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A strong male with every characteristic of a traditional hero has been for years pushed by all types of media. The laundry list of what it takes to be a hero includes high expectancies common people find unattainable. Not everyone is a White male with a great physique and Christian morals. Due to the high standard, over the years there has been a shift in what the media depicts as a hero and what common people choose to look up to. The problem not only lies in film and television but also comes from local news outlets. Today every act, small or big is looked as heroic making it possible for any average Joe to be a candidate. Right or wrong, acts that unfortunately claim someone’s life are plastered in every news story with a catchy headline …show more content…
The specific characteristics common in fictional and real life heroes revolve on, as what Ray mentions in his article the thematic paradigm “…the best characteristics of adulthood”(p 379). Official heroes have a higher ethical code, wisdom, and as portrayed in popular comic book characters such as Captain America they are white Christian males. It’s an odd thing that America fictional heroes have to be Christian or display some sort of Christian morals in order to be seen as a hero. As Richard Corliss adds in his article, The Gospel according to Spiderman (599), ministers find religious dimensions in comic book superheroes because the heroes wisdom and integrity tells people that God has created us all in his own image. As more and more traditional heroes have embodied God-like heroes and created an unreachable pedestal that only a select few can reach the line between traditional heroes and others such as anti-heroes has …show more content…
This odd phenomenon is constantly exploited by news outlets who finalize a report or article about a tragic incident by stating that the person’s actions were heroic because they gave up their life doing a selfless act. It may seem great that others lived due to another’s actions but the fact that only those who die are seen as heroes seems to be a twisted mindset. For example the case of the Sandy Hook, who along five other teachers tragically died protecting their students during a school shooting. While twenty-eight lives where lost that day, the news coverage following the massacre focused in on only Sandy Hook. Many news outlets and people from the community called her a hero, praising her actions that saved her students lives. To honor her actions school officials even changed the name of the school to Sandy Hook Elementary School in an attempt to praise her for her heroic sacrifice that will never be forgotten (LA TIMES). There’s no denying that her actions follow what any traditional hero would do, being brave and selfless, the fact that a person has to die for a label is an unreachable standard on its own. Not everyone that dies is automatically a hero and casually has a school named after them or even an article praising their actions. This ideal that media has set is far-fetched and ridiculous. It applies to those who risk
Response 2 Many times in western cultures heroes or superheroes are thought to have physical strength as well as supernatural powers in which one uses to fight against evil (Chinese Heroism). This differs from the characteristics of a hero in Chinese culture as many times hero’s are considered average in physical appearance and possess qualities of “morally, culturally or intellectually” (Chinese Heroism). These qualities are also used for helping the good of the family or for China (Chinese Heroism).
Men are looked at as brave, selfless people and are perceived as heroes all throughout society. Johnson addresses this point saying, “The idea of heroism, for example, has been appropriated almost entirely by patriarchal manhood. From movies and television to literature to the nightly news, our ideas of who and what is heroic focus almost entirely on men and what they do” (548). Since men have power in this world, they have generated a society that pleases them. Superhero movies are a huge money maker in today’s world. But, the most popular superheroes are exclusively men such as Batman, Superman, Captain America, The Flash and The Hulk. This media only feeds into the ideology that men are the heroes in the world and they are the ones making sacrifices for others. They see a world that appeals to them and do not see a reason to mess with the system. Kilbourne writes, “When power is unequal, when one group is oppressed and discriminated against as a group, when there is a context of systematic and historical oppression, stereotypes and prejudice have different weight and meaning” (499). Men now see patriarchy as natural and how life should be. They can look back at previous generations and see that they succeeded with patriarchy and feel they should do the same. Men see absolutely no reason as to why they should relinquish their position of
Every generation has its own heroes that display, what they believe to be, ideal characteristics. While each is different in their own way, many of these role models share similar qualities. Most tend to have courage, strength, compassion, or another respected trait, but this is not necessarily why they win the adoration of their followers.
Generally when you think of a hero, who do you envision? Most likely, you picture a strong and imposeing figure, someone capable of performing in high pressure situations, demonstrating bravery and passion to help his/her fellow man. Those who typically fit that role in society are firefighters, policemen, and soldiers. Those people deserve all the credit and recognition they receive for their courageous acts. However, what about individuals or groups who aren’t necessarily on the “frontlines” physically protecting others and saving lives, but who work extremely hard to improve the lives of others in some way? These everyday people deserve credit as well. After all, to the people they help, these volunteers or activists are heroes. An example of such a group is the Greensboro Four, a few African American college students in the early 1960s who helped change the landscape of segregation in the Jim Crow South.
Batman and Superman are superheroes whose qualities are exaggerated in a way that is reminiscent of the gods and heroes in The Odyssey. In Fact, the superheroes from comic books emerge from the epic tradition. Epics, as you know, celebrate the great deeds of one or more legendary heroes. This epic hero is generally involved with a quest to overcome hardship, and he (and it usually is a "he") succeeds. The hero performs superhuman exploits in battle, often saving or founding a nation or the human race itself. Sound familiar? And even in terms of the superhero's body, with his bulging muscles and larger‐than‐life qualities, such figures evoke the images of Baroque masculinity. What Becomes important in these retellings, then, is how the hero makes the journey, how he faces his obstacles, and what he learns in the process.
