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Portrayal of women in film
Portrayal of women in film
Portrayal of women in film
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The Joy Luck Club
1. From the film The Joy Luck Club, Chinese girls were supposed to act obedient and respectful to their parents and elders. This included the girls having to abide by each and every Chinese tradition that their parents instilled in them. Girls were also expected to be quiet and considerate to their parents and elders. They were only supposed to speak when spoken to at all times. Acting out against anything their parents enforced upon them was completely unacceptable.
2. Much like to their parents and elders, Chinese girls were supposed to be quiet and obedient to their husbands and mothers-in-law. Girls were supposed to respect, and not openly question the decisions that were made in the household. These women were taught to always ask what the husband wants and to ignore their own wants and needs. Chinese wives were there mainly to provide the mother-in-law with grandsons.
3. Chinese victims of rape were treated with complete disrespect and disbelief. As with the one mother in The Joy Luck Club, she was kicked away by her own family for making such a claim. These rape victims were seen as disrespectful to their families and themselves. One social consequence of claiming rape is that their families shun the women and force them to leave their homes. Secondly, the community shuns them as well. As with the woman in the film, she was denied work and abandoned by her neighbors. She was eventually forced to marry her assailant in order to save her child.
4. One of the main psychological consequences of having the system of many wives and concubines is that not only the husband, but also wives have complete power over each other as in a hierarchical system. As in the film, the secon...
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... did not afford her these things, Lindo is being very cautious, often critical, of her daughter and the choices that she has.
10. The daughters in this film struggled with traditional sex roles mainly due to the influence of their mothers. In many cases, the mothers tried desperately hard to encourage their daughters to have power over their lives, be successful, and have a strong self-esteem. This over-encouragement to lead a life that they could not, led many of the daughters to feel inferior because they could not live up to their mother's expectations. In some cases, this led to the daughters getting involved in relationships in which they relied on their husbands for power and support. So in essence, it was their mothers' extremely high hopes for their daughters that led them to feeling inferior as women when these hopes could not be fulfilled.
Freedom for a Chinese woman was about being independent and to be considered equally important as a man in the Chinese society. The women in traditional China were seen as child-bearers and that was basically considered their main role in their marriages. The women must give birth to a male in order for the family name and traditions can be carried on. If the child was a female, then she’d be of no use to the family and would be married off to another family. It was very difficult for the women since they weren’t able to live life their way due to the old Chinese traditions that were established long ago.
Firstly, the relationship expectations in Chinese customs and traditions were strongly held onto. The daughters of the Chinese family were considered as a shame for the family. The sons of the family were given more honour than the daughters. In addition, some daughters were even discriminated. “If you want a place in this world ... do not be born as a girl child” (Choy 27). The girls from the Chinese family were considered useless. They were always looked down upon in a family; they felt as if the girls cannot provide a family with wealth. Chinese society is throwing away its little girls at an astounding rate. For every 100 girls registered at birth, there are 118 little boys in other words, nearly one seventh of Chinese girl babies are going missing (Baldwin 40). The parents from Chinese family had a preference for boys as they thought; boys could work and provide the family income. Due to Chinese culture preference to having boys, girls often did not have the right to live. In the Chinese ethnicity, the family always obeyed the elder’s decision. When the family was trying to adapt to the new country and they were tryin...
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
In “Two Kinds”, the mother is constantly demanding respect from her daughter. It reminded me of when a friend of mine said, “I’m my own Chinese mother” while she was preparing for finals week. Is it culturally understood that Chinese mothers are strict? At the end of the story, the mother, very upset, demands:
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
In China if you were a "different kind of girl" your family would completely disown you. That 's what happened in Maxine Hong Kingston 's essay "No name Woman". Her aunt, whose name shall never be named violated the norm for women. The aunt 's husband was gone and when he was gone the aunt winded up pregnant and everyone in the village knew it wasn 't her husband 's child. The author believes that her aunt was forced to commit adultery because she writes, "My aunt could not have been the lone romantic who gave up everything for sex.Women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil. I wonder whether he masked himself when he joined the raid on her family"(386). Women can be forced to have sex with a man but the women are still at fault. The women get the worse treatment in situations like this while men 's treatment subsides. Maxine Kingston quotes her mother, " Don 't let your father know that I told you. He denies her, Now that you have started to menstruate, what happened to her could happen to you. Don 't humiliate us. You wouldn 't like to be forgotten as if you had never been born. The villagers are watchful"(385). It sees as that the women are the only ones who have to carry this stress of "don’t humiliate the father by going against the standards for women" while men are free to do what they so choose and if they do anything wrong they are soon
The cultural ideals of the daughters and their mothers are different and difficult to reconcile, however this conflict, as shown in The Joy Luck Club and The Kitchen God’s Wife can be resolved through storytelling. One major tenet in Confucianism is filial piety which requires children to show absolute respect and obedience to their parents or guardians. However, in America, the relationship between a child and an adult is much more relaxed. In the Joy Luck Club, Jing-mei was forced by her mother to try to find something she was talented in such as piano playing. However, after a failed recital Jing-mei refuses to practice and her mother’s outburst epitomizes the cross-cultural differences, “Only two kinds of daughters...Those who are obedient
Gender equality has been an issue in the world for the past century. The contrast between men and women in China begins at home and translates into workplace expectations. In China, the expectation in the home is that men are superior to women and that she should be obliged to serve her husband. According to the Passport to China, “Confucianism is still a major factor in Chinese culture. A direct quote from the Passport to China represents this well. “The Confucian husband rules over his wife as a lord rules his people.” This essentially means that the husband is superior to the woman entirely in households that still maintain the Confucian attitudes of the past.
