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Recommended: Patriarchy in society
A body is the social site where many political factors such as gender, sexuality, and commodification are intricately interwoven and operate together historically, culturally and politically (Bartky, 1997; Bordo, 2003; Budgeon, 2003; Foucault, 1979; Nettleton & Watson, 2002; Shilling, 2012). In contemporary era where varied industries ensue to produce products related to a body in tandem with today’s commodified culture, the body functions as a symbolic institution beyond a corporeal form, where desires, identities are reflected in socioeconomic, cultural and historical contexts. First, the feminist movement has triggered revealing that historically women’s body has been suppressed and managed by male according to gender system (see Bordo, …show more content…
Based on Foucault’s idea of governmentality, Bartky (1997) poses the technique embedded in body discipline needs to be examined with the interconnection between the modern patriarchy, female identity and subjectivity. As the “style of the flesh,” femininity is accomplished through internalization of bodily practices such as gesture, posture, diet and abstinence of appetite as appropriate modality for the racially or classed specific (Bartky, 1997). As the internalized self-discipline appeals to “narcissistic indulgence” (Bartky, 1997, p. 103), gender ideology within the self-discipline privileges the patriarchal hierarchy by denying and marking those who might potentially resist to the hierarchy and bring discomfort in the operation of the current system as the Other. In this vein, studies about everyday gendered performance have focused on how the gender norms are manifested and ratified as consequences of self-discipline (Butler, 2002, 2004; West & Zimmerman, …show more content…
Under the prevalent logic of governmentality, the body is colonized; an aged, ill, or unhealthy body is denounced as “abnormal” while the self-disciplined and mastered body, which resists to the natural process of biological aging, is suggested as “normal.” The internalization of governmentality is premised upon objectification of subject. In the examination of its own body by referring to the suggested images, as Bauman suggests, the process of self-monitoring obscures the boundary between subject and object (1995, p. 119). Many body practices that are frequently consumed in today, such as anti-aging, plastic surgery, fitness, and diet, dovetail with enactment of corporeal standards and their performative implementation (Bartky, 1997; Twigg, 2004). Under neoliberalism, individuals follow the logic of governmentality, by fragmenting their bodies in their observation of the bodies, evaluating them, and making efforts to fit into the standards. Thus, despite autonomous work in self-discipline, the matter of body management cannot be developed into a further discussion of agency or actor, rather it is confined to a matter of the objectified subject or object of action (Bauman, 1995). Still one question remains unanswered; what happens during or after
The author Horace Miner’s article “Body Ritual among the Nacirema” is a comment on the vanity that is present in the American culture. He focuses on a North American Group, which he considers Naciremas which is Americans backwards. Horace Miner demonstrates that attitudes or daily rituals have a convincing sway on numerous establishments in Nacirema society. The writer uses many metaphors to describe this vanity including his statement that “women” try to cover up their impurities by applying makeup in addition to getting surgeries and other things to fix what they think is wrong. However, in reality Miner uses this metaphor to show that the American culture is vain and always tries to fix its faults and mistakes. Basically, Miner uses the
The reading assigned titled “The Socially Constructed Body” by Judith Lorber and Yancey Martin dives into the sociology of gender with a specific focus on how the male and female body is compromised by social ideals in the Western culture. She introduces the phenomenon of body ideals pressed on men and women by introducing the shift in cosmetic surgery toward body modifications.
2. The body as a subject is evincing humanity beyond cultural construction and linguistic formulation.
It compares and contrasts the “physical view on masculinity” as it has changed over the centuries in relation to society’s views on it. In her article, Bordo explains, “Attention to beauty was associated not with femininity but with a life that was both privileged and governed by exacting standards… By the end of the nineteenth century, older notions of manliness premised on altruism, self-restraint, and moral integrity – qualities that women could have too – began to be understood as vaguely ‘feminine’… ‘Homosexual’ came to be classified as a perverse personality type which the normal, heterosexual male have to prove himself distinct from.” (402) Bordo goes on to explain how in the twentieth century the homosexual community has greatly influenced social discourse through developing the way models pose. In turn, this discourse has shaped the way male bodies are portrayed both in advertisements and within our culture, and broken the idea that all male bodies need to be portrayed in a strong and masculine fashion. In her article, Bordo uses a surfeit of anecdotes to typify pathos, several accounts of logos, and ethos to show the adaption that has taken place in the masculine advertising
...ing: Questions of Appropriation and Subversion." Bodies That Matter: On the Discursive Limits of "Sex." 121-156.New York: Routledge, 1993.
