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Media impact on children
Impact of media on children
Impact of media on children article
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The article I chose this week is about how lack of diversity there are in roles in films made in the United States. The article stated that between the years 2007 and 2014, women only made up 30 percent of all speaking roles. Another article was released recently stating that that there are 700 popular films and represent inequality. This article looked at gender, race, and ethnicity. The top movies are only white, straight, young, and male. Out of the top 100 movies 73.1 percent of all speakers were white, 19 characters were lesbian/gay/bisexual, 19.9 percent of the characters were 40 to 64 years old, and women directed 1.9 percent of the movies. Films produced in 2014, not a single woman was starred over the age 45. These statistics pointed out how directors are prejudice when making decision about their characters. The article specified that art may be a mirror of life, but is often a misleading one in mainstream American cinema. Even though women are about half of the population they remain a persistent minority on screen. The same issue is true about certain races and ethnicities. It was found that 4.9 percent of all speaking characters in the 100 top movies were Hispanic/Latino. The inequality comes at a time of increasing …show more content…
For example, when a teacher favors the smartest student from the rest of the class. This term is applied to this article by that the directors and films makers discriminate the characters and their speaking roles. They discriminate Hispanics, blacks, women, elderly, etc. They see them as not being worthy enough to be a lead role or speak more than a line. This is a terrible way individuals are being affected by watching their movies. People may not be aware of this, but they are unconsciously being affected by these movies or even consciously. A child takes a lot out of these movies/shows and apply them to their real
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
Today, only 16% of protagonists in movies are female, and the portrayal of these women is
Riseman, Barbara. “Gender as a Social Structure: Theory Wrestling with Activism.” Multicultural Film: An Anthology. Spring/Summer 2014. Eds. Kathryn Karrh Cashin and Lauren Martilli. Boston, MA: Pearson, 2013.
In the latest Disney film, a live action rendition of Beauty and the Beast, there will be a character who is gay. I personally am excited for this, I think that starting to include a diverse range of characters to show to younger children and create new ways of teaching open-mindedness to children when they are young is very important. However, I am just curious and wondering if, given Disney’s track-record, a statement like this is actually true:
Smith, Jeff, and Chloe Beighley. "Normalizing Male Dominance: Gender Representation in 2012 Films." Grand Rapids Institute for Information Democracy. N.p., 12 Feb. 2013. Web. 1 Apr. 2014.
...ent from the silent era of film, overt racism of ethnic minorities was blatantly apparent within the film medium. However, presently this overt racism however has shifted into a more subtle segregation of casting and racial politics within the film medium. It seems that both the problem and the solution lies in the Eurocentric domination within the Hollywood film industry – and it seems that it still remains challenged to this day.
Pop culture is a backdrop of day-to-day life from television to film to Facebook to music. It has the power to influence us on how we think and what we think. So why does it still lack equal and fair racial representation?
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
Hollywood films have dealt with the issue of racial inequality while reinforcing gender stereotypes about female subordination. This week we watch three movies, some of female characters speak up for their rights. Some of them were deference to men's power. “Guess Who’s Coming to Dinner” is a movie talk about the relationship shared between a white woman and a black man. Debate over whether or not the Draytons’ will approve of their daughter’s marriage is at the heart of the movie.
However, as degrading the stereotypes may be, some directors use these stereotypes to communicate the reality of the situation. For example, when the premise of the plot relates to history of Asian Americans, the inclusion of culture-specific attitudes and accents transforms the movie or TV show in an unidealized perspective of the world. Rather than shying away from what is considered racist, the directors stays true to what is part of society. Therefore, the ethical responsibility is to display these negative stereotypes.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
Racial and ethnic diversity on television is not something that I have ever really noticed as a problem, but sitting down, and paying very close attention to the people, their roles in the show, I was able to see that there was a lack of diversity on TV. I chose a random TV channel, one that I probably would not watch, and studied the characters in the show and in the commercials for over two hours, I realized that I had never paid that much attention to the people in the show. I noticed after I was done that the largest group of people in the show and on the commercials, were white people, although there was some diversity, maybe one or two people of a different nationality, gender, or race, that overall the lack of diversity was minimal compared
Ali Fazal a renown Indian actor once said, “Now, there doesn't have to necessarily be a white man in the lead role. That's the way forward. That's diversity. It's cool if an Indian is playing the lead role in a Hollywood project, and we should be proud of this.” All these years the movie industry has been thriving with the same characters and had a dire need for diversity.
Imagine being five years old and never seeing anyone on TV who looked or thought like you? You would feel completely excluded and separated from society. Young, developing minds are far more unquestioning, and accepting about what they see and hear on their screens. So what are we really telling them by only showing them a small portion of our world's diversity. In family films alone, males outnumber
As more people are claiming their rights and being accepted by society, the media is forced to reach the obedience in a modern way. Women are fighting for they equal right and starting to play leading role in movie and TV shows. For example, not so long ago, I watched “She’s the Man” a movie played in 2006 by Amanda Bynes and Channing Tatum. Byrne’s character, Viola been playing soccer in place of his brother who didn’t want anything to do with soccer or any other sports for that matter. Bynes is really good at soccer and loves sport. She didn’t let herself brake by the tough guys in her team who think she was a man. She subsequently shows the absurdity of gender biases by being the best at what she loves. This type of movie prove there is nothing abnormal to our behavior and it do not make us less of a person when do not conform to norm of