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Analysis of Hamlet's soliloquy
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Recommended: Analysis of Hamlet's soliloquy
Shakespeare once wrote that “we know what we are, but not what we may be.” What Shakespeare is saying is that other forces along the path of life can change who one can become. In the Shakespearean play Hamlet, the protagonist Hamlet finds himself in the presence of what appears to be his father’s ghost. Is this ghost the devil in disguise trying to make Hamlet do his bidding, or did newly appointed king Claudius actually do devil 's work by killing Hamlet 's father? The word devil illuminates the true meaning of the play, which is men may believe they know who one is, however the devil can change who they will become. Such as Hamlet who sets out to avenge his father’s murder became a murderer himself.
The word ‘devil’ comes from the Greek word ‘diabolos’ which is the spirit or power of evil. The devil is found in almost all religions and is thought to
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For example, Hamlet says the word devil in the second and third acts, while Laertes says it in the fourth and fifth acts. The last person to say the word devil is Polonius in the second act. In all these cases these men are describing the devil as someone evil or bad. A reason for Shakespeare only having the male characters say this vulgar word is, it was unbecoming for women to say such foul language. Even when describing how Hamlet’s mother Gertrude is blinded by the devil in the third act, Gertrude does not say the word devil in their conversation, only Hamlet speaks of it. This shows that though it is thought Gertrude is blinded by the devil, she is not influenced by it, her actions are not that of the devil, but those of someone who cannot see past her wrongdoings. How this relates to the meaning of the play is that only men could potentially be influenced by the devil, or be the devil themselves. Though Gertrude was thought to be blinded by the devil, she is never thought to be one herself or to have done the devil’s
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
One single moment or event during the course of an individual’s life can effectively alter their priorities and transform their identity drastically. In The play Hamlet, by William Shakespeare, Shakespeare introduces the readers to the protagonist Hamlet who is draped in anger and emotions and has a new-found mission in life. Initially, Hamlet is portrayed as an individual in mourning over his father's death and his mother's haste in remarrying to her brother-in-law and Hamlet's uncle, Claudius. However, Hamlet’s character and personality were drastically altered after meeting the Ghost and discovering the true nature of his Father’s death. Hamlet is now a man with a lust for revenge and a willingness to do anything that will enable him to accomplish this goal. When burdened with the task of killing Claudius, Hamlet chooses to sacrifice all he holds dear by transforming his identity in a noble effort to avenge his father’s death.
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
The main character, Hamlet, is a character that is not true to others, nor to himself. When the Ghost of his father tells him he was murdered by Claudius, Hamlet doubts the truth. He does not trust the ghost of his father, so has to find a way to prove it. Deciding on how to prove or disprove the Ghost, Hamlet predicts: “The play’s the thing / Wherein I’ll catch the conscience of the King” (2.2, 616-17). Because he distrusts the Ghost, Hamlet is not true to his father. However, when his plan proves to him that the Ghost’s words are true, Hamlet still does not act; he still cannot avenge his father’s murder. Hamlet decides not to kill Claudius, using the fact that he is praying as an excuse. Hamlet does not want Claudius’s soul to go to heaven, therefore he decides not to kill him, explaining: “A villain kills my father, and for that, I, his sole son, do the same villain send to heaven” (3.3, 76-78). However, after trying to pray, the King claims that his prayers were not heard: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go” (3.3, 97-8). Therefore, had Hamlet chosen to kill Claudius at that time, his soul would have gone to Hell. Hamlet uses God as an excuse for not acting. He is not true and is lying to himself, because he wants to kill Claudius, yet does not.
Fear plays an important role in Shakespeare's tragic play, Hamlet. Within the play, the main character, Hamlet, attempts to overcome his fear and fulfill his father's revenge. Hamlet's apprehension toward death prevents him from carrying out the murder of Claudius. Although confrontation with death is avoided for as long as possible, Hamlet comes to recognize his weakness, and faces this anxiety.
