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Symbolism in macbeth
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It is currently 5:27 PM on November 19, the day before this exact paper is due. I am writing what is hopefully the final draft of my paper after multiple complete deletions of my entire essay. You might ask why I deleted my essay multiple times, and the answer is simply that I was insecure about my essay, and I lashed out and deleted it. William Shakespeare also had the idea of insecurity on his mind when writing Macbeth. Macbeth’s insecurities cause him to lash out repeatedly like and he uses these events to prove a point. That insecurity causes people to lash out. This is proven by Macbeth’s murder of Duncan, Banquo, and Macduff’s family.
Duncan’s murder proves an important point, insecurity makes people prove themselves. In men this usually
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Lady Macbeth is clearly belittling Macbeth here and his insecurities rise because of this. Macbeth then attempts at being “so much more the man” and goes into Duncan’s room, and murders him in his sleep. Macbeth resorts to lashing out violently after his wife emasculates him, and destroys any semblance of confidence that he has. The reason why he does this is because when men feel insecure they sometimes take the easy route of hiding behind a mask of violence vs confronting their emotions and insecurities. Guys for the longest of times have had this programed into their very being, they can’t show weakness or kindness, only strength. The Mask you live in also brings up this point especially through Joe Ehrmann's recount of events that took place with his father. “That was a source of tremendous shame. I left that room with tears coming down my eyes just feeling that I wasn’t quite man enough. Football became a tremendous place to hide. [...] I thought if I could …show more content…
/ Our fears in Banquo Stick deep, / and in his royalty of nature / Reigns that which would be feared” (3.1.50-53). In this passage Macbeth says that being king doesn’t matter unless he is “safely thus”. Macbeth openly admits his insecurities saying that his “fears in Banquo stick deep”. Again, Macbeth either has a choice, let banquo walk and keep him alive, or the easy but yet violent way out of killing not only Banquo but his son as well. In other words Macbeth says that Banquo is a threat to his rule and he will only feel secure in his poorly fitting king costume, when Banquo and his son are dead. This also relates to how boys are taught to react when someone disrespects them. Dr. Pedro Noguera is talking about the lessons society teaches young boys, and in his view this is what society teaches young boys about respect “If you’re told from day one, don’t let nobody disrespect you, and this is the way you handle it as a man, respect is linked with violence”. Basically Dr. Pedro is saying that if someone disrespects you or is a threat to your status as king for example, to handle it like a man is to be violent. This is exactly what Macbeth did when Banquo disrespected him by saying that it will be his kids that will be kings, not Macbeth’s. Macbeth’s insecurity and “fears in Banquo” that “stick deep” lead him to “handle it like a man”, lash out, and hire two men to kill Banquo. All of this shows that Shakespeare was using Macbeth’s insecurity about his
Thirdly, feelings of paranoia and guilt cause Macbeth characters to make damaging choices. When Macbeth asks the witches to reveal the truth of their prophecies to him, they summon horrible apparitions, each of which offers a prediction to allay Macbeth’s fears. First, a floating head warns him to beware Macduff. Macbeth says that he has already guessed as much. Later when Lennox enters and tells Macbeth that Macduff has fled to England. Macbeth in reply says, “The castle of Macduff I will surprise; / Seize upon Fife; give to th'edge o'th'sword / His wife, his babes, and all unfortunate souls / That trace him in his line.” (4.1.149-152). As Macbeth descends to madness he becomes obsessed with eliminating any threats to his power. Macbeth orders the murderers to kill Macduff's family and eliminate any threat to him. Ironically, this is the moment that Macbeth seals his own fate, by murdering Macduff's family he ensures Macduff's retaliation against him, which ultimately leads
After murdering Banquo, Macbeth begins to fear other powerful men around him, such as Macduff. The witches provide Macbeth with Apparitions that tell him his fate for the future as king. The second Apparition, a bloody child tells Macbeth that no individual born from a woman can harm Macbeth. Macbeth then replies “Then live Macduff; what need I fear thee? But yet I’ll make assurance double sure and take a bond of fate. Thou shalt not live, that I may tell pale-hearted fear it lies, and sleep in spite of thunder” (4,1,93-97). Even though Macbeth gains the knowledge that no individual born from a woman can harm him, he acts cowardly to protect himself. Macbeth turns to murder instead of facing the powerful Macduff himself. As Machiavelli said men act cowardly, and Macbeth demonstrates just that by murdering anyone who seems to pose even a slight threat towards him as king. Macbeth believes murdering Macduff will allow him to “sleep in spite of thunder.” Macbeth uses this metaphor of sleep by saying the people who sleep are innocent and the ones who don’t sleep are guilty. Macbeth believes if Banquo is dead, he can sleep as an innocent person. Macbeth presents a cowardly character who believes murder is the “right” way of handling his problems. As a result of Macbeth murdering more and more people out of fear, his people will think of him as a cowardly king. Macbeth wants his people to think he is a strong king, but by killing good people out of fear, individuals will have their idea of Macbeth’s character alter into being a
When Macbeth is confronted and chided by Lady Macbeth for his cowardice, he reluctantly agrees to kill Duncan. It is evident that Lady Macbeth is hunger for power Lady Macbeth’s manipulation and dominance over her husband is evident when she demands Macbeth to prove his ‘masculinity by killing Duncan.
Macbeth, the main character in William Shakespeare's tragedy, Macbeth was not secure in his manhood. This insecurity led to the downfall of Macbeth because he felt the need to prove himself to Lady Macbeth. After he proved himself by killing Duncan, Macbeth became desensitized to killing.
