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Walt disney company success
Walt disney company success
Walt disney company success
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Disney’s success continued in adapting their hit animated film into a theatrical phenomenon. I finally got to go see the musical version of The Lion King last week, and the first few words that come to my mind are: “amazing,” “stunning,” and “unbelievable!” My expectations were met, as my eyes grew wider with the bright, colorful lights, breath taking costumes, and the superb music of the first scene. I was a little unsure at first, wondering how in the world Disney was going to manage putting a film starring non-human characters, and animated ones at that, onto a three-dimensional stage. Disney never ceases to amaze me. The Lion King was one of the many impressive displays of an elaborate musical production that I have ever had the pleasure of seeing.
The Lion King is the tale of Simba, the son of the Lion King Mufasa (Rufus Bonds, Jr.). The birth of the new heir displaces the king's brother Scar (John Vickery), leading the envious Scar to plot the death of Mufasa and Simba. When Mufasa is killed while trying to save Simba, Scar convinces Simba he must go into exile. There, Simba is befriended by a meerkat, Timon (Danny Rutigliano) and a warthog, Pumbaa (Bob Bouchard), and grows to adulthood (adult voice of Matthew Broderick) blissfully free of responsibilities. However, when childhood friend Nala (Moe Daniels) coincidently finds Simba and informs him that Scar is destroying the pride land, Simba must decide whether to keep his distance or to confront his demons...and Scar....
In The Lion King, the role of the young prince whose father is murdered is played by a cub named Simba, whose naivete procures him more than his fair share of hardships and troubles. By the acts in the story alone, one can see that Simba is a direct representation of Shakespeare's Hamlet Jr., but not only that, each of them shares similar actions in the play. Interpretations if Simba's actions are as profound as Hamlet's, particularly of why Hamlet delayed in exacting vengeance for his father's death (Harrison 236). Both Simba and Hamlet Jr. "delay" their action of retribution for their respective father's deaths. The loss of their paternal companion leaves Hamlet incre...
The Lion King is a Disney animated movie portraying the life and times of Simba, who later becomes the greatest lion king known in the land. Simba's rise to the throne is a journey fraught with perils and hardships that make it an absolutely trilling story for the whole family! Although The Lion King is an exciting and entertaining movie, the movie is also a good illustration of several psychology concepts.
The Lion King is a well-known children’s movie that was produced by Disney. The movie begins with a small cub being presented to the kingdom by his parents, Mufasa and Sarabi (Hahn, Minkoff, & Allers, 1994). The small cub is named Simba and he will one day become the king of his father’s kingdom. Mufasa’s brother, Scar, does not like that Mufasa’s son will one day take over, and plots to kill Mufasa and Simba (Hahn, Minkoff, & Allers, 1994). The movie continues on, and Mufasa saves Simba from a stampede, but Scar will not save Mufasa (Hahn, Minkoff, & Allers, 1994).
Although the movie The Lion King is often times viewed as nothing more than a child-based movie, in actuality, it contains a much deeper meaning. It is a movie that not only displays the hardships of maturation, and the perplexities associated with growing, but it is also a movie that deals with the search for one's identity and responsibility. As said by director Julie Taymor, "In addition to being a tale about a boy's personal growth, the `Lion King' dramatizes the ritual of the `Circle of Life'." Throughout The Lion King, Simba must endeavor through the cycle of birth, death, and rebirth to take his place in the circle of life, as king of the pridelands.
Hamlet decides that if he can convince everyone that he is insane, then maybe he will be able to get someone to tell him more about his father’s murder. In The Lion King, Simba is the prince. Simba’s father, Mufasa, is killed after he falls from a cliff into a herd of hyenas. Simba falls into a deep depression after his uncle Scar twists things around and convinces Simba that he is the one responsible for the Mufasa’s death. Simba can not deal with what has happened and he runs away from the kingdom.
The Lion King is a story based around the betrayal of a king by his brother. The brother’s ambition of becoming the king leads to him killing the true and current king. In The Lion King, Scar betrays his brother by killing him to gain the throne for himself. Through Psychoanalytic Theory, it is clear that Scar feels shame because he is not the king and the next in line for the throne is his nephew. This shame eventually leads to Scar betraying his brother because of his ambition.
...wed this particular component to make differences to such challenges from one dance to the next. This was possible due to Fagan’s approach to choreography that are different compared to another choreography that was designed to other Disney films turned musicals i.e. Beauty and the Beast and Little Mermaid. These two notable musicals have taken the stages of Broadway by storm. However, there is an ingredient missing to those shows that Taymor was able to capture from beginning to end with the Lion King. The Lion King musical gave the critics an idea how actors are moving across the stage, embodying the human and animal aspects of all characters from an animated element. It was a risky challenge that Fagan took by radically going from the negative into the positive using dance and movement vocabulary to balance structure and pacing of the highly successful musical.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The works of Karl Marx have had a great effect on the world. They influenced many people including Vladimir Lenin. The works of Vladimir Lenin have also been influential. Together they influenced the African Che Guevara who is named Thomas Sankara. Thomas Sankara was a revolutionary hero that enacted sweeping social and economic changes throughout Burkina Faso and inspired many people to believe that Africa could be autonomous and self reliant.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
the king of a Pride Land, who is murdered by his brother and then the
The characters in The Lion King closely parallel Hamlet. Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne. The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure. In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius. Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed. The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil. They support Scar completely, just as Laertes supports Claudius. Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively. Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical. The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala. Nala concentrates on the aspect that Simba is the rightful King and that it is his responsibility to ascend to the throne. She is his best friend and someone whom he trusts. Just as Horatio loyally follows Hamlet, Nala is completely loyal to Simba. Not only are there ties of friendship, but there is also an element of respect and reverence in both friendships. Horatio and Nala both know that they are friends and loyal followers of the rightful king.
The best Disney’s movie to watch as a family is The Lion King. The Lion King is for all ages. This movie talks about our society. Some of the themes, coming of age, society and class, still affects us. Even the music affects us in so many ways, that you are speechless. This movie has a lot of african music. The music of The Lion King has improvisation and call and response which makes the music in the movie even better. Now enough of the movie lets talk about the music.
Stage musicals are risky business ventures, but can garner mass appeal and subsequently big profits (The Economist 2013). Musicals attempt to attract a wide audience by interpreting universal stories or emotions, often looking to high culture source texts that contend with real events. The Lion King is considered the highest grossing musical (Johnson 2014). While based on the Disney film, it clearly utilises the narrative of Shakespeare’s Hamlet and encapsulates such themes as mortality, identity and family.
The Lion King is a movie created by Disney and was released in the summer of 1994. It is about a pride of lions that uphold the cycle of nature, or as they call it “the circle of life” (The Lion King, 1994). The lion pride is considered royalty within the “Pride Lands” and are just and fair when it comes to hunting only what they need. A young prince named Simba is introduced and he is next in line to be the future king. However, Simba’s uncle Scar had other plans. He believed that it was his right all along to be named future king and wanted all of the glory to himself. Eventually, Scar comes up with an elaborate plan to rid the Pride Lands of Simba and the current King, Mufasa and take the throne for himself.