Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Literary Importance of Mary Shelley's Frankenstein
Characterization in frankenstein mary shelley
Themes of frankenstein by mary shelley
Don’t take our word for it - see why 10 million students trust us with their essay needs.
People are constantly being judged for their appearances. The world takes in these first impressions to allow people to form opinions of their own. Unfortunately, these appearances play a big factor in people’s lives. An appearance is the first thing someone can judge before actually understanding one’s personality. Sometimes an appearance will define one in a way they do not like, for example, the creature in the book Frankenstein. Along with many other characters, the creature plays an important role in the book since his appearance is unlike so many others. Because of this, the creature tries to overcome his struggles that are solely based on judgments that people made based on his looks. In the book Frankenstein, Mary Shelley uses appearances …show more content…
The more Shelley uses appearances and is overly detailed, the clearer the reader can picture the scene as what Mary Shelley had is her own mind. Appearances play a significant role in this book because the creature has a foreign body figure. This part of the book is incredibly unrealistic, so it’s necessary to have detailed characterization to develop the physical appearances in the book. Mary Shelley described the complexity of the creature by saying, “His yellow skin scarcely covered with the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes…" (Shelley 43) to define his appearance that Victor was fearful of. This creature was dreadful to look at and Victor was ashamed to have created such a ridiculously ugly person. Shelley establishes Victor’s feelings about the creature by continuously describing his ugly appearance and personality. Not only did she use appearances to describe the monster, but she also included several descriptions for all the other characters as well. When the opportunity presented itself, Shelley also …show more content…
The descriptions push the readers to connect the beautiful characteristics with goodness and the horrible ones with evil with each character. Shelley used the fundamentals of love, care, and kindness when she introduced Elizabeth into the book by saying, “Elizabeth Lavenza…my more than sister—the beautiful and adored companion of all in my occupations and my pleasures” (Shelley 21). Shelley describes her so pleasantly to draw the purity within Elizabeth and establish her appearance. Because Shelley described her in such a positive manner, the reader is able to connect her with goodness. In society it’s common to assume the people that do kind things are good people. Shelley also does this for the creature and his behavior, but in a different way. Unlike the positivity in Justine’s description, most of the creature’s descriptions were negative, and can be seen when Victor said, “…the beauty and dream vanished, and breathless horror and disgust filled my heart” (Shelley 43), to point out that his creature was a horrible mistake and he could tell this simply by looking at his appearance. Shelley used the creature’s ugliness to resemble his actions, which excuses his murderous behavior. From the beginning, the creature’s appearance was negative, which foreshadows his poor actions, simply because of how his appearance was described. Most of the time a character’s actions and
First, Before the monster is created Victor says that he hopes this creation would bless him as his creator, and that the creature would be excellent nature and would be beautiful. After the creature is created Shelley creates sympathy for him by Victor’s description of him in a unique yet horrific way, “he’s ‘gigantic,” “deformed,” “yellow skin scarcely covered the work of muscles and arteries beneath” this makes the creature abhorrent to typical humans. When thinking of the descriptions together, Shelley has created a vivid, unnatural image of the monster in the mind’s eyes. The language Shelley uses is powerful and emotive “shall I create another like yourself, whose joints wickedness
As human nature, we tend to judge too much. We judge others by the color of their skin, their weight, if they have acne or not, and how they dress The Creature, from Mary Shelley's novel, Frankenstein, is judged throughout the entire novel. He looks different,
On page fifty-seven of the novel, the creation is first brought to life and Shelley describes the initial interaction of the two main characters, “…his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some in articulate sounds, while a grin wrinkled his cheeks…rushed downstairs.” This particular quote depicts how Victor immediately shut out any connections with the creature due to his appearance. He decided to interpret the creature’s instant grin and stare to revolve around evil thoughts when, in fact, the creature was simply desiring acceptance and approval from his creator. So it was that from the commencement of his existence, the creature was shunned from Victor and ultimately from the entire society merely because of his appearance. In correlation to the song, his wings were broken from the beginning of time and it was up to his own free will if he decided to learn to fly.
When the monster dwells on the fact that he has no friends, money, and property because of the way he looks he claims, “I was besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man”(Shelley 102). With the monster’s emotion toward his first encounters, he struggles with accepting who he is because he feels the hatred from others. The words “deformed and loathsome” express the disgusted and discomfort that clouds the thoughts of each human during their first encounter. He recognizes his differences in comparison to others and begins to become self-conscious when he attempts to come out into the community. In the same aspect, humans today feel the same way when they look different than the ones around them.
