now many changes have been made in theatre arts, but we cannot deny that earlier time periods have paved the way for now. In the Elizabethan period, costumes represented the time and the latest fad (Upton 3). Today theatre costumes also represent what people wear and the new trends. The Lion King musical itself is greatly influenced by the time period. They are connected by the youth and playfulness the early 21set century displayed. Every aspect of the Lion King displays sensitivity, and an enchanting feel that leaves room for the dark moments in history.
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
Although the movie The Lion King is often times viewed as nothing more than a child-based movie, in actuality, it contains a much deeper meaning. It is a movie that not only displays the hardships of maturation, and the perplexities associated with growing, but it is also a movie that deals with the search for one's identity and responsibility. As said by director Julie Taymor, "In addition to being a tale about a boy's personal growth, the `Lion King' dramatizes the ritual of the `Circle of Life'." Throughout The Lion King, Simba must endeavor through the cycle of birth, death, and rebirth to take his place in the circle of life, as king of the pridelands.
The election took place on Nov 7, 2000. Under our electoral college system each state votes for our new president separately, a winner is then declared in each state and is awarded “electoral votes” that is equal to the states number of representatives in the House and Senate. Gore led Bush 266-246 and 270 votes are required for victory. Florida with 25 electoral votes did not have an official winner because the result was inside of the margin of error for machine counting.
Through dance and movement, the storyline were expanded with the assistance of choreographer, Garth Fagan. A well-renowned choreographer for his innovative choreography primarily for Garth Fagan dance, Fagan used his unique style of choreography to the Lion King by combining a variety of Ballet, Jazz, Modern Dance, African Dance and Balinese Dance to suggest representations of nature without making a replica itself and use dance to help tell the story (Exploring the Lion King, 2010). Taymor’s idea of expanding the film by adding in choreographic elements not only will set the overall concept, it would additionally guide the visual aesthetic by allowing dance as the main element that balances musical numbers in all categories: effects, music and so on into the choreography (Bluemental et al 210:1999). Both Fagan and Taymor gave major contributions to the different styles of dance and performance techniques from around the world creating the precision and versatility that is being portrayed in the musical. In order to create the ideal staging of the hunting lionesses, flying dancers in the aerial ballet to the takeover of the hyenas at Pridelands, the collaboration between Fagan and Taymor gave suggestions of how these movements being performed with grace and poise using different dance styles and are cultural based be the forefront of the production(Taymor 148:1997). By looking at three notable dances in the musical, this chapter will analyse the presence of dance and movement being portrayed in the musical and how are these dances create the drama, still giving the idea of moving in an African Savannah. Furthermore, this will give an insight to all challenges and pitfalls both Fagan and Taymor endured during the development of the...
Through the use of animated technology in The Lion King and a theatrical play in Hamlet, both forms are able to portray a mutual truth and entail impeccable level of quality that enables the audience to become invested on a personal level. A theatrical play is more effective in capturing adults’ interests due to the specific and intrinsic characteristics that a play withholds. Whereas in The Lion King, animation is utilized to represent animals as opposed to humans, to add a gentle tone and eliminate the harsh violence to appeal to children. Despite the simplicity and lack of complicated layers that would traditionally be present in Shakespeare’s play, The Lion King is still capable of including adult subject matter through childish and friendly scenes that allow children to comprehend the same universal message. Animation is appealing towards children due to the unique physical attributes of the animals that are aesthetically pleasing. For example, Simba as a child possesses a soft and gentle nature, strengthened by a “cute” factor that allows children to relate at a personal level. Additionally, the use of animals is symbolic to humans, and is used to make violent scene less freighting as opposed to two humans committing murder. The use of animation allows children to be introduced to adult topics through the use of visual effects that cause the children to overlook the negativities of adulthood. This is accomplished through musical elements that are interspersed in the film that contain a fast tempo as well as crafty lyrics coupled with colourful visuals. These song numbers are used to lighten the mood as well as keep the impatient children entertained aided through the film’s relatively fast pace and several comedic-relief sce...
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
the king of a Pride Land, who is murdered by his brother and then the
Rafiki, who takes on the wise old baboon of the play and acts as the
"Theaters." Renaissance: An Encyclopedia for Students. Ed. Paul F. Grendler. Vol. 4. New York: Charles Scribner's Sons, 2004. 120-122. Gale Virtual Reference Library. Web. 26 Mar. 2014
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
The changes in technology gave lighting to the theatres. The change in theatre brought around a new group of audiences. Its change from Neoclassicism to Romanticism paved the way for plays such as Hernani. It’s understandable that nineteenth century theatre has changed dramatically.
When you envision your favorite childhood movie what is the first thing that comes to mind? Is it the adorable characters, the overwhelming feelings of joy you get as you sing along to the well known songs, or the life long moral lessons that you may hold dear to your heart? Now instead, imagine the feelings you get when you find out that this favorite movie may have contained subliminal messages and racist undertones. Does it still have the innocence that it did when it became your favorite movie? Surprisingly, this was the case for my favorite animated motion picture, Walt Disney’s 1994 classic, The Lion King. In this movie, the overall message is supposed to be about the importance of the circle of life, family and love. In contrast to that, many may argue that it also exhibits many negative signs of racism and discrimination towards certain characters such as the hyenas, thus placing them outside of the realm of
Did you know that with all the major changes that were happening in the world during the 20th century that some of the biggest changes that were happening were in the theatrical productions? Murder in the Cathedral was written during the the 20th century, a very important time period in which many things changed in the theatre and many important wars occurred.
Walking into the theatre all I could think was WOW! Although I had seen many Broadway shows previous to The Lion King I was still in awe. From the time I walked into Minskoff Theatre to the time I sat down and the opening number began the musical had my attention. Upon coming to the show I was trying to figure out how Disney was going to fit each detail from the movie into the show and boy did they do a great job? From the stage and scenery to the costumes and actors it was magnificent. In the following paragraphs we will take a look into my experience and the breakdown of the show.
The theater was one of the primary forms of entertainment in Elizabethan England, as anyone, rich or poor could attend the plays.The rich would sit in boxes or galleries, while the poorer people would have to stand for the entirety of the play (Haigh). The poor would stand in front of the stage which would normally be raised about 4 to 6 feet and the theater could hold on average 3,000 people (Trumbull). The rich however usually watched plays in indoor private theaters, but sometimes would watch the plays in the outdoor public ones. Performances ...