There are big differences in how Chinese mothers act towards their children compared to Western mothers including the expression of feelings and approval, the worth of their children, and what is best for them. Amy Chua (2011) incorporates her own personal experiences of being a Chinese mother within her article and compares that to what she witnesses in America.
Is it fair to judge someone by their sex? In traditional Chinese culture, many judgments were made about a person just by observing their sex. The woman was looked upon as an inferior being. They had little or no status in society, and little was expected from them. They were discriminated against when they tried to stand up for themselves. Chinese culture was customarily male dominated. The male was expected to do most of the work, and the woman was expected to stay at home with their mouth shut. This custom leaves an unwelcome feeling in a woman's heart. They feel like no one cares, and it makes it much harder to live with an optimistic view on life. In the novel, The Joy Luck Club, by Amy Tan, reviews the lives of three Chinese women, Ann-Mei Hsu, Lindo Jong, and Ying Ying St. Clair. These women grow up in traditional Chinese homes, where there is sexism. They deal with serious problems that corrupt their lives. Through perseverance and the passing of time their lives return to normal. Ann-Mei, Lindo, and Ying Ying are subjugated by males because of their sex, and Chinese tradition. Ann-Mei was oppressed in many ways. Her mother was invited to spend time at the home of a wealthy merchant named Wu Tsing. At night he would come into Ann-Mei's mother's room and rape her. Despite emotionally scaring Ann-Mei this demonstrates the lack of respect for a women in China. Ann-Mei's mother is forced into concubinage because of her lack of power as a women. She becomes the third wife. As a third wife she maintains very little status in the home of Wu Tsing. Ann-Mei's family disowns her mother because by becoming a third wife she has brought shame to her family. "When I was a young girl in China, my grandmother told me my mother was a ghost". Ann-Mei is told to forget about her mother and move on in her life. The fact that Ann-Mei is told to forget her mother because she has become something she could not control, is preposterous. She was raped and forced into concubinage. The lack of appreciation for a female causes this feeling of shame for the Mei family. Since rape and polygamy is accepted in China, it makes it appear that what Ann-Mei's mother has done is wrong, and what Wu Tsing did was right and normal.
The Joy Luck Club is a story about four Chinese friends and their daughters. It tells the story of the mother’s struggles in China and their acceptance in America, and the daughter’s struggles of finding themselves as Chinese-Americans. The movie starts off with a story about a swan feather, and how it was brought over with only good intentions. Then the movie goes on, the setting is at a party for June the daughter of Suyuan. Suyuan has just past away about four months ago, and her mother’s friends have found her long lost daughters. But it is too late for her to go see them so they tell June, about it and they arrange a meeting for her in China. The party is a going away party for June’s trip to China. At the party June realizes that she was expected to take the place of her mother at the mahjong table. June sat at the East where it all starts “The Joy Luck Club”. The Joy Luck club was a weekly meeting of the best friends, were they talked about their hopes for their daughters and there stories of the past.
The Wife prefaces her tale with a rather lengthy prologue, in which she recounts in detail the story of her five different marriages. The prologue might at first glance appear to have very little relevance to the actual tale, but in fact the Wife’s treatment of her husbands (and their responses to her) are echoed later when she begins her tale. The Wife’s husbands fall into two categories: the rich and elderly, or the “goode,” and the young and virile, or the “badde” (203). The older husbands, while wealthy, are unable to satisfy the Wife in the bedroom. However, she takes great pleasure in dominating these men in almost every aspect of each marriage. Sh...
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
The mother in "Girl" is portrayed as an overbearing monster. For some unknown reason, she has given her daughter many guidelines by which she has to live by. The reason may be that the mother was a rebel in her childhood. It could be that the mother has a vision of what her daughter is to be like. The reason is unknown. But what is known is that this mother won't take anything less than what she thinks a lady should be like. To the knowledge of the reader, the child has done nothing wrong to have to receive this reprimanding. The most demeaning section of the tirade is when the mother says "…` so to prevent you from becoming the slut you are so bent on becoming.'" (Kincaid 13) This mother, for whatever reason it may be, has the idea that her daughter, who she is SUPPOSED to love with all her heart, has her young mind set on becoming a slut.
Family dynamics are a very interesting thing. We all have to deal with them. There while are there many different cultures and many different ones. Amy tan does great job of tackling through the lens of Chinese culture while also relating the subject to family’s what aren’t in said culture. This is a classic story about parents v. child and the choices they, or we if you have kids, make for their children. Often, parents want the very best for their children—especially if they come from poorer backgrounds of life—and they only want the best for them. The thing about wanting the best and expressing. The mistake that is often made is that they end up placing so much pressure on the kid that