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Romanticism and Frankenstein
Romanticism and Frankenstein
Discuss male friendship found in Frankenstein
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Recommended: Romanticism and Frankenstein
Can friendship be a curative force for an individual living with depression and anxiety? This seems to be the case showcased in chapters five through six of Mary Wollstonecraft Shelley’s novel Frankenstein. After months of arduous and incessant labor, Victor has finally completed his creation. But in the process, his entire way of being had changed due to his profound immersion in the sciences. He had scarcely written his family and he seldom left his apartment. His once cheerful demeanor was gone and only his work occupied space in his life. After finally infusing life to his creation, its awful appearance horrified Victor. Victor left his apartment because his anxiety had overcome him; he even felt he was being persecuted by his creation. He had reached his lowest point in his life, up until then, and by chance he met with his lifelong best friend, Henry Clerval, who had just moved into town. His presence was a curative factor for Victor and this will be shown further on.
Victor Frankenstein was highly loyal to his friends and family. Before coming to Ingolstadt, his life only
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encompassed his relationship with is family: “My life had hitherto been remarkable secluded and domestic, (…) I loved my brothers, Elizabeth, and Clerval; these were old familiar faces”. His relationship with Henry Clerval embodied what was a true friendship. As soon as Henry met with Victor, he immediately felt relief from his worries: “Nothing could equal my delight on seeing Clerval. (…) I felt suddenly, and for the first time during many months, calm and serene joy”. After suffering his nervous breakdown, Clerval nurses Victor for the next several months. During those months, Henry never questioned Victor about what had happened to him which made Victor suffer during those months. “I thanked my friend from my heart, but I did not speak. I saw plainly that he was surprised, but he never attempted to draw my secret from me; and although I loved him (…) I feared the detail to another would only impress more deeply”. There was an unspoken understanding between them that Victor didn’t want to speak of his problems and so Henry never asked. This shows how strong their friendship was, although they had not seen each other in six years, they still had a wonderful bond with each other and could understand each other without having to explain themselves. Henry and Frankenstein were very different people.
Clerval hated science and was more attached to literature. During his months of recovery, Henry influenced Victor to forget about his scientific studies and instead study literature, which had a positive effect on Victor’s recovery. Also, Henry’s cheerfulness countered Victor’s newfound moroseness. Shelley utilized the seasons as a way of describing Victor and Henry’s friendship. Shelley described Victor as a cold person when he is immersed in his studies, and referred to Henry as being able to “warm” him up: “Excellent friend! A selfish pursuit had cramped and narrowed me, until your gentleness and affection warmed and opened my senses”. Victor can be seen as winter and Henry can be seen as summer; opposite seasons that complement each other well. Henry was Victor’s “summer” which brought him out of his never-ending
“winter”. In conclusion, Henry Clerval’s friendship with Victor Frankenstein had an important role in Victor’s recovery. In general, friendship will have a positive effect on someone. Especially if the person has known you since you were little.
Human companionship is one of the most basic needs of humans that can be seen in the Creation story. It is tricky for any human to find the perfect companion especially if one is one of a kind. In Mary Shelly’s Frankenstein two characters exemplify this need. Dr. Victor Frankenstein and The Creature are in search of companionship, and they will go to great lengths to achieve it.
The constant desire for knowledge may cause the obliteration of the relationship one has with themselves. Victor becomes obsessed with creating life, and this causes his overall health to decay. Victor has just created the malicious monster and his initial reaction is: “I had worked hard for nearly two years, for the soul purpose of infusing life into an inanimate body. For this I have deprived myself of rest and health” (Shelley 51). Victor falls in a fever and it takes him many weeks to recover. The hours he spends working on his creature, and trying to attain his goal of creating life, has made him malnourished because he does not stop his quest for knowledge, even to eat! This causes the decay of his health, and makes him very ill. Once he creates the mutant, he is mortified by the spectacle, and feels animosity towards it. His extreme pursuit of knowledge causes him to cloud his judgment. Because Victor is miserable with his creation he even contemplates suicide: “I was tempted to plunge into the silent lake, that the waters might close over me and my calamities for ever” (Shelley 91). His extreme pursuit of knowledge, has proven to be negative, as the very thought of what he creates causes him to want to take his own life. This shows the decay of his relati...
Frankenstein's parents were very loving and he states that “No human being could have passed a happier childhood than myself” but he was only able to love them after seeing “other families [he] distinctly discerned how peculiarly fortunate [his] lot was” (34). Frankenstein was loved by his family but he was emotionally unattached from them and was only able to feel gratitude towards his loving family. When Frankenstein knew his mother had passed he was not affected by her loss and thought that his family should “learn to think [themselves] fortunate” (41). The person that gave him life had passed but Frankenstein never developed an intimate connection to her and was more concerned about his desire for knowledge. Frankenstein also runs from the chance at having a father son relationship in favor of a God and creation relationship when he rejects the “one hand [that the creature] stretched out” (56). The possibility at having a relationship as intimate as a father and son had Frankenstein running from his creation and leaving it like god left humans on Earth. Frankenstein’s friendships were also lacking intimacy he “loved [his friend] with a mixture of affection and reverence that knew no bounds, yet [he] could never persuade [himself] to confide in” his friend (66). Frankenstein loved his friend in the way that god loves all people
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
Literature often works as depicted act of betrayal. Many people, friends, and family may portray a protagonist, but they will likewise be guilty of treachery or betrayal to their own values. In the novel Frankenstein by Mary Shelley, there is acts of betrayal between Victor Frankenstein and the monster. In the Novel Victor Frankenstein is a betrayal of life itself because it should be given naturally and not created by a scientist man. The monster is actually the one who is majorly betrayed, he may look like a hideous dangerous monster on the outside but, not one within himself. From the beginning of the novel, Victor betrays the monster, and this betrayal is seen on many levels throughout the novel. The tragic figure in Mary Shelley’s horror novel Frankenstein, Victor Frankenstein, is truly the instrument of betrayal to his creation of the monster because life should be given naturally not by creation of suffering and horrific which is made by man.
