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Divine punishment in dantes divine comedy
Divine punishment in dantes divine comedy
Love in Dantes Inferno
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In the Inferno, as Dante treks through Hell it becomes evident that the punishments imposed upon the sinners match their crimes; this is known as contrapasso. God created the Inferno in order to punish sinful souls –he made each punishment appropriate for the sin committed. In the Inferno, the punishments grow more horrid every Circle the sinners go down. Regardless of the nature of the punishment, the contrapasso not only serves as a means of Godly revenge for sin, but it is also a fulfillment of the fate chosen by the sinner.
The second Circle of hell is devoted to chastising the incontinent. Here, we see the lustful pair of Francesca and Paolo who wanted to be together in life –even at the cost of their individual relationships. “One day, for pleasure we read of Lancelot, by love constrained: alone, suspecting nothing, at our leisure. Sometimes at what we read our glances joined, looking from the book each to the other’s eyes…but one particular moment alone it was defeated us: the longed-for smile, it said, was kissed by that most noble lover: at this, this one, who now will lever leave my side, kissed my mouth… that day we read no further.” [Canto V, lines 112-124] In this passage Francesca described how Paolo and she would read to one another. The story they read was one about a couple whom also committed an infidelity –they felt as though their own story was reflected in their readings. “That day we read no further” references how the duo died –Francesca’s husband killed the two. Now, the adulterous couple is doomed to be [physically] stuck together for eternity. These sinners abandoned God when they chose to commit adultery, now God has abandoned them also and the pair is thus doomed in hell to suffer until the end of time...
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...iving up the privilege of self-determination. As a shrub, these individuals have no free will. Violence is a bestial sin and this can been seen in the Harpies whom feast on the leaves of the shrubs and so allow those who committed suicide to complain of their pain.
There is not a single, better example than contrapasso to show the literary and theological influences that Dante uses to write The Inferno. Dante makes the punishment fit the sin –sometimes the sinner gets exactly what they wanted [such as in the case of the lustful couple] or sometimes they get the exact opposite [as in the safe of those who never took a stand in life.] The idea of contrapasso teaches human-beings to keep consequences in mind before they perform certain actions. God has chosen the punishments for these sins and he does not make mistakes –these sinners get the punishment they deserve.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
Throughout Dante Alighieri's poem, Inferno and William Shakespeare's tragedy King Lear, the common theme of justice plays a critical role throughout both pieces of literature. Often depicting just and ironic punishments to fit the crime, both pieces focus on the eventual consequences of ones actions towards others, resulting in the death of the person or the eternal damnation in which waits. Throughout King Lear, the arrogance of King Lear to not recognize Cordelias unconditional love leads to his abrupt death. Throughout Inferno Alighieri alludes to the somewhat ironic and just forms of punishment by punishing the souls of Hell such as twisting the head of people who predicted the future so then they only see what is behind them. The eventual realization of Lear and Dante both depicts the self-realization in which both protagonists perceive. Though Dante ultimately can change the outcome of his current spiritual righteousness, the repented King Lear only can watch as the actions he demonstrated results in the ultimate destruction of his idyllic scheme.
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
Dante efficiently uses contrapasso to punish the souls that sinned in their lifetimes. All the sinners experience ultimate suffering as they act to extend or continue their sin for eternity. The suffering in Hell is ultimately unbearable, regardless of the nature of sin. The sinners have no hope of their condition becoming any better because the only change will be at the Final Judgment. Then their punishments will be perfected because they will then have bodies and a new way to experience suffering. Contrapasso ensures that these souls will exist in an eternity of complete despair.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
He had meticulously described it to illuminate the Bible’s interpretation, especially for the degrees of sin. For instance, during his journey through Hell, he had traveled through nine rings, each containing different forms of sin. Within the rings, Dante had met individuals who were cast into Hell for adultery and heretical beliefs. However, Dante had not only described who he saw, but also the quality of their lives in Hell. D’Epiro states, “The poet’s most famous portrait of flawed grandeur is that of Ulysses, whose sins as a false counselor have caused him to be enveloped in flames like a human torch.” (99) Dante had wanted to put an emphasis on how perilous Hell was because of the time period’s grasp on religion in 1320.
The relationship between justice and punishment has been an essential fabric of society for centuries. It’s important to note the significance of justice in this equation. Justice to Dante is whatever you do in this life will haunt you in the next one. Whatever sins you commit will be your punishment. The circles of hell Dante creates is a just punishment for sinners. Those who commit incontinent crimes, violent crimes, fraudulent crimes, and worse crime against the perfect city deserve to be in the inferno. This punishment is just and supports the claim that Dante presents an image of a just God.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.