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Lion king movie* essay outline
Critical analysis essay on the lion king
Critical analysis essay on the lion king
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One of the most beloved animated films of all times is without a doubt Disney’s The Lion King, for its emotional connections that viewers have with the many characters, popular musical numbers, and repeated quotes from the various characters and evil, good, emotional, and funny scenes. There are a wide variety of techniques used in establishing the themes in The Lion King, some of those include; the cinematography techniques, lighting techniques, and mise en scene techniques. The Lion King sets forth to take the viewer on a journey of coming of age of Simba, his connection to family, the role of society and class and ultimate struggle of good versus evil. It is the use of all these techniques that helped the creators and directors of The Lion …show more content…
In the animated film, The Lion King, many themes were established to support the overall film’s story and plot. One theme is family; this was clear from the beginning of the film until the end. The theme of family is evident when juxtaposing Mufasa and Scar, two brothers that show two very different sides of family. Mufasa’s character shows the characteristic of kinsmanship and compassion of family, while Scar’s character shows the characteristics of manipulation and lack of loyalty of family. Another theme is coming of age; this is captured by the overall journey of Simba. According to Kegerreis (2013), the story of Simba is taken as demonstrating universal struggles to overcome Oedipal rivalry and destructive envy in order to reach maturity. He goes on to explains that in order for Simba to become King, his father must die. When Mufasa dies, Simba acts much as if he had actually killed him, which from a rational …show more content…
For the theme of coming of age, the scene in which the musical number, Hakuna matata, shows the direct coming of age of main character, Simba. This is an example of a montage, which according to Goodykoontz & Jacobs (2014), is when a director cuts between many related images to create a scene or even just a visual impression. Another editing technique used to help establish the theme of good versus evil is the lighting choices used in the film. When the scenes in the film are depicting the good aspects, such as the presentation of the new hire to the throne, baby Simba, the lighting technique used is high-key lighting. High-key lighting is a lighting style marked by high levels of light, low contrast, and few shadows, (Goodykoontz & Jacobs, 2014). This style shifts when the scene is depicting more evil or dark scenes, such as when Scar is signing his song about his plan to murder his brother and nephew in order to steal the throne and title as King of Pride Rock. This lighting style is known as low-key lighting which according to Goodykoontz & Jacobs (2014), is a lighting style marked by low levels of light, high contrast, and very deep shadows. The overall design of the set and animation of the characters help to establish the theme of society and class. In the film, Pride Rock is
In the movie Simba feels that the death of his father, Mufasa, is his fault and that he is the one to blame, when in actuality Scar killed Mufasa so that he would have chance a being next in line for the throne to claim the title as King. Because of his father's death Simba runs away and tries to live a life of no responsibilites. “As Simba says, “I just needed to get out on my own, live my own life, and I did, and it’s great.” There are clear parallels here with Jesus’s Parable of the Prodigal Son (Luke 15:11 32). In the parable, the son thinks he can live better without the responsibilities he has while living with his family, and so leaves to live in a ‘far country’. This is exactly how Simba behaves.” (Barfield, Jonathan), so as you can see, the two have a lot in common, The Lion King retold the story in a children friendly
The theatrical film The Lion In Winter stars Peter O’Toole as King Henry II, and Katharine Hepburn as his wife, Queen Eleanor of Aquitaine. Adapted from his stage play of the same title, author James Goldman provides a fictional, but plausible, account of intra-family deceit and political conniving within the large and powerful Angevin Empire, which spanned much of the land that is now Britain, and much of what is now Northeastern France, within the medieval world. Directed and edited by Anthony Harvey, the story, set in the winter of 1183, details the succession crisis faced by the aging King Henry II, as his three surviving sons vie for the crown, and Queen Eleanor plots, both with and against them, to regain her freedom, and become the power behind the throne occupied by her choice of successor. King Philip of France patiently waits, seeking political advantage within the internal fracturing, for the opportunity to destroy the Kingdom that Henry II has worked a lifetime to build.
The Lion King is a Disney animated movie portraying the life and times of Simba, who later becomes the greatest lion king known in the land. Simba's rise to the throne is a journey fraught with perils and hardships that make it an absolutely trilling story for the whole family! Although The Lion King is an exciting and entertaining movie, the movie is also a good illustration of several psychology concepts.
