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Literary theme in the yellow wallpaper
Use of symbolism in the yellow wallpaper
Symbolism in the yellow wallpaper
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A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and supervision.
These are the exterior apparatuses that create and enforce the bedroom as a monitoring device, structuring interior space by exceeding its very boundaries, expanding beyond the egresses of the household in an effort to maintain the interior/exterior polarity. The result is a privacy within the privacy of the home. The bedroom becomes the locus of what Wigley calls a "secret privacy;" it is its own interior wrought with overtones of mystery and intrigue (345).
Because the bedroom in "The Yellow Wallpaper" veils both sexuality and the female body, and is involved in the production of secrets, the bedroom and the body are linked: both are secret, and both contain secrets. Associated with connotations of private, intimate, enclosed space, the bedroom ultimately suggests other such spaces. The bedroom becomes a metaphor for the female body and makes the body manageable, controllable. Writing about the body and secrecy, Ludmilla Jordanova notes:
Veiling implies secrecy. Wome...
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...iction. 17 (1989): 193-201.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Kasmer, Lisa. "Charlotte Perkins Gilman's 'The Yellow Wallpaper': A Symptomatic Reading." Literature and Psychology. 36, (1990): 1-15.
Jordanova, Ludmilla. Sexual Visions: Images of Gender in Science and Medicine between the 18th and 20th Centuries. London: Harrester Wheatsheaf, 1989.
Mulvey, Laura. "Pandora: Topographies of the Mask and Curiosity." Sexuality and Space. Ed. Beatriz Colomina. Princeton: Princeton Papers on Architecture, 1992. 53-71.
------. "Visual Pleasure and Narrative Cinema." Screen. 16 (1975): 6-18.
Wigley, Mark. "Untitled: The Housing of Pleasure." Sexuality and Space. Ed. Beatriz Colomina. Princeton Papers on Architecture, 1992. 327-389.
3Brophy, L. (1959). The Chemical Warfare Service (1st ed.). Washington: Office of the Chief of
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
As I read through this source, I did not find any information that would help me write my essay, however it was very interesting
The Manchurian Candidate. Dir. John Frankenheimer. Prod. John Frankenheimer and George Axelrod. By George Axelrod. Perf. Frank Sinatra, Laurence Harvey, Janet Leigh, and Angela Lansbury. United Artists, 1962.
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Fries, A. A., & West, C. J. (1921). Chemical warfare,. New York [etc.: McGraw-Hill book company, inc..
Response to Intervention (RtI) is a framework based off the problem solving method that integrates assessment, and targeted instruction, within a multi-tiered intervention system. Implementation of RtI in schools is crucial to identify which students need additional intervention that will help increase their literacy skills, and prevent them from falling behind. RtI is based off multi-leveled tiers that are each categorized by the intensity of the intervention that is being used. The RtI framework is also used as a valued tool in monitoring and improving student behavior in the classroom through a model known as Positive Behavioral Intervention Support (PBIS).
The legal system of the colonial times renounced from punishing white males but did not falter from finding accountability with the actions of females, causing women to pause at reporting rape against white men. Two famed cases in history, those of Martha Richardson and Goodwife Fancy, represent this perception. Martha Richardson had gotten pregnant before her wedding with a man other than her fiancé. Upon this disclosure, Martha recalled fainting at her master's residence some time ago in the company of two white males and concl...
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Project Match is an individual intervention that is successful at helping people who have completed a substance abuse program. According to Lash (2011), Project MATCH is a manual-guided therapy treatment technique that is used in initial outpatient and continuing alcohol dependence treatment programs. They conducted individual interviews, various surveys, and other assessments to measure the treatment program. Lash further states that “Outpatients achieved significantly higher rates of continuous abstinence and were comparable on other drinking-related outcomes mediated by its greater success at engaging clients in 12-step activities” (Lash 2011, 243). This therapeutic technique will be a great factor in assisting clients with continuing care after their completion of a substance abuse treatment program. They were successful in reducing recidivism rates, educating patients on drugs and factors that lead to abuse, and promoting self-change. One of the researchers compared this intervention to others and said this process seems to be better than the generic modeling techniques that many substance abuse treatmen...
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
The Army Chemical, Biological, Radiological, Nuclear Survey Teams find out information on an enemy target in order to defend the country against the threat of CBRN weapons and Weapons of Mass Destruction. The Army has drastically evolved in terms of the Chemical Corp. Today there are multiple units around the world that operate in Survey Teams. The two most popular units in the Chemical Corp are Technical Escort Units and Chemical Reconnaissance Detachments. There is much confusion about what the operations of these two units entail. This research paper will describe what they do as well as discuss the similarities and differences between the two.
The house is described as, “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” (251). However, Jane’s delusion is just that, a delusion encrypted by her mind to have her think she is living in quiet luxury. She goes on to talk about how the bed is nailed down to the floor, the walls are covered in scratches, the windows are barred, and there are rings in the walls. Obviously, Jane, despite being told by her husband that she is fine, is slowly beginning to lose sight of reality. The reader should know at this point that this “mansion” is nothing short of an insane asylum John has taken Jane to so she can rest and calm her troubles. But Jane and John’s troubles are only beginning when she is forced to sit in solitude with the awful yellow
De Beauvoir Simone. “The second sex” Ch.1. 2009. Science Fiction Stories and Contexts. Ed. Stephen A. Scipione and Marisa Feinstein. Boston: Bedford/ St. Martin's, n.d. 119-34. Print.