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Effect of symbolism on the kite runner
Symbolism in the kite runner essay
Symbolism in the kite runner essay
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Breaking down the film, The Kite Runner, there was an imperative and huge significance of the kite and the pomegranate tree which I will explain using John Beattie's hypothesis of instrumental and expressive action. I will likewise explain how Amir's life changes after some time using Arnald Van Gannep’s theory about the rites of passage and argue that the key message of the film was about loyalty, betrayal and redemption Another situation that I will discuss is the manner by which Sohrab's traumatic occasions have influenced him using Harvey Whitehouse's hypothesis on how religiosity and how its in view of two distinct types of memory, imagistic and doctrinal. Beattie's distinction between instrumental and expressive action is established …show more content…
He contended that all the customs include a transition and have three imperative stages that are separation, liminality and incorporation. The primary phase typically includes some division between the member and the world in which we ordinarily live. The second stage of this ritual process was labeled liminality, this stage may last a long time, or it may be very short, but he argued it is a vital part of transformation, which rites of passage attempt to achieve. The last stage, incorporation, gives an evidence of the new part that the members are to tackle. (Nye 2008, 146) The first stage that is separation could be seen in the motion picture when Baba learnt about the Taliban's approaching to take Afghanistan and he requested that Amir gather up his belongings and they both went away to California. Additionally, Amir got differentiated from Hassan for the last time. When Amir came to California, his way for living changed. It was an absolutely better approach for life for him. Amir was attempting to live with guilt in his heart about what he did with Hassan. Amir and Hassan have an exceptionally solid companionship; Hassan would dependably remain up for Amir when he needed him. It was during the kite rivalry when Asseff assaulted Hassan as he was fighting for Amir's blue kite. Despite the fact that Amir saw everything, he didn't do anything …show more content…
That is, some rituals transfer an experience and understanding of core ideas and beliefs through what he calls the imagistic mode, often through intense and traumatic means. The second one was the doctrinal mode of religiosity works on the principal of repetitive and routinized diffusion of knowledge and beliefs. (Nye 2008,110) We could join Sohrabs adolescence life to this hypothesis as Sohrab has been through a lit and it was reasonable why he was quiet; he had been emotionally traumatized all through his childhood. He was sexually abused consistently before supplications to God and that too from the same individual who killed his parents in public. It was clearly hard for him to backtrack to ordinary life in the wake of having such a spooky past. There was one section in the motion picture when Amir brought Hassan to Pakistan before leaving for California. At the point when Amir woke up in the morning he couldn't find Sohrab for which he went out to look for him. At the point when Amir lost trust and returned home, Sohrab was perched on the stairs and when asked Sohrab let him know that Asseff would get him consistently before the prayers to God and he didn't want that to happen once more. Additionally Sohrab thought himself to be dirty due to how he was dealt with by Asseff. Amir comforted him by
Page 225 - “I was learning that Baba had been a thief. And a thief of the worst kind, because the things he’d stolen had been sacred: from me the right to know I had a brother, from Hassan his identity, and from Ali his honor.”
Khaled Hosseini’s direct and indirect characterization of Amir in chapters twenty through twenty-three of The Kite Runner are used in order to advance the plot and Amir’s personality.
Actions made in a moment of pain, anger or simple immaturity can take anyone to make mistakes that can change their lives completely. Everyone has something in the past that is shameful, embarrassing and regrettable that is kept present daily. Whether this event happened during childhood, adolescence or early adulthood, this event could haunt and have shaped that person’s life into what he or she is today. In a similar way, in the book The Kite Runner by Khaled Hosseini is shaped by a tragic and eventful past that has shaped Amir’s, Baba’s, and Hassan’s life. The four literary elements that will be used in this essay that Hosseini strategically uses in this book are: irony, simile, Metaphor, and personification.
