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The oppression of women in contemporary society
The unequal treatment of women in society
The unequal treatment of women in society
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Recommended: The oppression of women in contemporary society
The Life Taking Effects of Suppression
Balls, formal dinners, and social gatherings dominate people’s view of the nineteenth century. Upper-class women lived a life of splendor and grandeur, and the white, gentle hands of those women hardly lifted to do any work. Most would strive to attain such a life because of its outward appearance; however, masked behind the smiles and parties, suppression ran high. Men dominated their households, and they repressed their wives. Life did not live up to the expectation of many women as they struggled against the controlling and authoritative male figures in their lives.
The same holds true for the women in “The Story of an Hour” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Perkins Gilman. These stories delve into the life of two different, but similar nineteenth century women. Through the women 's differing relationships with their husbands and the suppression presented by their husbands, internal conflicts emerge. The two leading females experience repression from their husbands in their daily routines. Throughout her life, Mrs. Louise Mallard, from “The Story of an Hour,” had continually bent her will to that of her husband’s. In the past, she had no choice in what she did, so she found her husband’s death liberating. However, her joy did not last
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In both stories, the husbands fulfilled their expected role as the head of the household. Unlike, “The Story of an Hour,” a deeper and more complicated relationship exists in “The Yellow Wallpaper.” John dictated what his wife did, but he did this out of pure love, and in turn a greater sense of mutual love and empathy existed. John based all of his precautions and decisions on his wife’s recovery, and the narrator submits to John’s will because she does not want to “make him uncomfortable” and trouble him. This mutual concern for the other does not arise in “The Story of an
The 19th Century is an age that is known for the Industrial Revolution. What some people don’t realize is the effect that this revolution had on gender roles in not only the middle and upper classes (Radek.) It started off at its worst, men were considered powerful, active, and brave; where as women were in no comparison said to be weak, passive, and timid (Radek.) Now we know this not to be true, however, back in the day people only went by what would allow ...
So as we look at the lives of women back in the 19th century, they have the stereotypical trend of being a house wife, staying at home, taking care of kids, the house, and aiding the husband in his work. Being in charge of the household makes women have many responsibilities to take care of, but still women are often looked down upon and men who often think a women’s say is unimportant. The two short stories are about two women who have husbands that are successful and the women who feel suffocated by their lack of ability to live their own lives or make their own decisions. The two stories present similar plots about two wives who have grown to feel imprisoned in their own marriages. In the yellow wallpaper, she is virtually imprisoned in her bedroom, and does not even have a say in the location or decor of the room.
Comparatively, the relationships between the two main characters in the stories portray women’s yearning for freedom with different types of confinement. Psychological and physical confinements are terms that we can see used through out both stories. While “Story of an hour” basis its character being emotionally confined, and her great awakening being the room in which she grasps the hope of freedom. The settings show the character analyzes her new life, as her barrier and weight of being a wife is lifted, bring fourth new light. We can see in “The Yellow Wallpaper” that the author chose to base the main character John’s wife, around physical confinement in which her room symbolized imprisonment, and due to her illness mental confinement as well. Soon enough we see that her sickness takes hold making her believe she has desperately found freedom, but in reality she has found nothing merely more than herself. Something she had hated throughout the story, ending in only sadness. Telling us Psychological confinement played a big role as her sickness takes hold of her identity leaving behind the
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Both “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” display women discovering freedom from society’s standards during the setting’s time period. In “The Story of an Hour,” Louise locks herself in her room after discovering that her husband has died and at that point in the story she finds herself more confident in herself. She exclaims, “Free! Body and soul free!” (Chopin 83). After she believed her husband died she finally had reason to take initiative in life and did not have to live a life were nothing was expected of her. She found freedom in locked quarters. Just as John’s wife did in “The Yellow Wallpaper.” As the wife’s sickness progressed, her anxiety over the yellow wallpaper increased. The patterns developed within the walls showed the image of a woman creeping along, and as the shadows of the bars from the window cast across the woman. This can symbolize how she is like the shadow, imprisoned in her room and mansion. As time moved forward, the wife fully identifies with the image in the wall, and by the end of the story she locks herself in her room and frees the woman behind the bars by pealing off most of the wallpaper.
