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How does aristophanes use satire in lysistrata
Introduction to an essay discussing the role played by jealousy
Introduction to an essay discussing the role played by jealousy
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A large number of drunken people arrive loudly as Socrates finished his speech. One of them happened to be Alcibiades who demanded to see Agathon. He continues to praise Agathon as the smartest and best looking man in town, asking if he could join the party in which they all agreed. Alcibiades was asked to sit next to Agathon, which he planted his seat right in between him and Socrates. Socrates ends up getting accused by Alcibiades because he asked him how he happened to trap Agathon and sit next to him, which senses a lot of jealousy coming from Alcibiades. He asked Agathon for help and stated that everything he’s saying is to create a drift between them.
Alcibiades asked for drinks and what they were doing in which Eryximachus tells him
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The role reversal that was mentioned in Diotima’s speech occurs again because Alcibiades is the pursuer and Socrates the pursued. Alcibiades’ speech had laughter when he finished. Socrates was compared to Eros in this comedic speech. My friend who is a philosophy major said Plato compares tragedy and comedy. Socrates speaks to Agathon and Aristophanes about the importance of mastering the skills of comedy and tragedy. The speeches reflect on the nature of the tragedy/comedy and the order of love. Alcibiades’ speech resulted in Socrates as Eros and their characteristics being the same.
Alcibiades’ speech played a fundamental role in the Symposium because it was different from the other five speeches given. It serves as a spiritual copy completing Socrates’ speech because he compares Socrates as Eros since they share the same features. It seems that Alcibiades portrays Eros in a way it’s easier for readers to grasp and understand. It seems that people would reject the idea of love if it does not involve sex but rather a philosophical touch to it. The way that Alcibiades’ speech was portrayed makes it easier for readers to accept Eros and the characteristics of it because they gave a natural
Diotima’s speech is also superior to Phaedrus’ speech because his main point is that love will motivate people to not do shameful things in front of their lover. His argument does not address whether or not the love is actually good or bad between the beloved and the lover. By good I mean containing happiness. In his example, the individuals may not be happy at all. In fact, the
Within the many layers of Aristophanes’ comedic play Clouds, the ceaseless conflict between human nature and political virtue is unmistakable. After being expelled from the Thinkery, Strepsiades refuses to give up his cause to evade his creditors and sends his reluctant son Pheidippides to learn the art of rhetoric in his place. Even before venturing to the Thinkery, Pheidippides warns his father that he will severely regret his decision to coerce him into learning with Socrates, a correct prediction. When both Strepsiades and Pheidippides enter the Thinkery, Socrates introduces both the Just Speech and Unjust Speech. Yet, he immediately exits and leaves Pheidippides to observe and “learn them [just and unjust things] himself” (886). The two
The Tragedy of Alcibiades in Plato's Symposium. In Symposium, a selection from The Dialogues of Plato, Plato uses historical allusions to demonstrate Alcibiades’ frustration with both social expectations for the phallus and his inability to meet these expectations. Alcibiades’ inability to have a productive sexual relationship effectively castrates him and demonstrates the impotence caused by an overemphasis on eroticism. The tragedy of Alcibiades is that he realizes he is unable to gain virtue through sexual relationships and will therefore be forced to remain mortal, yet he is unable to alter his condition.
For these two articles that we read in Crito and Apology by Plato, we could know Socrates is an enduring person with imagination, because he presents us with a mass of contradictions: Most eloquent men, yet he never wrote a word; ugliest yet most profoundly attractive; ignorant yet wise; wrongfully convicted, yet unwilling to avoid his unjust execution. Behind these conundrums is a contradiction less often explored: Socrates is at once the most Athenian, most local, citizenly, and patriotic of philosophers; and yet the most self-regarding of Athenians. Exploring that contradiction, between Socrates the loyal Athenian citizen and Socrates the philosophical critic of Athenian society, will help to position Plato's Socrates in an Athenian legal and historical context; it allows us to reunite Socrates the literary character and Athens the democratic city that tried and executed him. Moreover, those help us to understand Plato¡¦s presentation of the strange legal and ethical drama.
Plato’s "Apology" gives the substance of the defense made by Socrates to the Athenians at his trial. Meletus, Anytus and Lyncon brought Socrates to court on charges of corrupting the morals of the youth, leading the youth away from the principals of democracy, neglecting the Gods of the State and introducing new divinities.