The Kite Runner is a novel of a Sunni Muslim, Amir, and a Hazara boy, Hassan. Hassan is the son of Amir’s father’s servant. Amir and Hassan spend their childhood days playing with one another in the streets of Kabul. Amir’s father, Baba, as referred to in the novel, loves both of the boys equally. Although, Amir believes that Baba loves Hassan more than himself. Amir struggles to find understanding from Baba for killing his wife during childbirth. Amir strives to make him proud. The Hazara boy, Hassan, finds himself often in trouble protecting Amir, and questioning whether Amir would do the same for him. Over twenty years after Amir left Kabul, and his childhood friend, Hassan, Amir returns to Kabul to find his brother dead by the Taliban, and his son residing in a local orphanage. Amir ventures on to find a way to be good again, while trying to save his childhood friend, Hassan’s son. The motif changes to show how their relationship is growing and evolving thus helping Hosseini, the author of, The Kite Runner, develop his theme in the novel. Friendship does not require physical connection.. The Pomegranate tree is used as a motif and changes throughout the novel. Amir often returns to the motif of the Pomegranate tree. In the beginning of The Kite Runner, Amir and Hassan’s friendship is flourishing as they share stories and laugh by the pomegranate tree. Hassan and Amir bond over stories such as, “Shahnameh,” (Hosseini, pg. 103). As the novel continues, Amir throws pomegranates from the tree at Hassan, breaking the physical relationship between himself and Hassan. At the end of the novel, Amir returns to find the tree dead, and their physical relationship is gone, but they both think of themselves as friends.
Amir then decides to forget about his sin because he thinks nothing can be done now that it is already committed. A while later, Amir and Baba moved to America because of the ongoing war in Afghanistan. . He tries to start a new life over there, “For me, America was a place to bury my memories.” (129).
Though some may rise from the shame they acquire in their lives, many become trapped in its vicious cycle. Written by Khlaled Hosseini, The Kite Runner describes the struggles of Amir, his father Baba, and his nephew Sohrab as they each fall victim to this shameful desolation. One repercussion of Baba hiding his sinful adultery from Amir is that Amir betrays Hassan for his father’s stringent approval. Sohrab’s dirty childhood also traumatizes him through his transition to America. Consequently, shame is a destructive force in The Kite Runner. Throughout the course of the novel, Baba’s shameful affair, Amir’s selfish betrayal, and Sohrab’s graphic childhood destroy their lives.
Amir and Baba both shared the same guilt from the betrayal of their best friends. Only Amir was able to relieve that guilt and redeem himself by adopting Hassan’s son Sohrab. Baba never owned up to his secrets and that ended up hurting a lot of people in the end. Amir was determined not to end up like his father. Not telling Amir and Hassan that they were brothers was the biggest mistake Baba ever made. Amir didn’t want to continue with the lies and the secrets, so the first chance he got he told Sohrab that he was his uncle and that Hassan was his brother. Starting with no secrets was the beginning of a better life, free from guilt, for both Sohrab and
In conclusion irony, symbolism, and foreshadowing contribute to the omnipresent theme of redemption throughout The Kite Runner. Khaled Hosseini ties together seemingly unimportant details of the story to create irony, and juxtaposes segments of his book to show redemption.
The story The Kite Runner is centered around learning “to be good again.” Both the movie and the book share the idea that the sins of the past must be paid for or atoned for in the present. In the book, Amir can be seen as a troubled young boy who is struggling with a tremendous amount of guilt. It is easy to blame Amir’s actions on his guilt and his father’s lack of love for him.