In the early nineteenth century, women were measured as second-class citizens whose existence was narrowed down to the interior life of the home and the care of them children. After marriage, they did not have any rights to own property, maintain their wages, or sign a contract, and were unable to vote. It was expected that women be dutiful wives, never to hold a thought or opinion independent of their husbands. It was also considered inappropriate for women to travel alone or to speak in public. Women were also taught to cease from pursuing any serious education. Silently floating in their cages, they were seen as merely objects of beauty, and were looked upon as intellectually and physically substandard to men. However, among these simple housekeepers are social reformers, wonderful mothers, and powerful women of faith who changed the world by changing their own.
Throughout history, women have had to continuously fight for their rights and equality in society. Women have fought to separate themselves from their controlling husbands, fought to become independently accepted and have fought to create their own destiny. Within their short stories, Charlotte Perkins Gilman and Kate Chopin address this search for freedom and independence. Chopin’s publication of “The Story of an Hour” in 1894 was not far behind Gilman’s publication of “The Yellow Wallpaper” in 1892. During this time period, women were starting to fight for more social rights and social equality. Both stories analyze the social standards of this time and the oppression of women by men.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men. In The Story of an Hour, the main character, Mrs. Louise Mallard, is a young woman with a heart condition who learns of her husband’s untimely death in a railroad disaster. Instinctively weeping, as any woman is expected to do upon learning of her husband’s death, she retires to her room to be left alone so she may collect her thoughts. However, the thoughts she collects are somewhat unexpected. Louise is conflicted with the feelings and emotions that are “approaching to possess her.”
Narrator and Point of View in The Yellow Wallpaper and The Story of an Hour
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
In the 19th century, women were expected to have certain roles to fit into and create a “normal” society. In the beginning of the 19th century, women did not have the same freedom that they do today.
“Men weren't really the enemy - they were fellow victims suffering from an outmoded masculine mystique that made them feel unnecessarily inadequate when there were no bears to kill.” (quotegarden) As changes in industry and lifestyle swept the nation in the mid-nineteenth century, questions regarding women’s place in society started to arise. This prompted many women to reevaluate their positions in their own lives. At the time, women were dominantly domestic figures, residing in the house to matronly care for children and tend to household duties not to be bothered with by the husband. It is important to note that men in this century were raised and cultivated to have a certain view of women, so they are not actually malicious as some might view them, they are simply products of their environment. It just so happened that women drew the metaphorical “short stick”. Socially and politically, women were not independent. The only voice they had was through their husbands, and relationships and ideas shared with other women at this time were thought to be nothing more than domestic chatter, not to be taken seriously. The only exception to this widely accepted rule was, of course, a widow. She was not tied to a husband or father, or any male for that matter, so she had more freedom over not only her estate but her personal life as well. This is the situation Louise Mallard finds herself in in Kate Chopin’s short story, The Story of an Hour. Chopin illustrates the woman’s newfound feelings of pure freedom that come with the death of her husband and helps readers to understand the oppression felt by women during this time period using Mrs. Mallard’s view on her marriage and her intense emotions, along with the inner conflict she feels. ...
For women, the 19th century was a time of inequality, oppression, and inferiority to their male counterparts. A woman's social standing depended solely on her marital status. For these reasons many women were forced to lead a life of solitude and emotional inadequacy, often causing depression. In Kate Chopin's short story "The Story of an Hour," setting plays a significant role in illustrating the bittersweet triumph of Mrs. Mallard's escape from oppression at the ironic cost of her life.
The Story of an Hour, by Kate Chopin, and The Yellow Wallpaper, by Charlotte Perkins Gilman, both have very similar themes, imagery, and a plot with very little differences. In both stories the theme of the two short stories is the ideals of feminism. Some similar imagery is the idea of freedom and living on one 's own. The plots are very similar, both woman coming into conflict with their husband, feminism, and a tragic ending. Also, both deal with the everyday problems women faced during the periods surrounding the time the stories were written. Mrs. Mallard, from Story of an Hour, and Jane, from The Yellow Wallpaper, both are trying to write their own destinies but their husbands prevent them from doing so. Mrs. Mallard and Jane both