Being isolated and separated from other people for a prolonged amount of time, can gradually make a person miserable. In Frankenstein, Victor Frankenstein is a martyr for Shelley’s view that a lack of human connections leads to misery. Victor being from a highly respected and distinguished
In her novel titled ‘Frankenstein’, Mary Shelley employs many innovative literary techniques to elicit feelings of sympathy for the monster, even though the creature’s desire for revenge may render him incapable. Are readers able to respond compassionately to the creature even though he willingly makes Victor’s life miserable by murdering those close to him?
“Conformity is the jailer of freedom and the enemy of growth.” These are the words of, once president of the United States, John Francis Kennedy. He relays a message of strength and a lecture on what it means to perform one’s duty as a member of a modern, accepting society. Likewise, Mary Shelley's Frankenstein exploits one of mankind's most persistent and destructive flaws that has never died down over the thousands of years of our existence, prejudice. From his very beginning, the creature was abandoned and left to question his very existence. Nearly every character in the novel assumes that the monster must be dangerous based on its outward appearance, when in truth the monster is essentially warm and open-hearted. Continuously the monster
Much like Walton, Frankenstein was alone in his childhood because he was an only child. Over time he acquires a fascination for science and begins to educate himself. “I was, to a great degree, self-taught with regard to my favorite studies. My father was not scientific, and I was left to struggle with a child’s blindness, added to a student’s thirst for knowledge” (Shelley 38). Frankenstein leaves his family at an early age to further his education. He has little to no contact with his family during this time, unless it’s by his terms. Frankenstein buries himself in his studies causing him to have few friends. By learning about his ways, it is obvious that he chose a life of solitude on his own. Though Frankenstein is comfortable being by himself, he does have one close friend, Clerval. This friendship is like the relationship Frankenstein has with his family, as it’s only a relationship when he wants it to be one. Even then, Frankenstein doesn’t confide in Clerval about the troubles he’s having with his experiment. Frankenstein chose to set his laboratory “in a solitary chamber, or rather cell, at the top of the house” (Shelley 52) in Ingolstadt. Due to the fact of his scientific experiments he believes it’s best for him to be alone in this time, even though he hasn’t seen his family in a while. Even with him choosing to be isolated, he insists that the reason he is isolated is because of the Creature. “I must
In Mary Shelley’s Frankenstein, there are many themes present. One prominent and reoccurring theme in the novel is isolation and the effect it has on the characters. Through the thoughts and feelings of both Victor and his monster, Frankenstein reveals the negative effects of isolation from society. The negative effects that Victor faces are becoming obsessed with building a monster and becoming sick. The monster faces effects such as confusion about life and his identity, wanting companionship, and wanting to seek revenge on Victor. Victor and the monster are both negatively affected by the isolation they face.
The Human Need for Love Exposed in Frankenstein Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein, a ship captain, about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it.
Throughout time man has been isolated from people and places. One prime example of isolation is Adam, "the man [formed] from the dust of the ground [by the Lord God]" (Teen Study Bible, Gen. 2.7). After committing the first sin he secludes "from the Garden of Eden to work the ground from which he had been taken" (Teen Study Bible, Gen. 3.23). This isolation strips Adam from his protection and wealth the garden provides and also the non-existence of sin. Mary Shelley, the author of Frankenstein, is able to relate to the story of Adam and the first sin to help her character, the Creature, associate with Adam. The Creature is able to relate because "[l]ike Adam, [he is] apparently united by no link to any other being in existence" (Shelley 124). In other ways the creator of the creature, Victor Frankenstein, also identifies with the tale of the first human, but with a different character, God. "God created man in his own image" (Teen Study Bible, Gen. 1.27) and unlike Frankenstein "God saw all that he had made, and it was very good" (Teen Study Bible, Gen. 1.31). Frankenstein brought a life into the world but did not take the responsibility to lead and guide his creature to benefit himself or the created. Unlike God's creature who did in turn prosper. Instead of prosperity Frankenstein receives a life of loneliness and responsibility of many unnecessary deaths. The Creature, like his creator, lives his life in isolation from society. His only goal is to be loved and accepted by those around him. Through these circumstances the effects of isolation and loneliness are brought to life by the creature and the creator thought their pasts, social statuses, emotions, and dreams and fantasies.
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
Isolation is often a result of choosing to seek refuge in solitude, however, in many cases, it is a result of brutality from a surrounding environment. In Mary Shelley’s Gothic novel, Frankenstein,a gruesome and painful story serves as a cautionary tale in order to prevent another from a similar downfall. Although Victor Frankenstein is the narrator for the majority of the novel, the audience learns of the destruction that has followed his decisions as well as the forced estrangement upon those he has encountered. In Frankenstein, Shelley uses relatable characters that reflect the harsh superficial aspects of society.
The next character that we meet who is lonely is Victor Frankenstein. At first he doesn't seem to be because, since he was a child he has had Elizabeth as a constant playmate and friend, along with Henry Clerval. But when he leaves to go to college in Ingolstadt, he feels all alone because he has left all his friends behind him. Although his professor, Waldman, befriends him, there, at Ingolstadt, he spends many hours secluded and alone, working on his creation, the...