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Vampire symbolism in bram stoker
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When there is a focus on vampires, an instant connection would relate to sucking innocent individuals’ blood. Normally, blood is the main source of life among vampirism. Blood is considered a family lineage, a way to gain eternal life, and a life force in Bram Stoker’s gothic novel, “Dracula.” Blood is used to recruit family members, such as, Jonathan (as the desired son), Mina, (as the New Woman), and Lucy (as the desired wife); Count Dracula uses blood imbibing as a way to give eternal life among his recruited “family” members, and blood is a life for the essences of life (gaining life by taking life of another person). Among vampirism, blood (as a motif) is the main source for repopulating and restoring life. The word “blood,” can be used …show more content…
Lucy could be considered Count Dracula’s experiment to see if she is independent enough to be potential wife. For Lucy, he initiates into his “family.” “In Lucy, Dracula begins the process; in fact, she becomes lethargic, almost like a woman experiencing morning sickness, as one who is pregnant with vampire desire (or decadence)” (Mascia, 169). In this case, “Lucy is not Dracula’s first choice” (Mascia, 169). She eventually turns full vampire, and begins to “attempt” to recruit more children for Count Dracula. For Mina, on the other hand, Count Dracula “recognizes the New Woman qualities and wants that strength of character for his newest bride” (Mascia, 170). When Jonathon does not write Mina back after some time, she gets very worried. With Mina feeling worried, it is an instinct because she loves Jonathon. “Since Mina is both domestic and educated, she will be a strong partner and mother to his three vampire-daughters and to Jonathan, who the author asserts he desires as a son” (Mascia, 168). If individuals compared Mina and Lucy with Count Dracula’s desires: “Lucy is weak but Mina is strong. Lucy has many suitors; whereas, Mina shows loyalty to one man, Jonathan. In Mina, Dracula can copulate and procreate while enjoying the aesthetic beauty of her body and mind” (Mascia, 170). To sum up what Dracula’s foremost perseverance is with Lucy, Mina and Jonathan, “he seeks to impregnate and to damn to …show more content…
“The motif of blood drinking became the hallmark of the literary vampire” (Johnson, 2). Count Dracula consumes human blood to extend his physical appearance. Blood being consumed represents the Christian rite of Communion, but in a corrupt logic. However, “blood is symbolic of life, love, passion and hope” (Mascia, 168). Therefore, without blood, there is no eternal life for Count Dracula. At one point, Dracula’s appearance was taken as a “tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere” (Stoker, 40). However wait, “the vampire live on, and cannot die by mere passing of the time; he can flourish when that he can fatten on the blood of the living” (Stoker, 244). Because later in the novel, Dracula consumes blood, and instantly, his appearance changes to appear more youthful. For example, when Dr. Stewards states, “Even more, we have seen amongst us that he can even grow younger; that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty” (Stoker,
Even at the ending, there still is suspense after Dracula is killed because it was anticlimactic. My only question, is “Who is this ‘we’ mentioned when Dracula is talking about Transylvania’s past and the battles?” That one unanswered question leaves suspense because it makes it seem like there are more vampires not really mentioned in the book. I believe that Stoker purposely used his word choice to show good and evil because he used the word “voluptuous” to describe the three evil women and also described Lucy when she turned/passed away. I believe that Stoker uses British womanhood to show weakness since Lucy was the first one bit and that if she did not get help then she would have passed away faster and would have transformed into a vampire and would continue terrorizing little kids. However, I believe that through Mina, Stoker uses a new form of British womanhood to show a strong woman that after overcoming an obstacle can rise above it and work with the men to defeat evil. I think Mina is my favorite character in Dracula because she does just that. She did not just get saved and not do anything, she got saved and then used her visions to help the men find Dracula. That is what I admire about her. She is a strong woman. I like the suspense in the end of the book with how Dracula just dies and then everyone seems to live a happy life, however, I would have ended the book with a better “fight scene” that would have proved that Dracula was either the only vampire or that there were more. I think Stoker uses word choice to denote good and evil in Dracula and does an excellent job in doing so by describing the three women and then adding on to Lucy when she
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
Dracula kills Lucy who is a sweet, victorian woman that did not deserve to be bit by Dracula. Killing people, to most people, would be an action only a purely evil person would do “Lucy’s eyes in form and colour; but Lucy’s eyes unclean and full of hell-fire, instead of the pure, gentle ors we knew” (226). Lucy getting bit not only hurt Lucy, but it caused all the people near and dear to her hurt also. Vampire-Lucy still looks pure and sweet which is even harder on the people she loves because they see that she looks beautiful and like herself but she is not herself. When something evil is being hidden as something good it is extremely evil and hurts the people that love and care for her. He does not act how a civilized and well manored man should act. He hurts other people to benefit himself. Clearly such actions are incredibly evil and no sane person would think to do such a
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
The purpose of Dracula’s physical description is to place him against humanity and see how he stacks up. He has various features which obviously make him a vampire, such as a set of sharp teeth. But there are other peculiarities to his description which mark him as being an outsider. For instance, when Jonathon Harker, and by extension the reader, first meets Dracula, he describes him as being “a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot” (Stoker 15). At this point, he is a regular looking man, or at least normal enough that nothing elicits a reaction in Jonathon. Later, however, the aberrant constitution of Dracula co...
