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Willa cather's o pioneers and land as a character
Analysis essay of o pioneers by willa carther
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A land has many aspects to it, it’s made up of seasons: winter, spring, summer, and fall. There are trees, waving grasses, rolling hills, parched deserts, lush forests and more. The land is moody, inconsistent, and prone to fits of temperament and few characters aside from Alexandra seem to understand the meaning and beauty of such an inhospitable display of behavior. The land can affect the way we feel and act. While reading Willa Cather 's, “O Pioneers” the story introduces a family of Swedish immigrants farming in Nebraska. The Bergson 's family faces the same difficult struggles as other homesteaders, but Alexandra Bergson is determined as ever to see what the land has to offer. After her father dies, she takes up the challenge of making the farm a viable enterprise while other immigrant families are leaving their land …show more content…
She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun” (41). The land is playing the sweetest music, its orchestrating sounds of contentment. The land is expressing itself by singing sweet sounds through the rolling hills. Can land and nature be defined? Land is alive, it shines a light onto something that can seem to be dead, but to the right eyes and ears, sound like a symphony. Alexandra says, “She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun” (41). The land can express and hold truths. The land shows the raw truth that Alexandra can relate with. She can find her heart flying with the quail, laying in the plover or with all the tiny wild creatures. It can represent the beautiful things that are about to come into her life. The land is her heart, she finds so much beauty in the raw truth and the essence of wild
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
The Frontier Thesis has been very influential in people’s understanding of American values, government and culture until fairly recently. Frederick Jackson Turner outlines the frontier thesis in his essay “The Significance of the Frontier in American History”. He argues that expansion of society at the frontier is what explains America’s individuality and ruggedness. Furthermore, he argues that the communitarian values experienced on the frontier carry over to America’s unique perspective on democracy. This idea has been pervasive in studies of American History until fairly recently when it has come under scrutiny for numerous reasons. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, William Cronon argues that many scholars, Turner included, fall victim to the false notion that a pristine, untouched wilderness existed before European intervention. Turner’s argument does indeed rely on the idea of pristine wilderness, especially because he fails to notice the serious impact that Native Americans had on the landscape of the Americas before Europeans set foot in America.
The Europeans changed the land of the home of the Indians, which they renamed New England. In Changes in the Land, Cronon explains all the different aspects in how the Europeans changed the land. Changing by the culture and organization of the Indians lives, the land itself, including the region’s plants and animals. Cronon states, “The shift from Indian to European dominance in New England entailed important changes well known to historians in the ways these peoples organized their lives, but it also involved fundamental reorganizations less well known to historians in the region’s plant and animal communities,” (Cronon, xv). New England went through human development, environmental and ecological change from the Europeans.
A magnanimous amount of motivation for the tenant farmers was generally found in the self, in an individualistic manner. As "gentle (winds) followed the rain clouds," furthering the magnitude of the dust storms, the survival of the farmers and their families soon became doubtful. The men would sit in "the doorways of their houses; their hands were busy with sticks and little rocks... (as they) sat still--thinking--figuring." The adversity represented by the weather was hindered by the idea that man could triumph over nature--over the machine--and retain a sense of self-identity.
Smith’s and Bradford’s individual descriptions are simply two categories; fiction and nonfiction. Smith’s intention for his audience is that the new land is everything you can wish for without a single fight. Smith starts by describing the content and pleasure that risking your life for getting your own piece of land brings to people. He is luring his audience in by telling that it is a wonderful world of vast food and gratification. Smith wants his audience to be more of the joyful individuals who look for the good in everyt...
Cather, Willa. O Pioneers!. Eds. Susan J. Rosowski, Charles Mignon, and Kathleen Danker. The Willa Cather Scholarly Edition. Lincoln: U of Nebraska P, 1992.
The saying about the grass always being greener on the other side comes alive with Mr. Wright’s opening story as he describes the difference between the yards on each side of the railroad tracks. You can almost feel the envy not only for the lushness, but the advantages that he sees with the “trees, hedges, and the sloping embankments of their lawns” (Wright, 1937, p. 21). As cruel and unsympathetic as his mother’s response was to his battlefield injury, it helped to instill the ...