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
The basileus finds himself entirely humbled by his misadventure of a speech. Agamemnon is drowning here and does what good leaders do, uses his teammates’ strengths. His commander Odysseus is known for his silver tongue. With the help of Agamemnon’s scepter, Odysseus is able to get the men to return, and list to their leader once more. By putting his pride aside for a moment to allow Odysseus to help him Agamemnon does what’s best for his community. In the eyes of the ancient Greeks, his action is one of the most beautiful things a person can do. By accepting help Agamemnon is able to understand and admit his own flaws; he tells his men “Achilles and I are quarrelling about this girl, in which matter I was the first to offend”(Gutenberg). In showing his humility, and being able to speak so soundly he gains a “roar of applause” from the men who just deserted him shows that Agamemnon has once again returned to his full glory as a Basileus
The name “Oedipus” means “swollen feet” in Latinized Greek. His parents, Laius and Jocasta, gave him this name while piercing a metal rod through the ankles of his feet, in order to prevent the fulfilment of the oracle’s prophecy. Despite this heinous act, their efforts were in vain as Oedipus’ free will conquered the theme of fate. In the play Oedipus Rex by Sophocles, the tragic hero, Oedipus, demonstrates hamartia, a fatal error in judgement, which brings about his own downfall. It was Oedipus’ hubris that was responsible for the tragic ending of this play. Evidence of this statement occurs when Oedipus’ determination towards solving the mystery behind Laius’ death ironically lead to the truth behind the oracle’s prophecies. Additionally, Oedipus’ overweening pride and ego resulted in the murder of Laius, which was a major stepping-stone in the prophecy. He illustrates his error in judgment through his pride, blindness, and foolishness and therefore is at fault.
The dialogue begins with Socrates and Euthyphro coming across eachother in front of the court house in Athens. Euthyphro and Socrates are amazed to see each other at such a place and Euthyphro is the first to inquire why the other is there. Socrates answer by saying he is being charged for corrupting the youth for giving false information on the new gods by Meletus, which was a young politician who thinks of Socrates in this way. Socrates sometimes tell jokes about what happen by sometimes making a fool of how Meletus's looked, and says that he thinks the greatness of the youth should be a main concern. Euthyphro states that he too has come across some unapproved details due to some of his godly thoughts that where often not believed as well and Socrates will just have to get through the storm. Socrates then question why Euthyphro has come before the court, with Euthyphro answering that he is prosecuting his own father for murder. Socrates is amazed that Euthyphro would actually prosecute his own father, and says that Euthyphro must be an expert in these matters to be able to do ...
In the Symposium, a most interesting view on love and soul mates are provided by one of the characters, Aristophanes. In the speech of Aristophanes, he says that there is basically a type of love that connects people. Aristophanes begins his description of love by telling the tale of how love began. He presents the tale of three sexes: male, female, and a combination of both. These three distinct sexes represented one’s soul. These souls split in half, creating a mirror image of each one of them. Aristophanes describes love as the search for the other half of your soul in this quote: “When a man’s natural form was split in two, each half went round looking for its other half. They put their arms around one another, and embraced each other, in their desire to grow together again. Aristophanes theme is the power of Eros and how not to abuse it.
The first five speeches bond with each other. Each of them mentions the opinions of the former one in order to either support or against them. However, just like the elements of a beautiful picture, they fail to show us the integration of love. Socrates’ speech does that. It contains the sides mentioned before, and uniquely views Love from a dynamic aspect.
The Apology is Socrates' defense at his trial. As the dialogue begins, Socrates notes that his accusers have cautioned the jury against Socrates' eloquence, according to Socrates, the difference between him and his accusers is that Socrates speaks the truth. Socrates distinguished two groups of accusers: the earlier and the later accusers. The earlier group is the hardest to defend against, since they do not appear in court. He is all so accused of being a Sophist: that he is a teacher and takes money for his teaching. He attempts to explain why he has attracted such a reputation. The oracle was asked if anyone was wiser than Socrates was. The answer was no, there was no man wiser. Socrates cannot believe this oracle, so he sets out to disprove it by finding someone who is wiser. He goes to a politician, who is thought wise by him self and others. Socrates does not think this man to be wise and tells him so. As a consequence, the politician hated Socrates, as did others who heard the questioning. "I am better off, because while he knows nothing but thinks that he knows, I neither know nor think that I know" (Socrates). He questioned politicians, poets, and artisans. He finds that the poets do not write from wisdom, but by genius and inspiration. Meletus charges Socrates with being "a doer of evil, and corrupter of the youth, and he does not believe in the gods of the State, and has other new divinities of his own."
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
According to Aristotle, the protagonist in a tragedy must have a tragic flaw that ultimately becomes the cause of his ruin. Oedipus in Oedipus the King by Sophocles tragic flaw that caused his downfall was his pride. Three examples of when Oedipus’ pride got the better of him were: when he left his adopted parents in Cornith, the second is when he goes against Creon, and the third is when Oedipus is demanding that the messenger tell him all he knows about who his real parents are.
Alcestis by Euripides is distinct from other Greek Tragedy, due to its fairy tale origins. It was the fourth play in a set and would therefore have taken the place of a satyr-play. Satyr-plays were usually a light, comic play used as a form of relief from the previous heavy tragedies. The play has its comic elements, Heracles and Death playing the main comic figures but is there a more serious meaning hidden within the comedy? Philip Vellacott in his introduction to a collection of Euripides' plays, states that the main theme of the play is the "unequal relationship of man to woman." He believes this theme to be a reading of the play that would not be accessible to spectators who watched the play purely for enjoyment, but would be found by those capable of serious reflection. Did Euripides foresee such a reading of the play and is there enough evidence to support such a view?