The Importance of the Japanese Tourists in Chapter Five of The Handmaids Tale

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The Importance of the Japanese Tourists in Chapter Five of The Handmaids Tale The Japanese tourists presented in chapter five may only cover a page and a half in the novel, however, this passage should not be underestimated as the tourists importantly act as a subtle representation of everything that the Handmaids have been stripped of, most importantly their freedom. The way in which the author introduces the reader to the tourists is notably intriguing: 'A group of people is coming towards us. They're tourists,..' To begin the paragraph with this line provides a fundamental theme of 'us and them,' in the sense that these tourists are completely alien to the Handmaid's as they are indoctrinated into conforming to this distopian, regimented way of living. Extensive use of description emphasises the scrutiny in the conduct of observation made towards both parties, it is easy to make the connection between the Japanese and a pack of animals hunting together, desperate for a photographic souvenir of the bizarre surroundings and its inhabitants held captive in this disconcerting and systematic society. The way in which the character in the novel examines the tourists behaviour reflects this point: 'They look around, bright-eyed, cocking their heads to one side like robins, their very cheerfulness aggressive, and I can't help staring.' This shows that the tourists physical behaviour shares a synchronicity that poses a threat to the Handmaid's, particularly their 'cheerfulness'. The juxtaposition made between cheerful and aggression proposes a despondent jealousy that the tourists have evoked within the Handmaid, it implies ... ... middle of paper ... ... polish. The short sentence 'I can feel her shoes, on my own feet' poignantly highlights the Handmaid's yearning for the satisfaction that owning a pair of beautiful shoes once brought. The Japanese tourists are free, they are able to leave Gilead and this is what the Handmaid's resent more than anything, they are not even granted the right to speak their mind or truthfully for that matter, as they are obligated to give the answer that is suitable rather than honest: ' "Yes, we are very happy," I murmur. I have to say something. What else can I say?" It becomes obvious to the reader that these are women who have no choice other than to correspond to the society's legislation consequently, the tourists importantly highlight the contrast between freedom and the loss of it which is ultimately the Handmaids fate.

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