Originally titled The Tragicall Historie of Hamlet, Prince of Denmarke, this tragedy has been reproduced more times than any other play written by William Shakespeare (en.wikipedia.org 1 of 9). Prince Hamlet also has the lengthiest appearance of any character in all of Shakespeare's plays (en.wikpedia.org 6 of 9). In the play, Prince Hamlet is caught between balancing his need to avenge his father's death, dealing with the disgust he felt for Gertrude and Claudius' love affair, and maintaining the relationship he has with Ophelia without exposing his plans to kill his uncle Claudius for the murder of King Hamlet.
The meaning of evil has changed throughout history. In today’s world, evil has become a hazy term. What is evil? Who is evil? Men like Osama Bin Laden have been described as the term 'evil' for their atrocities against humanity. Now it seems evil has an exclusively human meaning; when a person violates the rights of others on a massive scale, he or she is evil. In Shakespeare's time, the Renaissance period, evil had a similar, but altered meaning for people. Evil was a being that violated Christian moral codes. Therefore, a man such as Claudius, from William Shakespeare's play Hamlet, a murderer and a ruthless manipulator, who uses "rank" deeds to usurp the thrown is in direct violation with the Elizabethan societal rules, and he is evil. Greed,
Nemesis is defined as being a deserved fate; just punishment for wrong-doing. Nemesis plays a tremendous role in Hamlet. The majority of characters in the tragedy of Hamlet deserved what happened to them in the end. Nemesis and its role in Hamlet create ironic endings for the characters of this tragedy.
Hamlet is considered a tragedy, but it is also quite similar to a modern-day murder mystery. As such the most crucial plot element is Claudius' guilt, or, rather, the extent of Hamlet's knowledge of this guilt. One does not know if the ghost is the doomed spirit of Hamlet's father or a vision sent from Hell. It is impossible to determine how much Hamlet is aware of, how much can he guess, and how much is he deluding himself.
When first confronted with the ghost that has taken the form of his father, he questions whether he can trust his senses and the ghost stating the possibility it may be the devil in disguise trying to fool him as he says: “May be the devil, and the devil hath power T ' assume a pleasing shape” (II, ii, 611-12). In Plato’s Allegory of the Cave, Plato makes the same argument that what perceive is not always what it seems, and can in fact be an illusion created by our senses, tricking our minds and our sense of perceptions. To overcome this he says we must “unshackle” ourselves, become philosophers, and seek the truth and reality beyond our caves. Hamlet does just that and uncovers the truth by cleverly having the players reenact a play similar to the murder to evoke some kind of “guilty” reaction out of the suspected murderer, his uncle Claudius. During these scenes, Hamlet’s moral unconscious, according to Carl Jung and his repression theories, is preventing him from making any rash actions without evidence because if he were to do so he would have to suffer the consequences. We see his unconscious at work a second time when Hamlet is given a clear opportunity to finish the task, but withdraws on the reason of religion. He states if he was to kill Claudius while he is praying and repenting, Claudius would rise to heaven and he would be condemned
In Hamlet, the protagonist Hamlet faced many dilemmas that led to his transformation throughout the play. The people around him and the ghost of his father dramatically affect him. Seeing his father’s ghost had changed his fate and the person he had become. The path he chose after his encounter with his father’s ghost led to his death.
Shakespeare 's play Hamlet has many different depths and many ambiguities within it. Something else that the play has a lot of is evil. Evil can be shown in many different ways and forms. It could be hidden deep within the plot of the story or it can be so dominant that the whole plot revolves around the theme. Specifically, in Hamlet the evil is found within one character, Claudius. Once evil is brought into the plot of a story it starts out with something small and will eventually lead to destruction of many other things and usually will lead to a death. In the play Hamlet Claudius’s murder of Hamlet Sr. “breeds more evil and eventually leads to ruin” of many lives including his own. The murder of Hamlet Sr. causes a
Throughout the play Hamlet, evil thoughts and actions can be seen. The characters Hamlet, King Claudius, and Queen Gertrude consistently are influenced by the forces of evil. Evil becomes the controlling factor of the play and causes the characters thoughts and actions to be blurred.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.