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The short story, The Laundry Basket, by Lee Maracle touches on many important themes and issues throughout text. In this short text Maracle manages to cover issues ranging from the daily struggles of an indigenous woman, to the power imbalance present between the white man and the indigenous people. The most pressing issue acknowledged in this excerpt, however, is the battle of a mother and wife against the idea of what she should be doing with her time versus what she wants to be doing and her aspirations.
A defining moment in the text relating to the theme is when the narrator describes her way of saving time as akin to, "the way misers save money." Misers are considered to be extremely stingy people who reserve their money for the bare
necessities as way of saving it up for something they truly desire. By comparing herself to a miser a picture of a woman who does what she absolutely has to and saves the rest of her time for writing is painted. This metaphor helps to emphasize the struggle between what the narrator describes as worthy of her time, and what she has been told is worthy, while the rest of the world might place importance on tasks such as cooking or cleaning this woman believes that her writing and spreading her message and stories is a more valuable use of her time. The author also uses repetition throughout the text to portray the importance and significance of a word to the narrator. The repetition of 'scribbling' at both the beginning and end of this passage signifies how important writing is to the reader. It is both the narrators first and last thought, everything she thinks or does has to do with scribbling. Not her husband or children which was expected of a woman at the time, contrary to this she actually only refers to them through implication and as an evil force against working against her and her writing. Finally, the narrator describes her stories as coming out in, "clean, neat rows." The use of the words clean, and neat to describe her writing is almost mocking the definition of a typical housewife. Generally speaking, your house should be described as clean and neat, but the narrator is no longer interested in her house anymore. Her focus has shifted to her writing and the ideals of a perfect house has come with it.
The first three chapters focus on women in agriculture and reproduction and in the process unveils how the “internalization of prescribed gender traits colored people’s reactions to the world around them (p. 25).” Unger spends a great deal of time discussing how Native Americans and enslaved Africans used reproduction as a means of resistance and autonomy in their status. Unger does not shy away from practices that uncomfortable like abortion and infanticide. Unger notes the practice of “prolonged lactation, Native American women, like their European counterparts, also practiced infanticide and abortion (25).” She discusses these topics with unbiased language and does so without using any judgmental tone or justification for such practices. Reproduction is discussed in terms of its effects on the
Significantly, Welch deconstructs the myth that Plains Indian women were just slaves and beasts of burden and presents them as fully rounded women, women who were crucial to the survival of the tribal community. In fact, it is the women who perform the day-to-day duties and rituals that enable cultural survival for the tribes of...
The story depicts the injustices experienced by both women of the land owning class and the indigenous people.
People in these Montana prairies had an isolated life where “Every generation relearns the rules its fathers have forgotten”, cursed nature when it threatens their livelihood, yet realized that “This land owes you nothing” [p. 60]. This was a time and region where the difference between what was expected of men and women was paramount. Children grew up working hard, knowing their place in their society and grew up quickly as a result. Being somewhat of a tomboy, Blunt could handle farm equipment and chores as well as her brother, yet was still expected to learn how to cook, clean and care for the men. As with previous generations, it was expected that she follow a planned path to becoming a rancher’s wife. But Judy Blunt always felt there was something more to this hard, bleak life and began a long journey towards breaking clean from the constraints of her upbringing.
In Alice Walker’s story “Everyday Use,” symbolism, allegory, and myth stand out when thinking about the characters, setting, and conflict in the story. The conflict is between the mother and her two daughters (Maggie and Dee). There is also the conflict between the family’s heritage (symbolized by the quilt, bench, and butter chum) and their different ways of life. Dee chose a new African name, moved to the city, and adopted a new way of life while Maggie and her mother have stay behind. The quilt (the most important symbol) represents the family’s heritage in that it is made of scraps of clothing worn by generations of family members. The quilt has been sewn by family hands and used on family beds. It has seen history and is history. Maggie and her mother see that that history is alive but Dee thinks it is as dead as her name. Dee does not see that name as part of her heritage. By analyzing these symbols, a number of possibilities for a theme can be seen. Walker could be suggesting that to understand the African-American heritage, readers have to include the present as well as the past. However, the theme could be that poverty and a lack of sophistication and education cannot be equated with ignorance. Lastly, she could be telling her readers that dignity or self-respect rise from and are virtually connected to one’s entire heritage- not just a selected part of it.
