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Dracula literary analysis
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Dreary Places Mysterious Faces
Dracula by Bram Stoker is known to be a one of the most famous horror stories of all times. The book well describes the atmosphere and setting throughout the book. Three things that influence the atmosphere and setting are the country before Transylvania, how the castle looks and how the estate that Harker is selling looks like.
The first thing that influences the atmosphere and setting in Dracula is the country before Transylvania on how it looks and feels to Jonathan Harker. The country is not like any other happy, delightful town; it is dark and dreary. It sets the horror and darkness that will soon come in the story. Almost foreshadowing for what is yet to come. “Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals” (Stoker 4). The castles on the steep hills set how everything looks in that part of the country. Harker also talks about the darkness and fog in his journal. Therefore, it sets a dark, and gothic theme to it all.
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Secondly, how Dracula’s castle looks influences the atmosphere and setting.
The castle has many passage ways and cob webs. There is not much light expect for little bit of fire here and there. “He insisted on carrying my traps along the passage and then up a great winding stair, and along another great passage on whose stone floor our steps rang heavily. At the end of this he threw open a heavy door” (Stoker 18). This is Harker describing some features in Dracula’s castle. The winding staircase, stone floor, and heady door show how the castle is gothic like. Also, how dark and dreary it is. The atmosphere around the castle also sets it off as dark. Harker can hear wolves howling and he says that there are doors everywhere and windows. “Doors, doors, doors, everywhere, and all locked and bolted” (Stoker 27.) The doors are locked, now why on Earth would the doors be locked? This gives Harker a suspicion of something mysterious that he cannot quite figure
out. Last but not least, is the estate that Harker is trying to sell to Dracula. Harker describes to Dracula all the details about the estate called Carfax. There are many trees on it, which make it in places gloomy, and there is a deep, dark-looking pond or small lake…the house is very large and of all periods back, I should say, to medieval times, for one part is of stone immensely thick…There are but a few houses close at hand, one being a very large house only recently added to and formed into a private lunatic asylum (Stoker 24). Dracula picks this kind of place that he wants to buy. Why would he pick a place a dark, and spooky place like this? It is because he is a vampire and vampires want to be in dark, cold, and mysterious place. The lunatic asylum really sets the horrific feel to it. This estate has such a gothic feel to that it completely describes the atmosphere of the book. In conclusion, Dracula is one of the best horror stories of all time. Stoker describes the atmosphere and setting in the book to really set the gothic and scary feel to it all. The country before Transylvania, the castle, and the Carfax estate are the main settings that influence the atmosphere to the book. “Those who cannot find their own reflection in Bram Stoker’s still-living creation are surely the undead” (Quinn).
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an atmosphere of terror and villainy, while hinting at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for Castle Dracula, an old lady accosted him and said, "It is the eve of St. George's Day. Do you not know that to-night when the clock strikes midnight, all the evil things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully aware that something awful is going to happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so.
he is leaving is the night when "all the evil things in the world will
... period where there was a mix of different feeling and ideas coming about. Religion was the core of his tale, and also modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster they experienced changes in gender roles, which was also present in real time. Women were becoming more free and working. The only way this change happened was because of the trust and the love between family members; that led to good stable home and ultimately success in life. Stoker wrote Dracula later on his career, this way he had more experience and knowledge of life and grew to believe in common universal truth. Dracula was a hit because it had truth and history in it, and it turned the ordinary good beats bad story into a compelling and interesting narrative, and if readers read carefully they could even find themselves in the book.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
First a major difference is sunlight does not affect the vampires in Twilight. The only thing the sun does to them is making them glow like glitter is on them. In Dracula the vampires are very weak when they get into the sun. Next big difference that you usually do not see in vampires is in Twilight they show up in pictures and mirrors. In Dracula it is shown when Jonathan was shaving that Dracula could not be seen in the mirror (29-30). The final difference between Dracula and Twilight is Holy items do not harm the vampires in Twilight. In Dracula however the items either burn the vampires, they just do not go near them. They usually just try to find an alternate solution around the object. This is shown when Draula used the wolf from the zoo to break the window open to get inside to suck on Lucy’s blood
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
He is on his way to Transylvania to complete a property transaction with Dracula at his decaying castle (Swan). Then Jonathan soon realizes he is a prisoner at the castle with Dracula and the three sisters who reveal themselves as vampires to Jonathan (Stoker). But there are differences between the novel and the film with the first being in the movie when Jonathan ask the Count why are you buying houses in these specific locations (Bram Stoker’s)? The movie never answers this question, but the novel explains the fifty boxes that have Transylvanian dirt in them need to be at these locations neighboring London, so Dracula could rest and rebuild his strength which must be in a coffin with his homelands dirt (Bram Stoker’s). Next are the variations of how he became to know the sisters of Dracula (Canby). The movie shows the sisters morphing up through his mattress while he is trying to sleep. Although the novel states he wanders into their room where he sits down to write in his journal when he becomes sleepy and they appear out of nowhere trying to feast on his neck (Canby). Next is the contrasting effect of Jonathans religion. In the novel, he is a devout religious God-fearing man praying and asking Him to help and keep him safe each step of his way while in the movie Jonathan wears the crucifix he received on his carriage ride to the
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
A reader’s anxiety accelerates from altering the story from Jonathan Harker’s journal to Mina Murray’s letter when Jonathan commits to escape from Dracula’s castle. While Jonathan stays at Dracula’s castle coercively, as he depicts himself as “a veritable prisoner, but without that protection of the law which is even a criminal’s right and consolation” (40), he always seeks for an opportunity to g...
That morning he is to leave, a crowd is awaiting him and muttering strange things. Harker says, "I could hear a lot of words often repeated, queer words" (Stoker 6) to address his confusion about what was going on around him. He Count Dracula, a hermit who lives on a cliff, detached from society, strikes at night to find anyone alone--whom he considers easy prey. A prime example of one of these victims is Lucy Westenra, who ends up outside in the middle of the night after she sleeps walks to the town square. When Mina Murray finds her, she describes the discovery, “There was undoubtedly something, long and black, bending over the half-reclining white figure.”
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
Bram Stoker’s novel “Dracula” is a great example of usages of writer’s effect. The novel features different types of elements from the writer’s effects and it maintains the readers to get the general idea of the whole story yet it leaves the readers with suspension and excitement throughout the book. The first few chapters set the background of the story by introducing the characters and the setting, how they are connected, and where the story would take place.