In chapter 23, Professor Van Helsing mentions that Count Dracula was in life a “wonderful man,” a soldier, and a statesman, (Stoker, 1897/2001, pp.289). Although Stoker in his original book does not clarify how count Dracula became a vampire, there are references in the text that suggest it was the result of necromancy. In chapter 18, Van Helsing reveals that the Count was a student of alchemy, necromancy, and the occult (Stoker, 1897/2001). He further mentions that Dracula attended the “Scholomance,” a mystical school in the mountains, where the students are tutored by the devil himself (Stoker, 1897/2001; pp. 231). This point is taken further by Montague Summers (as quoted in Laycock, 2009, pp.19-20), through his words- “The vampire is believed to be one who has devoted himself during his life to the practice of Black Magic…”. These references in the book and interpretation in the Laycock’s work, lead to the conclusion that the Vampire-Dracula was the result of his deeds and practices during his lifetime. On the other hand, Cullen was the son of a pastor, who hunted monsters like “…witches, werewolves… vampires” (Meyers, 2005, pp. 331). When the pastor grew old, Cullen assumed the mantle of the monster slayer. Unfortunately, during a hunt, he was bitten by an old vampire he was chasing. After his transformation, Cullen, repulsed by what he had become,
His main victims, Lucy and Mina, are the best examples of how he expresses these desires. Lucy Westenra is the first victim and the first point of emphasis for Dracula's desire to create in the novel. Once Dracula arrives in Whitby a mysteriousness comes about Lucy. She is sleep walking and seems like she has someplace to go or someone to get to. Mina observes this unusual sleepwalking “Strangely enough, Lucy did not wake; but she got up twice and dressed herself” (Stoker 74). The notion of sleepwalking describes the fact that Dracula is somehow trying to draw Lucy to give in and execute his creative desires. Eventually, Lucy escapes from her room, not seen by Mina and is later found in the middle of a graveyard. This is where Dracula executes his desires and makes Lucy his victim: “There was undoubtedly something, long and black, bending over the half-reclining white figure….I could see a white face and red, gleaming eyes” (79). This mysterious figure is Dracula and his making of vampire Lucy was marked with two hole punctures in her neck. These punctures are made from a bite. This action of biting someone's neck is both aggressive and sexual. A pleasure spot on a human beings body is the neck, it is sensitive to the touch of fingers/lips. It is an arousal technique and it just so happens that this is the common method for Dracula to create his vampires. This is a direct evidence to the unleashing of Dracula`s sexual repressions. Dracula’s desire to create and releasing of sexual repressions is also evident when he victimizes Mina. After Lucy’s death, Dracula goes after Mina and the first major event evident to this is when he makes her drink his blood through his chest. “Her white nightdress was smeared with blood, and a thin stream trickled down the man’s bare breast which was shown by his torn open dress” (242). The notion of blood and Mina being victimized by having to suck
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels written in the nineteenth century. The term “epistolary novels” refers to the novels composed of different types of documents, such as journals, letters, newspaper clippings and so forth. One of the effects created by using an epistolary format is providing the characters’ inner state throughout the story, which “focuse[s] on a broader exploration of the insights that made up the conscious self by and [the broader context]” (Ştefan 73). Consequently, Stoker’s use of fragmentary narratives delivers the main characters’ emotions and thoughts in more picturesque ways. In Dracula, the epistolary format of the novel increases terror and suspense, which derived from tension when the story alters after alluding characters’ insecure future and immense power of Dracula affecting not only the main characters, but the third parties who are irrelevant to them.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
For centuries, gothic authors depict the vampires as evil, repulsive, and socially secluded “creatures”, leaving the audience terrified by the gruesome details of the murdering and sucking the blood to kill the victims, in order for the vampire kind to survive. However, the modern vampire is drastically pulling away from that negative connotation, and becoming difficult to differentiate amongst the public. Since many Americans are struggling to make ends meet, they tend to seek out alternative methods of achieving money, such as donating blood for a payment. This not only helps struggling families in their time of need, but also helps people struggling with organ failure. This source of saving human blood is represented in Twilight, as the Cullen family of vampires, feed exclusively on animal blood in order to save human life. Though the gruesome murdering of the human victims from a vampire attack has been taken out of today’s stories, the general gloomy and eerie mystique of...
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
From the whispers of townsfolk spreading legends and tales of what goes bump in the night to the successful novels, plays and film adaptations, the story of the vampire has remained timeless and admired. One of the main writers responsible for this fame and glory is Bram Stoker with his rendition Dracula, written in 1897. Dracula follows the accounts of Jonathan Harker, Mina Murray, Dr. John Seward, Lucy Westenra, and Dr. Van Helsing, through their journal entries and letters, newspaper articles, and memos. Bram’s vision for Dracula is both terrifying and captivating as the reader follows a small group of men and women led by Dr. Van Helsing through their attempt to retaliate against Count Dracula’s efforts to spread his undead chaos and blood