Louise Erdrich’s short story “American horse” is a literary piece written by an author whose works emphasize the American experience for a multitude of different people from a plethora of various ethnic backgrounds. While Erdrich utilizes a full arsenal of literary elements to better convey this particular story to the reader, perhaps the two most prominent are theme and point of view. At first glance this story seems to portray the struggle of a mother who has her son ripped from her arms by government authorities; however, if the reader simply steps back to analyze the larger picture, the theme becomes clear. It is important to understand the backgrounds of both the protagonist and antagonists when analyzing theme of this short story. Albetrine, who is the short story’s protagonist, is a Native American woman who characterizes her son Buddy as “the best thing that has ever happened to me”. The antagonist, are westerners who work on behalf of the United States Government. Given this dynamic, the stage is set for a clash between the two forces. The struggle between these two can be viewed as a microcosm for what has occurred throughout history between Native Americans and Caucasians. With all this in mind, the reader can see that the theme of this piece is the battle of Native Americans to maintain their culture and way of life as their homeland is invaded by Caucasians. In addition to the theme, Erdrich’s usage of the third person limited point of view helps the reader understand the short story from several different perspectives while allowing the story to maintain the ambiguity and mysteriousness that was felt by many Natives Americans as they endured similar struggles. These two literary elements help set an underlying atmos...
The Nebraskan prairies are beautiful and picturesque and set the scene for a memorable story. Big farm houses and windmills placed throughout the graceful flowing golden yellow grass become a nostalgic aspect of Jim as he leaves his childhood life behind. The frontier includes destructive and depressing winters and luscious summers that affect Jim's family and the immigrants. The gloominess of winter and the suicide of Mr. Shimerda provide memories that associate Jim's recollections with nature's seasons. The Christmas season provided faith to persevere through winter and the exchanging of gifts made happy memories, which Jim could not experience if snow darkness did not exist. The summers were most unforgettable though. The smoldering sun and fertile land made growing crops easy. The immigrants references of roads lined with sunflowers as opportunity inspired Jim to appreciate the splendor and bountifulness of the land. Later Jim encounters these pathways, now concealed because of erosion, remembering that "this was the road over which Antonia and I came when we got off the train . . . the feelings of that night had been so near that I could reach out and touch them with my hand. For Antonia and me, this had been the road of Destiny" (Cather237).
During the nineteenth century, the government opened up more land for settlement, and pioneers began to make their way across America to “empty” prairies in the Midwest. These “empty” lands were not actually empty—they contained many different tribes of American Indians—but the white Americans saw this as an opportunity for cheap land and a new, better life. The pioneers lived among the American Indians, but it was not a harmonious relationship. Laura Ingalls Wilder in her Little House series talked about her parents’ attitudes toward the Osage. Most of the time, her parents either made fun of the Osage people or feared them, which, in turn, instilled fear and stereotypes in Laura and her sisters. Such was the case for the majority of
...ndra's face "there was that exalted serenity that sometimes came to her at moments of deep feeling." (page 170) She has 'clear eyes' (same page), with the inference being that she sees clearly now above all other times of realisation. It follows from her life and story that the land is a metaphor for nature, which is intrinsically bound up in the experience of human life.
The opening chapter paints a vivid picture of the situation facing the drought-stricken farmers of Oklahoma. Dust is described a covering everything, smothering the life out of anything that wants to grow. The dust is symbolic of the erosion of the lives of the people. The dust is synonymous with "deadness". The land is ruined ^way of life (farming) gone, people ^uprooted and forced to leave. Secondly, the dust stands for ^profiteering banks in the background that squeeze the life out the land by forcing the people off the land. The soil, the people (farmers) have been drained of life and are exploited:
Nature is defined as the natural earth and the things on it or the essence of a person or thing. Nature is believed to be the major reason for the existence of everything. Racism is the belief that all members of each race possess characteristics or abilities specific to that race, especially so as to distinguish one race as inferior or superior to another race or races. Nature has a major role in the promotion of racism over time. “Uncle Tom’s Children,” written by Richard Wright, implicitly explains some of the roles of nature in promoting racism especially in the Jim Crow Era. Whites tried to use nature against blacks in order to aggravate their suffering. They enacted various laws that did not allow blacks to live freely. In most cases,
In Annie Proulx’s work Close Range she tells stories that emphasize the rugged landscape of Wyoming and how it has shaped the characters in her short stories. In the short story “A Lonely Coast” Proulx uses the Narrator and her friend Josanna Skiles, as the models for what life is like for a single woman in the rugged, masculine, male-dominated culture of Wyoming. Josanna’s boyfriend Elk functions as the personification of the state of Wyoming, pushing Josanna to her limits until she snaps, just like the landscape of Wyoming pushes its residents to the point that they either leave or die there.
I rose from the sweet sands and soon the warmth of the land’s impression had lost its heat (Of Plymouth Plantation, page 8). We have been building houses and freezing and had sacrificed ourselves to labor’s tiresome definition (Of Plymouth Plantation, page 9). Now, labor’s meaning has washed to a numbing survival amongst everyone in our settlement. However, we have settled on these soils comfortably enough to call it home. A few months into the settlement lived a temporary famine and devilish plague that kept some civilians dropping like flies (Of Plymouth Plantation, page