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Women have appeared throughout the ages in multiple examples of art and history. They portray the ambitions and traits most strive for and show great beauty while doing so. Many artists have captured the beauty portrayed by these women, such as Eugène Delacroix with Greece on the Ruins of Missolonghi (Fig. 1) as well as Antoine-Jean Gros with Embarkation of Madame d’Angoulême (Fig 2). Both of these remarkable artists showed beauty of women in chaotic scenes, yet secretly they also leaked in traits of the mythological goddesses Athena and Aphrodite through Greek influence. Greek influence spread worldwide, especially in the nineteenth century. This influence greatly changed both of these artists’ life, especially in the scenes they were depicting in the images shown. Delacroix was a French Romantic artist, using expressive brushstrokes and optical effects of color to make his artwork known, yet many times Greek influence was seen in his artworks. He believed that true classical models of Greek theme could be found in …show more content…
Early in his career, Gros was mostly focused on Napoleon Bonaparte and his military actions. Gros began to record Napoleonic feats, such as Bonaparte at the pont d’Arcole (Fig. 4) and Plague Victims of Jaffa (Fig. 5), which reveals a Greek influence of lighting and style. Gros was also influenced by Michelangelo di Lodovico Buonarroti Simoni who was partial to Classical Greek. After Napoleon’s death on May 5, 1821, Gros began doing portraits of many high ranked officials as well as Fig. 2, which was one of his last creations before dying on June 25, 1835. Gros’ downfall came when he tried the rising Romanticism , which damaged his reputation which led to his suicide. Greek influence may not have been as noticeable in his artwork, but there were definitely traits that were shown secretly
“The beginning of female art found in this Aphrodite depict her as a slightly overweight, broad-shouldered, wide-hipped figure with rougher textures and harsher lines” (Berz). The Greeks found this so appealing because it looked very similar to themselves in form but because Aphrodite is na...
The small, crudely carved statuette of an obese woman contrasts heavily with the graceful classical forms of sculpture such as Aphrodite of Cnidos, Praxiteles, 350 BCE. Although it would be difficult to associate the word beautiful with this statuette, there can be no doubt that it reflects the female form. The statuette has also been known as “la poire” or “the pear” due to its size and shape and more recently was donned the Woman from Willendorf. The removal of the title Venus served to take away the figurine’s status as a goddess and lower it to the human level, therefore allowing more consideration of the figurine’s purpose (Witcombe, sec. 3. The adage of the adage.
Aegean art is very simple and plain but very beautiful. Their sculpture has very little detail carved into the art but that maybe because originally their statue was painted in very bright colors. The female figures are plainer and more compact the arms and legs are folded in there no gap in between their arms and legs. While the male figures like the “male harp player from keros, c. 260—2300 B.C.E., Early Cycladic period, marble, 22.5 cm high”, are more detailed but not by much. They are more rounded they aren’t as straight and stiff looking, like the female sculpture, the male statues head is tilted back like is he is singing along to the music he plays with his harp, the leg and arm are open and apart unlike in the female sculpture who is compacted into a rectangle like shape. But they must have looked much different and more alive when they were painted than they do now. But even without the paint they still look beautiful.
Sweet Briar College History of Art Program. Web. The Web. The Web. 27 Feb. 2011. http://www.arthistory.sbc.edu/images/women/papers/stebbinsathena/athena2.html>.