Nevertheless, Cisneros’s experience with two cultures has given her a chance to see how Latino women are treated and perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
In “Everyday Use” by Alice Walker, we hear a story from the viewpoint of Mama, an African American woman, about a visit from her daughter Dee. Mama, along with her other daughter Maggie, still lives poor in the Deep South while Dee has moved onto a more successful life. Mama and Maggie embrace their roots and heritage, while Dee wants to get as far away as possible. During her return, Dee draws her attention to the quilt. It is this quilt and the title of the piece that centers on the concept of what it means to integrate one’s culture into their everyday life.
Alice Walkers “Everyday Use”, is a story about a family of African Americans that are faced with moral issues involving what true inheritance is and who deserves it. Two sisters and two hand stitched quilts become the center of focus for this short story. Walker paints for us the most vivid representation through a third person perspective of family values and how people from the same environment and upbringing can become different types of people.
Feminism and Indigenous women activism is two separate topics although they sound very similar. In indigenous women’s eyes feminism is bashing men, although Indigenous women respect their men and do not want to be a part of a women’s culture who bring their men down. Feminism is defined as “The advocacy of women 's rights on the ground of the equality of the sexes.” In theory feminism sounds delightful despite the approaches most feminists use such as wrong-full speaking of the opposite gender. Supposedly, feminism is not needed as a result of Indigenous women being treated with respect prior to colonization. Thus, any Native woman who calls herself a feminist is often condemned as being “white”. This essay argues that Indigenous women may
“I am a large, big boned woman with rough, man-working hands” Mama describes of herself in the short story Everyday Use by Alice Walker. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She is never vain, never boastful and most certainly never selfish. She speaks only of her two daughters who she cares deeply for. She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how much they value their family. Mama never speaks of herself, other than one paragraph where she describes what she does. “My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing” (Walker, 60). She does not need to tell readers who she is, for her descriptions of what she does and how her family interacts, denotes all the reader needs to know. Although Mama narrates this story rather bleakly, she gives readers a sense of love and sense of her inner strength to continue heritage through “Everyday Use”.
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
In Act I, it seems evident that Nora does not understand the actual value of money but she has an infatuation with luxuries such as expensive Christmas gifts and she justifies this by buying less expensive clothes, which she has confided in Mrs. Linde, her friend. Helmer, immediately labels his wife as a “little spendthrift” (Ibsen, 660). She seems to think that money can be easily borrowed and paid back.
“Everyday Use” is a story based in the era of racial separation between communities of diverse ethnicity. “Everyday Use” by Alice Walker merely scratches the surface of racial heritage and the elimination of previous ways of living. This discontinuation of poverty driven physical labor shines through Dee as she grows to know more of her heritage throughout her years in school. An example of this is when Dee changes her name; this is an indication of Dee/Wangero wanting to change her lifestyle after the harsh truth she is hit with while going to school. Dee learns about the struggles of African Americans during this time, which changes her view on the unforgiving reality of her family’s lifestyle. In “Everyday Use”, the author opens the mind
Heritage is one of the most important factors that represents where a person came from. In “Everyday Use” by Alice Walker, this short story characterizes not only the symbolism of heritage, but also separates the difference between what heritage really means and what it may be portrayed as. Throughout the story, it reveals an African-American family living in small home and struggling financially. Dee is a well-educated woman who struggles to understand her family's heritage because she is embarrassed of her mother and sister, Mama and Maggie. Unlike Dee, Mama and Maggie do not have an education, but they understand and appreciate their family's background. In “Everyday Use,” the quilts, handicrafts, and Dee’s transformation helps the reader interpret that Walker exposed symbolism of heritage in two distinctive point of views.
Mrs. Linde, on the other hand, knows what it is like to not have money to spare. She values money, but for an entire different purpose. The looks at it for what it is worth, and how it can help her survive. Her entire life she has had to work hard for anything that she wanted or needed. “Well, anyway,” she responded to Nora’s remark on having stacks of money, “it would be lovely enough to have enough for necessities” (703). To survive, she “had to scrape up living with a little shop and a little teaching and whatever else [she] could find” (704).