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The analysis of Milton's the paradise lost
The analysis of Milton's the paradise lost
The analysis of Milton's the paradise lost
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In John Milton’s Paradise Lost, he makes God the all-powerful, trusted and feared force. His theodicy creates God as a good force, not an evil one, but the way he writes Paradise Lost and the fall of mankind suggests that either Milton did not think God was all that powerful or turned his cheek when evil plotted against Him.God is trusted by humans in this epic poem because Milton writes that Adam and Eve pray often and trust all God has done for them. But once again, the trust was broken when Eve listened to what the serpent had to say about God deceiving the humans by telling them He didn’t want them eating the forbidden fruit from the Tree of Knowledge when He really did want them to to prove their independence. All at the same time
A reader can tell that God is trusted in Milton’s Paradise Lost because of how Adam is so curious about everything that has been made, including himself, he wants to know the stories and is intrigued by what everything is, how it came to be and why it is the way it is. And one can tell the angels trust God too because Raphael tells Adam to not ask so many questions, implying that he needed to put faith and trust in God with the things that are over his head. Adam reminds Eve that they must trust God and they pray together each day, showing that they trust that they trust God. God is a trusted power and force in Milton’s theodicy of Paradise
His theodicy creates God as a good force, not an evil one, but the way he writes Paradise Lost and the fall of mankind suggests that either Milton did not think God was all that powerful or turned his cheek when evil plotted against Him.God is trusted by humans in this epic poem because Milton writes that Adam and Eve pray often and trust all God has done for them. But once again, the trust was broken when Eve listened to what the serpent had to say about God deceiving the humans by telling them He didn’t want them eating the forbidden fruit from the Tree of Knowledge when He really did want them to to prove their independence. All at the same time God is feared, not so much by Satan or the other fallen angels, but He is feared by new race He has created. Adam and Eve fear God because of the threat of death as a consequence for eating the forbidden fruit. Once each of them take a bite from the apple of the Tree of Knowledge they begin to argue about whose fault it was, knowing that God knows what they have done and fearing Him because of what they think is going to happen to them. In Paradise Lost, John Milton’s theodicy creates God as an all-powerful and good, trusted, and feared
One major reason Paradise Lost is so controversial to many Christians is because God is the antagonist for books one through three. In book one on line 638-642 Satan and his fallen angel’s call God a “Monarch in Heav’n”, they said that God, “Sat on his throne, upheld by old repute…” and that God “tempted our attempt,
In the tale of Beowulf, he acknowledged his strong faith in God, regardless of the situation. The tale describes, repeatedly, how God is in every situation that the characters have embarked on, which is described in this statement, " the Heavenly Shepard can work HIS wonders always and everywhere" (pp.51, 929). The author indistinctly explains by saying, "The Almighty Judge of good deeds and bad."(pp.36, ln.180) Even when they were faced with the evil's of Grendel and the monsters, whom in this story was considered to be Satan, which is explained as, "Cain's clan , whom the Creator had outlawed and condemned as outcasts" (pp.35, ln.106). Regardless of the situation, God was acknowledged as a miracle worker, a judge, or even just to praise him for the punish of the evil doers, and rewarding and protecting those that try to help others.
...to mankind in Paradise Lost - one of the fundamental concepts in Christianity and vital to Milton's objective to "justify the ways of God to men" (1, 26) - the gods in the Aeneid are continually reminding Aeneas that he cannot afford to be distractive by the temptresses that are women because the future of Rome lays in his hands. Milton's God, on the other hand, allows Eve to fall and her blatant transgression caused the loss of paradise and all of creation has to experience the consequences of original sin. In Paradise Lost Eve was expected to submit to her ultimate authority, Adam. Rather, it is Adam in Book IX who submits to Eve's unreasonable discourse on separation. Indeed, the implication of a man (as a superior being) succumbing to feminine wiles and passion is an intense concept which - for both Virgil and Milton - threatened the very basis of their society.
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
In Milton’s Paradise Lost, Milton characterizes himself as a prophet in order to encourage us to listen to God’s order and turn away from our evil. As one becomes aware of Milton’s prophetic intentions, one recognizes how Milton uses Satan and his reaction to his downfall with God as a way to lead us to think of our own human sins and experience. Milton’s characterization of Satan’s envious, jealous, prideful and rebellious nature while battling God allows us to see Satan as mirror reflection of our own selves. By characterizing Satan, an evil icon, as a being with human flaws, Milton encourages us to see our own weaknesses in order to turn away from these sins.
Milton presents a symbolic landscape, a garden that certainly was created by a divine power. Eden is fertile, and"All Trees of noblest kind for sight, smell taste" (IV, 217) grow in abundance blooming with fruit. There are, mountains, hills, groves, a river, and other earthly delights. Adam and Eve live in this paradise and their job is to tend to the garden: "They sat them down, and after no more toil/ Of thir sweet Gard'ning labor then suffic'd" (IV, 27-28).
In Paradise Lost, Milton portrays his belief that God's real desire is power. To achieve this power, God has given to man the freedom to choose. By giving mankind, more specifically Adam and Eve, this freedom, God will have undefeatable power because those following him will be true. As Eve later states,
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
The book of Paradise Lost discusses man’s first disobedience toward God, how satan played a part in it, and why it happened. Man’s disobedience happens because of Satan’s betrayal to God. This is when you see the “scary” side of God. Today, we know God as loving, joyful, peaceful, patient, kind, good, faithful and gentle. After God sent his son to earth, we saw a change in him. He went from being quick tempered and loud to being gentle and peaceful.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
The identity of the true protagonist in Paradise Lost is a mystery. One would gather that Milton, a Puritan, would have no problem casting God as the hero, and Satan as the antagonist. However, looking back in history, Milton saw that most epic heroes had conflicts that prevented them from accomplishing their goals. God and his Son have no conflict, and Adam’s story does not really begin until the Fall of Man. Therefore, Milton was forced to select Satan as the hero of Paradise Lost because he adheres to the guidelines of epic poetry set by Homer, Virgil and others. There are many examples of how Milton uses and edits the tradition of these previous epics in the formation of the Devil as a hero. One of the most basic examples of heroism in epic poetry is the exhortation of the leader to his followers. In The Odyssey, Homer lets Odysseus give a speech that would convince anyone they could survive the journey to the Strait of Messina, "Then we die with our eyes open, if we are going to die, or know what death we baffle if we can. (Ln.1243-1245)" After passing the Sirens, the ship approaches the Strait, and the crew sees the twin terrors of Scylla and Charybdis, they are mortified. Odysseus again lifts their spirits with this speech, "Friends, have we ever been in danger before this? More fearsome, is it now, than when the Cyclops penned us in his cave? What power he had! Did I not keep my nerve, and use my wits to find a way out for us?
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...
In the opening lines of Paradise Lost, Milton wastes no time conveying to his readers what his purpose in writing the epic is. He writes in the beginning that he intends to “assert Eternal Providence, / and justifie the wayes of God to men” (I. 25-26). What exactly does this mean though? In order to be able to clearly judge and evaluate what these lines imply, it is important that one understands what exactly Milton’s thoughts we regarding “Eternal Providence” and the “wayes of God”. Stemming from this idea, it is important to also realize how the idea of free will intertwines with the omniscience of God. For Milton, God’s omniscient did not constrain the free will of Adam and Eve. However, this idea presents the reader with a paradoxical situation that Milton as an author was fully aware of. Paradise Lost presents the reader with eternal providence and free will as being part and parcel of each other, neither constrains the other, and it is these two aspects, along with that of knowledge that lay the groundwork in understanding Paradise Lost.
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.