Victor Frankenstein and the others who have encountered the creature all recoiled in horror at the mere sight of him. He is described by Victor: “His limbs were in proportion, and I had selected his features as beautiful. Beautiful!—Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shriveled complexion, and straight black lips” (Shelley, 35). Even his creator shuns him based solely on his looks. Another attribute of the creature that makes him monstrous is his thirst for revenge against Victor and the hateful attitude he develops toward humans throughout the book. While he has not developed the emotional intelligence and experience of other human beings, he has learned to differentiate between right and wrong. Therefore, the murders he has committed are taken into consideration when labeling the creature as a monster. If anything, as I will later demonstrate, the creature is an antihero. He is mostly monstrous in appearance but his thoughts, feelings and circumstances create the ingredients of an antihero, who has doubtlessly committed
The creature’s moral ambiguity characteristic was a vile ingredient to the construction of this novel Frankenstein because it made the reader 's sympathies with him even after the audience knows he had committed murder because the readers had seen the truth this creature had to face. That he had tried everything within his power to peacefully live with them, to interact, communicate, and befriend them “these thoughts exhilarated me and led me to apply with fresh ardour to the acquiring the art of language”, that even though he was seen as a monster because of the looks he was created with, something he had no control over, he still had hope to be seen as equals, ”My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration;” this hope of his was utterly crushed, and can only set him up for utter disappointment(12.18). Because in the end he only received hates, scorns, violence, and prejudice from his good will. So in the end of the story, Mary Shelley’s forces the readers to see within the creature’s heart and for
Victor had created the creature with the vision from his dreams of a strong, tall perfect being with no flaws. His years of study with the unnatural and science had come to this final conclusion and masterful idea that he was determined to finish. To his surprise, he had created the opposite, “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) Victor is saddened by what he thinks of as a failure. He leaves his own apartment to go sleep in his court yard outside following his creation. He begins to isolate himself from the creature because of his fear of the creature’s outward appearance. He loses all hope for the creature without even learning anything about him. The fact that Shelley begins to refer to the being that Victor created as a “creature” shows Victor’s ignorance and lack of acceptance. It is Victor’s prejudice that blinds him of the creature’s true potential due to the unwanted preconception that follows the creature as he finds meaning in
People’s impression of the Creature has become so twisted and turned by time and decades of false film posters and article titles that most use the name “Frankenstein” to refer to the Creature itself, rather than the scientist who created him! It’s a shame, he said! An understanding of literary history is a necessity to comprehend the truth of the Creature’s tragic history and how decades of film adaptations changed him into the hulking beast most people know him as today. Illustration from the frontispiece of the 1831 edition of Shelley’s Frankenstein novel by Theodor von Holst. First of all, Mary Shelley describes the Creature as "yellow skin scarcely covering the work of muscles and arteries beneath; his hair was luxurious black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight Despite his appearance of a "monster" the original Creature portrayal is that of a sensitive, intelligent being rather than a nonspeaking idiot and killing machine.
So, when he created Frankenstein “the monster” he turned out to be this grotesque and unnatural creature which was different from what Victor had imagined. However, at the site of looking at his creation, Victor is now spooked by his appearance and immediately turned off by his own creation. For example, in chapter 5 Victor says, “I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep.” (Page 35). Again, we can see Shelley’s use of Gothic elements infused with the monstrous theme. However, this causes Victor to immediately stray away from the monster because he views his creation as repulsive and upsetting. Which marks the first sign of abandonment that Victor places on his creation. This doesn’t do any justice for Victor because now the monster is trying to assert himself into Victor’s life but yet feels more and more neglected from the absence of love that Victor doesn’t want to give in terms of having a relationship with
It is scientifically proven, that people prefer attractive people. Appearances help millions of good-looking men and women across the country advance in their careers, get free drinks, and receive more opportunities. But, Mary Shelley juxtaposes the physical deterioration of Victor as her novel, Frankenstein, progresses and the creature’s ugly physical appearance and the motif of clouds juxtapose with birds to argue that appearances may be deceptive. She argues through the juxtaposition of Victor and the creation’s death that ultimately it is through death, one of nature’s devices, that allows us to see the character of a person. Shelley juxtaposes the physical deterioration of Victor with the ugly appearance of the creation to prove that time will reveal a person’s character.
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
Shelley presents two characteristics of mankind in order to prove her case. The first example is Frankenstein’s creation. Upon first being introduced to his creation, the reader initially labels him as a monster because of his physical appearance. He is portrayed as a man with “.yellow skin scarcely cover[ing] the work of muscles and arteries beneath.watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set.shrivelled complexion and straight black lips” (Shelley 58). Not only does the reader view him as a sort of horrifying being, but his deformed exterior also causes society to reject him; they brand him the title of a monster.... ...
This novel supports Shelley’s thought about society’s attitude toward female authors and how they were considered inferior. She demonstrates how female authors are shunned by society, just like the creature is shunned. The creature embodies the feminist ideals Shelley weaves into the novel and highlights societies unfair treatment of women. In some ways Shelley identifies with Victor because both of their creations were not what they expected them to be and were worried about the criticism they would receive for it. They both hid their creations for a while, Shelley did not immediately claim the novel and Frankenstein did not claim his experiment
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
Throughout every individuals life there are experiences of unfair judgments based on someone’s appearance. While this is never a good thing, it is an action that everyone takes part in, whether it is purposeful or not. In Frankenstein, Mary Shelley’s message is very clear as she illustrates the cruel events that take place in a society focused only on outside beauty. The central message that Shelley communicates with Frankenstein, is that while appearance is just one of an individuals many characteristics; it is always a factor they are judged on regardless of all the other qualities they may possess.