Marcel Mauss in his work Techniques of the Body (1934) is regarded as the first piece of work to outline a systematic anthropology of the body (Synnott 1993). It aims to show evidence that most everyday body techniques differ between people raised in different environments, as they have a different way of life that requires a different set of skills. According to Mauss all ordinary activities such as walking, running, swimming, resting are not just techniques we are naturally equipped with but are instead culturally acquired. The aim of this paper is to critically assess Mauss’ argument that techniques of the body constitute culture. This will be done by looking at what is defined as culture in the context that Mauss refers to. An analysis of Mauss’ examples of “body techniques” given in his paper will then begin, whilst also drawing on current examples. Mauss’ work will then be compared to other writers in the field of ‘the body’ such as Elias and Goffman.
There is so much controversy in the society that we live in, it has resulted in an absolute mess. Certain topics as in gender or men and women’s bodies, is so controversial to the point that it has caused a misrepresentation of both men and women. Both Jean Kilbourne and Allan G. Johnson form their own opinions in their articles “Two Ways A Woman Can Get Hurt” and “Why Do We Make So Much of Gender” that comment on society as a whole, while expanding on the concept of why gender is so important for a fully functioning society. Although, both Kilbourne and Johnson have differentiating opinions to gender, they both come to the conclusion that gender is a key factor to explain our society and the social change in it. We live in a society where
Women have been facing crisis of body image since the dawn of man, for competition in breeding purposes, however women came under great scrutiny because of this. Often through history, they have been at the same level of livestock, treated poorly. Creating a rise in the early 1900’s to create the movement about pushing for the equality of women in the United States; it was after then when media first started adopting an ideal image of women in American culture, when marketing research found the use of images of ideal women in their campaigns made for higher sales.
M.D. “Body Image: A Clouded Reality”. Human Architecture: Journal of the Sociology of Self Knowledge 2.2 (2004): 58-65 pg. Web. 18 Nov 2013.
Such treatment includes the forming of laws that prevent women from exposing their body whilst men have the ability to do so without the presence of shame. The female body is constantly manipulated via the media in an attempt to create the perfect body. With the false image of the perfect female body produced to the public, females attempt to recreate the bodies seen via body modifications like surgery, self-harm including eating disorders, and the mutilation of the body via feet bondage and genital manipulation. With the intention to solve the problem of the female body being conditioned the social movement uses forms of art and protesting to get the message across to the public. Although the subject of having no body shame is for both genders the credibility of whether or not the conditioning of the female mind on the body is truly a problem
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
Exact Beauty: Exploring Women's Body Projects and Problems in the 21st Century. Mandell, Nancy (5th ed.). Feminist Issues: Race, Class, and Sexuality (131-160). Toronto: Pearson Canada, Inc. Schulenberg, Jennifer, L. (2006).
To conclude, the use of body for Feminist and Performance artists in the 1960s-1970s was significant in confronting the way women were viewed as artists in a male dominated art world. It was a vital element in raising consciousness and showing action towards the ideas of feminism. (Holt.J, 2009) Feminine nudity was a controversial problem, which female artists wanted to provoke in order to gain equality. The body became a form of expression to transform social stereotypes, and used as a primary medium, which reasserted aspects of a women’s figure that had been traditionally ignored or repressed by the male majority. (Holt.J, 2009) The body had just become one platform used by feminism and performance artists such as, Cindy Sherman, Carolee Schneemann and Hannah Wilke to rebel and promote their ideas, in order to gain equal rights.
The relationship between sex and gender can be argued in many different lights. All of which complicated lights. Each individual beholds a sexual identity and a gender identity, with the argument of perceiving these identities however way they wish to perceive them. However, the impact of gender on our identities and on our bodies and how they play out is often taken for granted in various ways. Gender issues continue to be a hugely important topic within contemporary modern society. I intend to help the reader understand that femininities and masculinities is a social constructed concept and whether the binary categories of “male” and “female” are adequate concepts for understanding and organising contemporary social life with discussing the experiences of individuals and groups who have resisted these labels and forged new identities.