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Creative writing of war
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Recommended: Creative writing of war
“The Letter” by Wilfred Owen deals with the atrocities of war. The soldier writes a letter to his wife telling her what is going on around him. He lies to make everything sound better than it actually is. However, his separate conversation with his comrade reveals the truth of war. These different conversations show how protecting loved ones from the reality of war can have both comforting and damaging results- which can be delineated by the speaker’s diction, and carefully formed prosody.
Throughout the poem, the soldier tries to hide the realities of war from his wife by his conscious choice of diction; however the truth manages to reveal itself. The poem starts off with a very comfortable tone but shifts to present conversations with his
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The speaker tells his wife that “[he] don’t see much of them square-‘eaded ‘Uns” (l.5). He drops the letter “h” and makes grammatical errors that exhibit his illiteracy. His clumsy sentence formations display it, too. In line five, he means to say that he does not see many of “those Huns” but replaces “those” with "them”. The “Huns” refer the enemies of World War I. The speaker speaks to his wife in a comfortable tone to avoid causing any suspicion and to arouse optimism and hope. In contrast, the diction choice changes when the speaker converses with his comrade. When the speaker gets shot, he screams, “Guh! Christ! I’m hit/ Take ‘old/ No, damn your iodine.” (l.20-21). The “h” sound is aspirated on the word "hit" to emphasize the impact of the bullet. The immense pain makes him swear and criticize any help being offered. This shows that during turmoil, it is difficult to be discreet. Even though the soldier tries to protect his family from the truth to comfort them, the truth always manages to spill out in some way. He tries to convince his wife that the war will not harm him but his death at the end of the poem unravels the truth. In addition to this, the varying prosody also shows how protecting loved ones
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
Many war pieces express a distinct sense of truth, hatred, and anger that can be found in the style, tone, and imagery they possess. Incredible images are created in ones mind as war writings are read and heard. Works written by such writers as Siegfried Sassoon, Wilfred Owen, and Tim OBrien really reach out to the audience by way of the authors choice of words and images that they use in their writing. These talented writers create very touching and heart-felt images as they write about the true occurrences, problems, feelings and emotions that soldiers encountered throughout times of war. It is by way of these writers words that the bloody truth of war is heard, rather than the glorified victories heard which overlook the pain that soldiers went through.
She is a casualty of the war, not physically, but mentally. She is wounded emotionally by the loss of her loved one. This poem is set out like a nursery rhyme, its message is simple. The message reads that, in her eyes, war has ruined everything that used to be beautiful. War is unnatural and cruel, completely the opposite of nature.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
Hardships from hostile experiences can lead to the degradation of one's mental and physical state, breaking down their humanity. Wilfred Owen's struggles with the Great War has led to his detailed insights on the state of war, conveying his first-hand experiences as a front-line soldier. 'Dulce et Decorum Est' and 'Insensibility' displays these ideas and exposes the harsh and inhumane reality of war. From the imagery and metaphors, Owen's ideas about the deterioration of human nature resonates with the reader of the repercussions of war.
Owen, Wilfred. “Dulce Et Decorum Est.” World War I British Poets. Ed. Candace Ward. Dover Publications, Inc; New York, 1997.
We have all heard war stories that seemed exciting and adventurous. Some stories are of men who gladly laid down their lives in the glory of battle and would do so again if given the chance. These stories tickle our sentiment and ease the pain of real war, but they do little to help us understand war's brutality. In his poem "Dulce et Decorum Est," Wilfred Owen does not attempt to pull the blood stained wool over our eyes. Instead of a novel quip, Owen gives us a look into the real horror of war. Using images of pain and sorrow, Owen gives us a taste of the front line that crushes any romantic ideas about war.
. Stark anthesis is used to present a shocking lamentation against the barbarity of war.
Through reading this poem several times I decided that the message from the poem is that war is full of horror and there is little or no glory. Methods which I found most effective were Full rhyme and metaphor.
The poem is an easy read, but intriguing at the same time. This poem is about a person who might have been injured in a battle of some kind or a war. The setting is a hospital. Plath leaves many details to the imagination, but the setting is concrete. This poem is written in the first person.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
Through the use of dramatic imagery in Wilfred Owen’s “Dulce et Decorum Est,” Owen is able to recreate a dramatic war scene and put the reader right on the front lines. The use of language is very effective in garnering the readers’ attention and putting the dire images of war into the mind. He emphasizes that war is upsetting and appalling at times. There is nothing sweet about it. He only strengthens his argument by the use of strong descriptive words and vivid figurative language. The utilization of these techniques gives the poem a strong meaning and provides the reader with a vivid portrayal of the events that took place during this grisly occurrence.
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
World War I impacted poetry profoundly. Poets who served in the war were using poetry to share their horrific stories about the hardships they faced. These poets became known as “war poets.” They wrote about the traumatic, life changing experiences that haunted them once the war was over. Intense poems started emerging that portrayed the mental and physical struggles soldiers faced. Two examples of the impact that World War I had on poetry is seen in the poems “Dulce et Decorum Est” by Wilfred Owen and “Repression of War Experience” by Siegfried Sassoon.
The quote shows that when the war is done, the men "will be making homes" (line 6). This shows irony as the war is just beginning however, the authorities are already discussing the events when the war finishes. This is to distract society from the dying soldiers and show them what they will win: new homes.