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Role of music in christianity
Music and religion history
Role of music in christianity
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It is not possible to undermine the significance of music in the life and traditions of Jews. This becomes increasingly apparent after looking at the bible to see the indications of the importance of the Levites as makers of music and large orchestras. After the 2nd Temple was destroyed during 70 CE, Rabbis banned making of music in the synagogue. The only music that survived was instrumental, and it survived only because of the fact that song and merry- making was required in weddings (Shepherd 1). Jewish music originated from ancient chants of prayer of the Levant about 3000 years ago. The musical ideology that resulted and that can be found in the bible today is among the most ancient forms of music, notated, although it is still in current use all over the globe today. Jewish music has been adapting often to new conditions, but it retains its identity in numerous broadly differing social, ethnic and religious environments (Shiloah 3).
Through its resulting religions, Judaism music is among the most fundamental elements in the undertaking of the secular and sacred traditions of the Near East and Europe, first having affected, and then having been affected by the music of Islamic cultures and music of Christian cultures. As it follows, the study of Jewish music has to do with numerous genres of semi religious, religious and folk music used in the Jewish home and synagogue and art music utilized in Jewish themes and texts. Therefore, the study of the tradition of Jewish music combines distinctively with the critical elements of ethnomusicology, musicology and interculturalism. In the modern world, Jewish music encompasses a broad diversity of Jewish traditions of music and Jewish songs are performed and sung in numerous differen...
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... change (Parshall 76- 78).
Among the main changes that have taken place since the reemergence of the Klezmer music as a critical musical genre of the Jews are general trends towards more pronounced rhythms and faster tempos. When it comes to performances in concerts and the absence of numerous experienced dancers, bands playing Klezmer music have come up with faster songs to show their virtuosity without fear of tiring the audiences. This trend has been somewhat reversed through the attempts of researchers oriented towards tradition and committed dance instructors and dancers. However, in some modern professional performances, and certainly in the ancient recordings of the revival of the Klezmer music, this acceleration contributes to a frenetic energy that the audiences accustomed to bluegrass, bebop and rock and roll understand and appreciate (Parshall 76- 78).
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Religion has been an important part of man’s life. Man has allowed religion to control and influence his life in many different ways, affecting both his behavior and his actions. So its not surprising that music, one of man’s earliest expressive forms, has also been influenced by religion. Religion has had an effect on man’s music all throughout history, from the early Egyptians to even now. So it is only natural that Western music should also have been affected by religion. Western music, and its development by composers, has been strongly influenced by the Christian religion, especially in the Medieval, Renaissance, and Baroque periods. The music in these periods laid the foundation for all the different types of music we enjoy today.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
Maultsby, Portia K. Afro-American Religious Music: A Study in Musical Diversity. The Papers of the Hymn Society of America. 35. Springfield: The Hymn Society of America, n.d.
During the course of this semester, the several musical styles that have been discussed and analyzed have displayed various similarities and differences. These differences in certain musical elements have accounted for the distinctiveness and uniqueness of each style of music. The culture behind these countries’ music adds even more to their individualism. Cultural aspects such as religion play a huge role in the music of each country as well. Styles of music in Africa might be more upbeat than certain styles in India, for example. Some cultures use music in religion, while others may not. Aspects such as dance are important factors in all three types of music. Despite the differences and similarities, however, without music, these cultures would perhaps not be as fascinating and unique as they are now.
There are many different cultures that surround us everyday; each one with its own unique customs and lifestyles. The Jewish culture contains some of the oldest traditions and customs that date back thousands of years. This culture has survived everything from exile to almost being diminished during the Holocaust. The Jewish culture has a unique culture, that has much to share with the world around them.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
“In the beginning God created the heavens and the earth… So God created man in His own image, in the image of God He created him: male and female He created them.” (Genesis 1:1,27) These two passages from the Bible showing the beginning of the earth describe the power of God and what He gave mankind. This creation began the reason for worshiping God. Because of Him, people needed to sing and give praise for the greatness that God has done. The purpose of this worship began as personal expression of passion for God, and has continued in this purpose. But the music has also transitioned to aide man in a desperate pursuit of God. In this essay, the purpose of worship music to man will be discussed through stating the topics and purpose of the worship throughout time. These times will continue from the beginning, through the Medieval period, all the way to modern day music. Before delving into the objective within the time periods, it primarily needed to examine the reason behind the purpose of this music.
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
person is in, there is a psalm to match it. For example, Psalm 19 is
The developmental formation of music has evolved tremendously over the past centuries. “The Five Heartbeats” and “High-school Musical” are great examples of music structures changing; “The Five Heartbeats” would be identified with the middle ages, where else “High-school Musical” would be identified with the renaissance. Sacred music was mostly uprooted in churches, but there’s a difference with the development of sacred music of middle ages and renaissance. The middle ages music was “mostly vocal, and some were instrumental music.” On the other hand, “renaissance music was choral music, scared, and some instrumental music.” Sacred music was consistent with the two, but the role it played was effectively different. The comparison and contrast
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.
There’s also singings in Hinduism. The traditional music in Hinduism begins in saman singing (or saman chanting). Which is known first as Gan-dharva Sangita, or Sangita, Sama veda chants, etc. They are music from the hindu scripture Sama veda. Said in book Discovering the Vedas, “the Vedas are not a religion in any of the many senses of that widespread term. They have always been regarded as storehouses of knowledge, that is: veda.” Sama veda is a part of the scriptures of Hinduism, despite they are songs. According to Dr. V. Raghavan, Sangita is born from the Sama Veda: "Our music tradition in the North, as well as in the South, remembers and cherishes its origin in the Sama Veda, the musical version of the Rig Veda.” This scripture not only represents Hinduism, but is also the basis of the development of Indian music.
Music is an essential part of life because of the expression it allows people to have, its entertainment, and its therapeutic ways for the world.