Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Conflict resolution strategies
Conflict negotiation and resolution
Conflict negotiation and resolution
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Conflict resolution strategies
Inner conflicts can subconsciously manifest themselves into physical hinderances, and create numerous obstacles in one's path. In Ursula K. Le Guin's A Wizard of Earthsea, Ged is an exceptionally talented young wizard who navigates his way through the mystical world he eagerly wishes to master. During a spat with a fellow student at a school for wizards, Ged unintentionally summons a shadow monster that proceeds to torment and harm him in several ways, both objectively and mentally. The danger presented by the shadow is one that Ged single-handedly creates, and must be defeated so that balance can be restored. However, before he can conquer the demon he has created, Ged must conquer the demons within himself. Ged's own inner turmoil creates insecurities, doubts, and fears within him that then lead to external conflicts. Ged's insecurities lead him to act irrationally on several occasions, and unnecessarily create dangerous situations for the sorcerer. He first encounters the shadow while serving as an apprentice to the great wizard Ogion. While trying to prove his prowess in sorcery to a young Serret, who belittles the boy …show more content…
Le Guin's A Wizard of Earthsea offers an insightful look as to how insecurities can create unnecessary work for oneself. For the longest time, Ged sees the shadow as a destructive entity that wishes only to destroy him, and accordingly fears it. Feeling as though his abilities are severely lacking in the face of this adversary, Ged doubts himself, and most go on several formative quests before he can feel ready to fight his enemy. However, the shadow itself symbolizes Ged's own negative perception of himself. Both are unruly, unrestrained, and unbalanced. When he finally conquers the shadow, Ged does more than just restore balance within the world; he overcomes the ill feelings he holds for himself. While Ged is given the recognition and praise he always desired, the peace of mind and internal balance he achieves is a greater
Shadows contain darker emotions, such as envy, anger, or hatred, that we hide from the outside world as these emotions are perceived negatively. In Gene’s shadow, jealousy rises, as he compares himself
Towards the end of the novel, Grendel finally becomes ‘himself’. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in at the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident.
One of the prevalent themes John Gardner mentions in the story of Grendel is that perceptions of reality between people are different. Gardner reveals to readers throughout the novel that words, events, experiences, and beliefs forge character’s realities. In Grendel perception of reality greatly affects people’s actions, their viewpoints towards life, and decisions. For example, Grendel’s perception of reality is that the world is solely mechanical and is created with his words.
The anxieties suggest a psychological design with aspects of misperception and false perception to reveal a projection process. Tritt asserts that Goodman Brown’s evil is located in others, and Brown believes himself to be without guilt although his desires are still in his subconscious. It is a “vice-like grip with which such process is paralyzing, indeed terrifying” (Tritt 116).
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
As a result of not receiving help when the bull was attacking him, Grendel develops a new theory: “I alone exist. All the rest, I saw, is merely what pushes me, or what I push against, blindly—as blindly as all that is not myself pushes back. I create the universe, blink by blink” (Gardner 21-22). Grendel’s questioning of his way of living marks a transformation of Grendel into a mature character who gains knowledge from his experience with the bull, concluding that the world revolves only around him. The utilization of ‘I’ portrays that his growing isolation from the absence of his mother during the bull attack is what permits him to believe that he is superior to everyone else and the only worthy creature to exist. This foreshadows his ultimate purpose in life which is to kill mankind. Grendel, as the creator of the world, holds the ultimate power to decide who will live, lacking the perspective that there is a higher force other than himself. In other words, the experience Grendel acquires from the bull attack enables him to mature and obtain insight on the truth of his
Part of the development of a human being involves acquiring the ability to classify good and evil as well as distinguishing right from wrong. It has become an inherent trait that is invariably used in our everyday lives. In John Gardner’s novel, Grendel, the main character, Grendel, seeks to find the meaning of life. Through his journey, a depiction of the forces of good and evil is revealed. Aside from being a novel about the search for the meaning of life, Grendel also suggest society’s good and evil have a meaningful and imbalanced relationship where good prevails evil yet facing evil is still critical.
Ged had realized his potential with magic after he saved his village by conjuring a dense fog surrounding the land. This mist blocked the view of the invading Karg barbarians, and the news of his heroism would spread all over Gont. Soon enough, word got to the great mage, Ogion the Silent. He arrived to Ged’s village of Ten Alders. Ogion claims that the boy will not “be a common man…I have come here to give him his name, if as they say he has not yet made his passage into manhood” (Guin 14). Le Guin summons Ogion to assist Ged for two reasons. For one, Ged is still a wizard wit...
...ces and the reactions he chose to have. The book serves as a moral, if the monster had been given proper attention and guidance he could have been accepted and become ‘good’ but since society chose to outcast him and treat him cruelly, he mimicked those behaviors and likewise in turn treated humanity with cruelty. The development of the monster was extensive in the emotional, psychological and intellectual areas, the dualism of his personality gives him a double-identity which leaves us to question whether he truly became like Adam or Satan.
Evil. It’s a concept that has baffled philosophers, religious figures, and the common man alike for thousands of years. In this millennium, people may exemplify evil as terrorism, genocide, or, perhaps, placing an empty milk carton back in the refrigerator. However, many remain conflicted about the exact definition of evil, as the dispute over the character Grendel, from the John Gardner novel, makes evident. To conclude that Grendel is not evil, readers must first operate under the assumption that the beast is unequivocally and thoroughly evil. Having done so, readers will notice the fallacies within this thought process. By asserting that Grendel is evil, readers blatantly disregard the ambiguity with which humanity defines its actions, as
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
...the story of the DeLacy’s, and from his own experiences the monster learned its evil ways.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.