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Confusion and mistaken identities in twelfth night
Comedy in the play twelfth night
Comedy in the play twelfth night
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Recommended: Confusion and mistaken identities in twelfth night
History proves that some of life’s most valuable lessons can be found through humor. Take “The Wizard of Oz,” four people on a journey to find love, courage, Intellect, and acceptance. And at the end of that yellow brick road one man telling them they had it all along. In the play “Twelfth Night,” the Feste the clown is the man at the end of that yellow brick road, showcases his comedic genius of other characters behavior toward life. Sometimes the characters do not seem to realize or understand his hidden message, the reader can instantly understand Feste's use of structure, through words like “dissemble” (4.2.4) which means to disguise, which in fact is present in every scene which he appears. From singing to Orsino, or arguing with Malvolio, to messing around with Viola, Feste always manages to slip that hidden message before he makes his exist. His enthusiasm is what helps him to actively fit in to each characters soundtrack of life. However, he is merely present to express that which cannot be fully expressed through the lines of other characters. Through his songs, witty jokes, Feste proudly and efficiently reveals truth throughout the play.
Most of the songs Feste's sings serve much more meaning then uderstood. If carefully listened a hidden message can be found within his songs. While in the company of Sir Toby and Andrew, Feste sings one song that has two important messages. “Trip no further, pretty sweeting. Journeys end in lovers meeting, every wise man’s son doth know.”(2.3.40). This verse explains the unusual triangle going on between Orsino, Olivia and Viola. Feste also explains not to hide behind mixed feelings, but when your time comes it comes. Feste explains a fundamental purpose for life in the second verse, “Pr...
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...ard” (3.1.11-13).
In conclusion, Through Feste's clever use of language, he takes on a role separate from his character. Although he partakes in the play, he also becomes the narrator in his respective parts. While voicing what he clearly perceives, Feste is able to make others more aware of what is going on around them, and also within them. By juggling both the roles of character and narrator, Feste is able to artfully bring forth the truth not only to the characters, but also to the audience. Furthermore, by expressing his opinions in such subtle ways, as through songs, ridicule and use of wordplay, Feste fulfills his purpose without a chance of punishment or feelings of resentment hence the title “Twelfth Night.” Therefore, Shakespeare's decision to make a character such as a court jester the narrator was the perfect fit as Feste's choice of words themselves.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
Feste is a jester, clown or fool who moves between the homes of Olivia and Orsino. During the Renaissance, monarchs and some noble families had fools or clowns in their households as entertainers- to sing, make witty observations and play practical jokes. Shakespeare usually includes at least one clown in most of his comedies. This is how Feste earns his living, along with giving other characters shrewd advice. Despite being a professional fool, Feste often seems the most intelligent person in Twelfth Night. Feste seems to be a pivotal character in the play, and his presence makes the play much more than just a tale of romance.
Logan, Jenkins. “Twelfth Night: The Limits of Festivity.” Studies in English Literature, 1500-1900 22.2 (1982): 223-38. Print.
Use of Humor in Romeo and Juliet & nbsp; Romeo and Juliet is one of Shakespeare's most famous plays. One. could give many reasons as to why this play became such a huge success, but one of the most important reasons could be the use of humour in the play. The main reason for doing this could be to relieve the tensions in the play. and to entertain and keep the Elizabethan audience interested. &
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
In Act 2 scene 5 the mood is very lighthearted and is full of theatrical comedy, we find Sir Toby, Sir Andrew and their friend Fabian hidden away as they await Malvolio to stumble upon the letter supposedly written by Olivia. Even though they are hidden the audience can still see their reactions and hear their comments, which adds to the melodramatic aspect of the scene. The audience is anxious to see what unravels next as they know Maria purposely wrote the letter in order to fool Malvolio.
One of the most idealistic and influential classical concepts was the Elizabethan Chain of Being. The idea behind the Chain was that everything in existence had its place in the hierarchy of the universe. An object's place depended on its spirit-to-matter ratio: the more spirit and less matter something had, the higher up the chain it was. At the bottom were various inanimate objects like stones, metals, and the four elements, i.e. earth, water, air, and fire. Higher up were members of the vegetative class, like flowers and trees. Next came animals, then humans, and then angels. At the top sat God. Within each section, there were subsections, each with its own hierarchy. For example, among humans, the king was above the noble, the noble above the soldier, and the soldier above the servant, and he above beggars and fools. The fool in Elizabethan literature was used to provide a topic or theme for mediation, or he could be used purely used for comic relief. In William Shakespeare's comedy, Twelfth Night, Feste the Fool was not the only actor who played a fool. In fact, Feste was one of the smartest and wittiest characters in the comedy, one who seemed to be able to withdraw from the scene and provide insightful commentary, much like the Greek chorus. When Olivia's called Feste was an allowed fool, meaning he was a critic to speak the truth of the people around him, it put him in a unique position. In some cases, he acted as a teacher through puns and humor. He also revealed that some other characters that were higher up in the chain than he was were not as smart as their place suggested. In Twelfth Night, Feste the Fool ironically acts as Shakespeare’s megaphone, presenting the playwright’s message that the Chain of Being is n...
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
...h the underlying theme of festivity in the play. Edward Cahill’s article and evidence from the play provides solid evidence to support this argument. However, what Salingar hasn’t addressed in his article is that the sub-plot also serves to illustrate the dangers of unchecked festivity. The sub-plot is absolutely necessary to the play and adds a layer of depth and insight into the themes of Twelfth Night but most of all, the subplot is what allows this play to be classed as a comedy.
Critics call Twelfth Night one of William Shakespeare’s most poetic and musical plays. Shakespeare writes poetic lines for the major characters, Viola, Orsino, and Olivia, and gives the Fool, and other minor characters, songs to sing throughout the play. The particularly romantic lines of the play make it seem as if the characters are professional poets themselves. Shakespeare also uses the music and poetry in Twelfth Night to foreshadow what is going to happen for the rest of the performance and to reveal major themes in the play. Music and poetry become major characters in the play themselves.
In Twelfth Night, Shakespeare portrays several characters in a controversial way. Some witty characters are portrayed as foolish, and some foolish characters are portrayed as witty. In the beginning of the play, Sir Andrew and Malvolio are presented as smart people; however, as the play progresses, the audience is exposed to their foolish sides. On the other hand, Sir Toby and Feste are portrayed as fools, but as the plot develops the audience acknowledges their wisdom. Malvolio and Sir Andrew’s foolish sides are exposed because of their gullible nature, while Feste and Sir Toby’s wisdom is revealed through their insightful remarks and brilliant prank ideas.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.