In the genre of western films, the hero plays a key role. Humanity portrays civilization overcoming the hostile country (Miller 66). In many films the American civil war is over, and people have turned their attention to more constructive pursuits. Battling nature to progress America's future, rather than each other. In between this wild country, fraught with danger and corruption lies the role of the hero. A hero is an individual with exceptional skills and through his abilities is able to rid a stricken town of the corrupt elements within. In many cases however, the hero's skills are not enough. His relationship with the community can define how successful his help can be.
The authors title “What to do when you’re not the hero anymore” is directed at a group of people who aren’t the likely audience for this essay. Penny explains how since the recent movement in the media particularly white males have been raging with anger that their lead roles are being taking over. Prior to reading the essay it is common to have heard of female lead roles becoming a universal theme. While it is not so common to hear of how white men “have been expressing rage loudly and violently over the idea that they might find themselves identifying with characters who are not white men.” Penny
The definition of “hero” could possibly be the broadest characteristic or title to grant a human being. Many cultures throughout the history of the Earth have created their own ideas about how a hero should behave and live his life. Although past cultures have been different, the traits of a hero in each civilization are coincidentally analogous with each other. Possessing a warlike and barbaric essence, Beowulf, the protagonist of the only Anglo-Saxon epic Beowulf, was praised as a leader and hero by the citizens of surrounding lands in northern Europe. Although not seen as a barbarian, Abraham Lincoln, the sixteenth president of the United States, was praised for his brilliant plans and resourceful thinking during times of hardship. Despite being from contrasting societies, Abraham Lincoln and Beowulf were both glorified for their heroic actions, but for different reasons.
When I think of society’s modern heroes today the fictional characters of Batman and Spiderman come to mind because they protect the lives of the people in the communities from the bad guys. In the epic Beowulf, the main character is thought of as a hero because he makes the reader feel he is a larger than life character than those of human characteristics. However, Dante’s main character makes the reader feel his emotional roll a coaster and sensitivity as in everyman towards the sinner in the depths of The Inferno. It is interesting how modern heroes show much of the same qualities as
The United States and cultural myths pertaining to this country have been a topic of discussion for many years. Stephanie Coontz’s “The Way We Wish We Were”, David Brooks’ “One Nation Slightly Divisible” and Margaret Atwood’s “A Letter to America” are all essays about different American cultural myths. Each author focuses on a different cultural myth that pertains to the United States. They explain how these myths are thwarting a realistic view of America. As well as changing the perception of the country as a whole. The major cultural myths of America among the texts are about “ideal families”, “ideal lifestyles, and a “ideal country.”
When asking people about what characteristics they think of when they think of a hero the most common answers would be doing good deeds and not allowing evil to flourish. This is what we have been made to believe. One of the first images that come to mind when the word hero is mentioned is a superhero. An image of Batman or Superman is likely, one who is good natured and conquers evil as it appears. Just doing good deeds or not committing evil sins is not enough. First you would have to distinguish the difference between an evil and a good action. The line between good and evil is so thin that specific attributes and certain actions are constantly being exchanged back and forth. We cannot decide as a society what is good and what is evil. A modern day example would be when the United States made the decision to bomb Japan during World War II. For Americans celebration ensued as it was thought to be a decisive moment of victory. Those who were involved in t...
For many years the American Hero has filled the silver screen and wide screened television sets, along with shelves of countless bookstores. Audiences love to see the protagonist overcome great odds, defeat the forces of evil, and save the beautiful girl at the last second. The character of the American Hero however, is not a new idea. James Cooper, in the 1800’s, created the archetype of the American Hero. Natty Bumpo, also called Deerslayer, embodied many qualities of the great American Hero. Modern day heroes are simply following the example set by Cooper’s creation.
What defines a hero? Is it the amount of courage and individual has that makes them a hero? Could a person become known as a hero simply from their achievement? Are noble qualities required of a person that is considered to be hero? The definition of a hero lies in the eye of the beholder. In my eyes, Hershel ‘Woody’ Williams displayed amazing courage, accomplished outstanding achievements, and had noble qualities, and that is why I believe that Hershel “Woody” Williams was a true hero.
In studying different types of heroes this semester, we have come across several examples of heroes and heroines. From the Trojan War to the Italian renaissance, tragic heroes have been consistently present in the stories we have read this semester. In this essay I will expose the similarities and differences between tragic heroes that we have encountered in The Iliad (as recorded by Homer), The Aeneid (by Virgil), Oedipus the King (written by Sophocles), and in The Prince (written by Niccolo Machiavelli).
The Lone Ranger, Zorro, Batman, Superman are some of the characters that we stereotypically constitute as heroes. They are known to fight with courage without fear of death. They destroy the enemy within a blink of an eye. They fight using their own body strength, superpower, or some kind of weapon. They come to the rescue miraculously and leave without a trace. They are mysterious. We are unable to identify who they are underneath the masks and disguises. Yet, we praise them and ignore the real heroes that surround us regularly, ordinarily. “All of us …like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit” (O’Brien 39). In other words, we are quite oblivious to the ordinary people of the world that are, in fact, the true heroes.