Pressure is inevitable – it is something that is felt by all, whether the source is from within or as a result of other people and events. Throughout Shakespeare’s Macbeth, the main character is faced with many pressures, both internal and external. Although his pressures are external at first, they later become internal and affect his character as well as his sanity. Macbeth feels externally pressured by his wife and the three apparitions given to him by the witches. Consequently, he begins to feel mentally pressured by his fear to secure the throne, his paranoia, and his sense of tyranny and blood lust. These pressures cause his character to change, which leads him into greater downfall. When one is faced with pressure, both from within or from an outer source, their character is greatly influenced and subject to many changes.
In general, it could be said that Lady Macbeth takes advantage of her femininity and uses it and her frail image to manipulate the situation to suit her purposes. In Act 1 Scene 7, Lady Macbeth ‘bullies’ her husband by doubting his masculinity and provoking a response. She called Macbeth “afraid” and a “coward”. I am inclined to think that Lady Macbeth chose these words as Macbeth values his courage and fierce nature as it has positioned him highly in society. It is possible that Macbeth’s greatest vulnerability is his love for Lady Macbeth, and that enables her to exploit his love for power.
Part of human nature is struggling to choose between two random forces. In the play Macbeth, Shakespeare describes how conflict within a person can drive someone mad until the end of their lives. For Macbeth, part of this struggle was keeping his sanity intact after all the bad deeds he had committed. Another part of his struggle was swaying between the forces of innocence and guilt. The final struggle Macbeth had within him was going up against fate and free will. Throughout the play, Shakespeare demonstrates the inner conflict within Macbeth, as he contends against the conflicts of fate and free will, sanity and insanity, and innocence and guilt.
...le Macbeth tells them that ‘every man be master of his time’ so that he can ‘keep alone’. By choosing to isolate himself and not inform Lady Macbeth of his plans to murder Banquo we see how Macbeth feels as if he can’t even trust his closest companions. After turning his back on Lady Macbeth, Macbeth becomes fixated not only on the prophecies of the witches but when he hints to Lady Macbeth that ‘a deed of dreadful note’ will fall upon Banquo and his son he talks like the witches. This shows how Macbeth has turned his back on seeking council from his lords and advisors and begins to act as a king who instead of rationally thinking things out, he chooses to justify his reasons on prophetic predictions from a world of sorcery.
After receiving prophecies from the witches about his future to come, he is forced into an ambition-fuelled madness. As previously mentioned, Macbeth was persuaded to kill King Duncan by his wife due to his debatable manliness. This presented Macbeth’s need to prove to his wife he was manly by being valiant and strong and partaking in violent acts. He responds to his wife’s forceful directives by telling her, “Please stop! I dare do all that may become a man;/ Who dares do more is none” (1.7.46-47). This quote indicates how Macbeth believes a “real” man would not murder, and only due to Lady Macbeth explicitly attempting to manipulate him into action, does he succumb to do so. Macbeth endeavours the heinous crime of murdering the King, all owing to Lady Macbeth’s commands. On more than one occasion Macbeth is seen becoming mad, being overtaken by guilt and concern, highlighting that his manhood does not in fact give him any power, but only draws attention to his lack thereof. The inferiority he has within his relationship, also makes evident that Lady Macbeth’s pressure causes the transpiration of Macbeth’s powerful future. It is clear that Macbeth’s power was affected by his gender, as seen through his desperate need to prove his masculinity. Without the questioning of his manhood, Macbeth would have still been the
Here, Macbeth realizes that if something is not done to Banquo, his sons will become Kings. Macbeth can not have this. He had already worried that his soul will go to hell for what he had done. His fear become evident in this scene also, "But to be safely thus: our fears in Banquo Stick deep;" [Act III, S I, L 53-54] Macbeth has Banquo murdered,
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
Lady Macbeth’s relationship with her husband is not as patriarchal as is seen in traditional representations of husband and wife dynamics during this time period. For example, she says, “To alter favor ever is to fear/ Leave all the rest to me” to Macbeth (I.v.72-73). She tells him what to do and how to do it rather than the more accustomed reverse. She is also taking a position of authority by doing things for herself. Lady Macbeth criticizes her husband, saying, “Wouldst thou have that/ Which thou esteem’st the ornament of life/ And live a coward in thine own esteem?” (I.vii.41-43). She calls him a coward, easily insulting him without repercussions and with the knowledge that he won’t do anything because of it. After Macbeth kills Duncan and is in shock of the crime he has just committed, Lady Macbeth says, “Give me the daggers. The sleeping and the dead/ Are but as pictures. ‘Tis the eye of childhood/ That fears a painted devil” (II.ii.53-55). In this scene, she is taking charge of the situation by ignoring her husband’s inability to fully comprehend what he has just don...
In the play, everyone seems to want power. Usually, men are the ones who are outward and aggressive about it, and women are more subdued about it. Lady Macbeth has a great deal of power over Macbeth the power which she holds over him, is the fact that she possesses more of the "manly" quality than Macbeth himself. Because of this, Macbeth is ashamed of himself. Macbeth constantly tries to disprove Lady Macbeths doubt of his manhood. "When you durst do it, then you were a man, And, to be more than what you were, you would, Be so much more the man." (1.7.22). As you can see in this quote, Lady Macbeth has her doubts.
Also, the idea of murdering Duncan makes him feel like he would lose his manhood. This is because he feels that if he "dares to be more" than what he is, then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.