Greece is known for their utilization, almost to a uniform extreme, of all their products which contributed to fashion. There is very few amounts of clothing that have survived the ages of time, therefore most knowledge is derived from painting and sculptures. If we look at the sculptures, bas reliefs and frescos we are able to see the lifestyle of both the Archaic, Minoan and Mycenaean eras. In the Archaic era the use of literature is reopened, where it was stopped during the dark ages. Art has emphasis on sculptures and pottery at this time. Political theory also advanced, including the development of a democracy. They brought the belt along with making clothing practical for use, such as carrying supplies in aprons and covering the head like we would know today as a sort of hoodie. This is the time between 750-500 BC. In the Minoan era the economy was growing and due to the agricultural movement such as herding sheep and growing of flax allowed for the expansion of clothing such as weaving. There was a political change which shows status as a greater importance than before and the clothing was different for political leaders such as the king. They brought the concepts of geometric design as well as natural designs. They also started wearing more fitted clothing, and still wore the belt from the archaic era. This is the time between 2000-1400 BC. In the Mycenaean era the class diversifies into rich and poor, high classes and lower classes. Members of the royal circle, along with the king, is where most of the wealth lied. They had fitted clothing and started what we see as costumes today, drapery in clothing. Most of the customs were passed on from the Minoan era. This is the time between 600-1100 BC.
- Priest of Troy being punished by the Gods for warning against accepting horse from the Greeks. Sea serpents attacked him and his sons. Beautiful anatomy.
The Greek’s images also possessed two important ideas that brought the soul of the artist and subject to the surface while still capturing the passion and action of the movement and story: noble simplicity and quiet grandeur. Greek images contained faces that were full of expression but were also balanced because they were not overcome by pain or passion because they still had nobility of soul which creates a sense of tranquility even in the midst of rage, fervor, or desire.
It was away for me to study and review what I thought was most significant about Greek times and the art pieces that stood out to me the most. I also like that I get to get my personal reflection on key pieces that lead to the new era of classical and non-classical art. In my essay, I will show how ancient Greece was a very unique culture that went through great efforts to produce high-class art. which would be the start of the archaic period. what dominated the earlier era of the Greek civilization was the abstract geometric patterning.
It is always important to look to the past in order to move towards the future. This was done in the formation of Western Society, and more specifically the formation of American society. The Greek culture served as a frame of reference for many aspects of Western life including government, architecture, math and the arts. Ancient Greek culture served as a very broad base for our society to be built upon.
Studies concerning the lives of women in classical Athens have sparked much controversy because, despite the apparent fascination with femininity manifested in art and drama, we have no evidence voicing the opinions of the actual women themselves. This presents a paradox between an Athenian woman's everyday life and her prominence in art and literature. (Just: 1989; Gomme: 1925, Gould: 1980; Pomeroy: 1976).
My report is on ancient Greek art mainly sculptures and vase art I will also
Delacroix’s first painting, The Barque of Dante, was accepted by the Paris Salon in 1822 that marked the beginning of his artistic career. He was a French painter whose work influence extended to the impressionists and exemplified 19th century romanticism. He remained the dominant French romantic painter throughout his life. Delacroix’s use of colors influenced both neo-impressionist and impressionist painters. Delacroix created more than 850 paintings, drawings, murals and other works in his career.
Over a period of time Greek art of the past has changed and evolved into what we value in todayís society as true art and services as a blue print of our tomorrow. As we take a closer look at the Geometric Period and stroll up through the Hellenistic Period allow me to demonstrate the changes and point out how these transitions have served the elements of time.
Ferdinand Victor Eugene Delacroix (1798-1863) was a French romantic artiste viewed from the birth of his profession as the principal of the French romantic school. Delacroix took for his muse the art of Rubens and artist of the Venetian Renaissance, through an associated attention on shade and motion rather than precision of the sketches and cautiously replica format. Delacroix was particular to neither over-romanticizing or to pretentiousness; furthermore his Romanticism was that of a nonconformist (Kadivar, 2010). ...
Roman artwork is extremely intricate and diverse, however, a lot of what is referred to as Roman art can better be described by the cultures it conquered. The ancient Greeks were the most influential of these cultures, from their temples and sculptures, to their reliefs and paintings. Greece was the first culture to create major programs for sculpture, painting, and architecture. Many of the first Roman artists were of Greek descent as their artwork reflects the Classical and Hellenistic periods of ancient Greece. A lot of what is considered to be Roman artwork is criticized as being mere copies of Greek artwork since they modeled their forms and styles after the Greeks, but other cultures influenced the Romans as well, mainly the Etruscans,