Hamlet and The Lion King shared majority of the themes that were found in each story. A theme of revenge was prominent in both the film and the original play as Simba and Prince Hamlet worked towards avenging their fathers throughout the story. Politics can also be seen in both as the stories explain to the viewer/reader that a bad king can mean a corrupt and equally bad kingdom (murders committed by the new kings). Although some harsh themes, family also seems to be mutual in both tales, more so seen in The Lion King. Shakespeare was able to show the reader the importance of family throughout Hamlet, when there is a power-hungry family member, and the rest of the family must stick together to overcome the struggle. The producers of The Lion King do a similar job as they explain the same thing, however also digging into the loyalty of Sarabi for Mufasa. The reason for a greater theme of positivity in the newer film is due to the demographics. The Lion King was primarily a children’s film, thus it required a simpler and happier tone. This also changes the overall plot by reducing the number of deaths and ruling out madness. This tone also affects the number of comic relief moments in the story. In Hamlet, there were only a few moments in which Rosencrantz and Guildenstern were able to lighten the mood of the play by offering comedic anecdotes. In The Lion
Although the movie The Lion King is often times viewed as nothing more than a child-based movie, in actuality, it contains a much deeper meaning. It is a movie that not only displays the hardships of maturation, and the perplexities associated with growing, but it is also a movie that deals with the search for one's identity and responsibility. As said by director Julie Taymor, "In addition to being a tale about a boy's personal growth, the `Lion King' dramatizes the ritual of the `Circle of Life'." Throughout The Lion King, Simba must endeavor through the cycle of birth, death, and rebirth to take his place in the circle of life, as king of the pridelands.
Hamlet decides that if he can convince everyone that he is insane, then maybe he will be able to get someone to tell him more about his father’s murder. In The Lion King, Simba is the prince. Simba’s father, Mufasa, is killed after he falls from a cliff into a herd of hyenas. Simba falls into a deep depression after his uncle Scar twists things around and convinces Simba that he is the one responsible for the Mufasa’s death. Simba can not deal with what has happened and he runs away from the kingdom.
I chose to view the movie Lion, a movie based on the book A Long Way Home by Saroo Brierley. This movie is about a five-year-old boy, Saroo, living in a poor, rural area in India. Saroo convinces his older brother Guddu, to let him tag along and find work in a nearby city. Saroo ends up trapped and alone in a decommissioned passenger train that takes him to Calcutta, over 1,000 miles away from his home.
Han – a period of time in China in which the country was merge together (Dictionary)
Through dance and movement, the storyline were expanded with the assistance of choreographer, Garth Fagan. A well-renowned choreographer for his innovative choreography primarily for Garth Fagan dance, Fagan used his unique style of choreography to the Lion King by combining a variety of Ballet, Jazz, Modern Dance, African Dance and Balinese Dance to suggest representations of nature without making a replica itself and use dance to help tell the story (Exploring the Lion King, 2010). Taymor’s idea of expanding the film by adding in choreographic elements not only will set the overall concept, it would additionally guide the visual aesthetic by allowing dance as the main element that balances musical numbers in all categories: effects, music and so on into the choreography (Bluemental et al 210:1999). Both Fagan and Taymor gave major contributions to the different styles of dance and performance techniques from around the world creating the precision and versatility that is being portrayed in the musical. In order to create the ideal staging of the hunting lionesses, flying dancers in the aerial ballet to the takeover of the hyenas at Pridelands, the collaboration between Fagan and Taymor gave suggestions of how these movements being performed with grace and poise using different dance styles and are cultural based be the forefront of the production(Taymor 148:1997). By looking at three notable dances in the musical, this chapter will analyse the presence of dance and movement being portrayed in the musical and how are these dances create the drama, still giving the idea of moving in an African Savannah. Furthermore, this will give an insight to all challenges and pitfalls both Fagan and Taymor endured during the development of the...
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
the king of a Pride Land, who is murdered by his brother and then the
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
In once of his many escapades his evil uncle Scar is teaching him how to growl which results in a stampede of wildebeest to come towards him. Mufasa, who is Simba’s father, in an attempt to save him dies by the hands of his older, jealous, brother. Scar pushes Mufasa off the cliff into the stampede. When Simba discovers his dead father he flees, feeling responsible for the death of his father, and Scar becomes the new ‘king’ of the jungle. Simba is raised by two strangers he meets in the desert and after some time passes he discovers that his uncle is the reason his father is dead and that he has taken control of the prairie. After being conflicted by his emotions and meeting an apparition of his father he finally decides to confront his uncle and take back the kingdom. The film ends with scar, the uncle, being eaten alive by his minions and he is the cause of his own demise. Simba restores balance to the ecosystem and all is well, which is a beautiful ending to a Disney film.
Mulan seems to be a feminist film which encourages individual women to take care of themselves. However, the film is not free from traditional gender roles. While the film may be progressive by removing the "damsel in distress" plot, further analysis shows it isn’t a feminist film at all. Disney’s Mulan reinforces a black and white societal role of gender that privilege men over women. In contrast the poem is incredibly progressive, it shows a woman fighting just as well as men and men accepting her as a powerful warrior not being jealous of her power. The poem removes gender roles whereas the Disney movie reinforces them.