The internal battle of right and wrong also occurs between the morals and actions of the person. The Kite Runner, by Khaled Hosseini, follows the story of a young boy from Afghanistan struggling with guilt from his childhood. Hosseini uses descriptive words in order to immerse the reader into the conflict occurring within a character. When the town’s bully rapes Amir’s best friend, Hassan, Amir is aware what is happening is wrong and he should do something to stop the act. Amir knows his action of not reacting is wrong and reminded of his cowardly action whenever he sees Hassan: "Because when he was around, the oxygen speed out of the room. My chest tightened and I couldn't draw enough air; I'd stand there, gasping in my own little airless
The film The Kite Runner deserves praise because of the filmmakers’ interpretation of major scenes. The most controversial scene of the novel is the rape of Hassan, not because of Amir’s betrayal of his friend, but because Hassan is a child. Children are universally viewed as innocent individuals who require protection, and as a result any violence against children, even fictional, is likely to receive emotionally charged condemnation. Reading the novel, there does not seem to be a favourable way the filmmakers could portray such a scene. However after analysing the film, it can be concluded that Hassan’s rape is handled as well as realistically possible because the sexual assault of a child is directly implied without being mentioned or shown. Another aspect of the film that was handled well was the preface. In the novel, Amir, then in adulthood, states the impact a major event twenty-six years ago had on the rest of his life. This section also includes references to his friend Rahim Khan and the kites flying in Golden Gate Park. In the film similar information is also portrayed because of English subtitles that translate a phone conversation between Amir and Rahim Khan, as well as a scene, which features kites flying in front of the Golden Gate Bridge. However, in addition to this, the film also expands on the number of allusions by showing Amir’s wife Soraya as well as copies of his published novel. These additional details are appreciated because it allows for connections between the preface and the rest of the plot. The film’s preface is also superior because these new details are not integral to the storyline, and as a result do not ruin it, while the novel’s preface about a life changing event reduced the emotional impact of Hassan’s rape. Although this film should be held in high esteem because of the interpretation of major scenes, it is only one reason why this
The story of Rostam and Sohrab is a key element in Khaled Hosseini's novel The Kite Runner. As the favorite tale of Amir and Hassan in their childhood, this epic story also has a manifold significance throughout the novel. On the one hand, this ancient story can be considered as a metaphor for the characters and destinies of Baba, Amir and Hassan. On the other hand, the divergence in understanding the fates of Rostam and Sohrab demonstrates how backgrounds and experiences influence Amir's and Hassan's life attitudes. Moreover, the name of Sohrab has special meanings to Amir and Hassan, because it is not only an anchor of Hassan's heroic dream, but also the hope and motivation of Amir's redemption.
Author: Khaled Hosseini published The Kite Runner in 2003. By 2005 it became the number one New York Times Bestseller. Although this book was his first novel, people still couldn’t get enough of his story about the troubled friendship between two boys. Sylvester Stallone, an American actor, once said, “Most action is based on redemption and revenge, and that's a formula. Moby Dick was formula. It is how you get to the conclusion that makes it interesting”. From time to time mistakes are made every day, and however the story ends will describe your mistakes. In The Kite Runner, the kite is the most important symbol that represents Amir’s past; just like a kite flying in the sky full of soars and dives, Amir's life was the same way as a kite flies.
“We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard defining edges.”-Gene Wolfe. Wolfe connects how the symbolic events can connect and shaped the person as a whole. The symbol of The Kite Runner is the event of running the kites. The ideas of such an event shape many of the characters, especially Hassan and Amir.
Cultural and societal norms forbid the expression of certain feelings and influence the thoughts we are allowed to share. Inhibiting our emotions creates inner-turmoil, which influences long-term guilt and shame. However, sometimes we, ourselves decide to keep our feelings a secret because we are anxious about our reputations and how others see us. The Kite Runner, by Khaled Hosseini, is a strong example of how the lack of sharing these feelings affects our future emotional developments. In the book to movie adaptation of The Kite Runner, the point of view is changed from first to third person, so we must rely purely on Amir’s actions to understand instead of the descriptive details of his thoughts, and because of this we lose the understanding of his emotions and some of the relationships throughout the movie thus, weakening the theme significantly; when people stifle their thoughts, they often experience remorse, but when people share their thoughts, they feel a sense of relief.