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Alienation in literature examples of books
Alienation in literature examples of books
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Alienation is not an instant event, but a gradual process. This process prevails in a variety of literary works, including Frankenstein, by Mary Shelley, “Oedipus Rex,” by Sophocles, and Ordinary People, by Judith Guest. Alienation assumes five stages: initial alienation, initiation, journey, suffering, and reconciliation. Although alienation fully occurs in this manner, the extent to which each of the characters experience the process is distinct. For example, Conrad Jarrett of Ordinary People undergoes the alienation cycle in its entirety, while Oedipus in “Oedipus Rex” lacks the essential component of returning to harmony. Despite the underlying sense of alienation that each of the characters may feel, they all take certain measures in attempting to cope and reconcile with their seemingly perpetual detachment.
In Ordinary People, Conrad Jarret's alienation is exacerbated by the loss of his brother, which is evident in his failed suicide attempt. This profound sentiment relevant to Conrad's alienation is continually seen as a reoccurring theme throughout the novel, and provides structure to fully understanding the extent of Conrad's isolation. The book begins one month past Conrad's release from the hospital, which introduces the reader to his already damaged and fragile state. In essence, the failed suicide attempt can be directly translated as the feeling of not belonging. In initiating his road to recovery, he meets with Dr. Berger, a psychiatrist. Conrad is reluctant to begin these appointments, and tells Berger directly that he does not think highly of psychiatry. However, he eventually submits to examining himself and tells Berger that he needs to gain more control. Continuing in this segment of initiation, Conrad reveal...
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...s not only because of his physical deformities, but out of his lack of relation to any human being, due to his artificial birth. Throughout the story, the monster continually faces experiences with humans that underscore his differences, which therefore isolate him. To cope with this, he begs that he be given a partner of his kind, which signifies his genuine and persistent desire to belong. He goes to lengths saying that if he was given a partner, he would escape to the amazon forever. It is evident that the monster is in dire need of physical connection, as he struggles through his personal extent of the alienation process.
Of the three characters, perhaps the creature faces the most alienation and the most profound suffering. In fact, the first sentiment that he feels upon being brought into existence is isolation. Victor Frankenstein, his creator and “father,”
Ordinary People is a book that examines the life of a typical American family that seems to have it all together. It exposes the major conflicts among them; pain, misunderstanding, hurt, forgiveness, and ultimately if possible healing. Conrad - with the story told mostly through his perspective, he being the one furthering the resulting course of events and at the same time the protagonist and antagonist ? is the main character of the story. While boating on a lake with his older brother, a fierce gale picks up capsizing their boat and eventually leading to the death of his brother when he drowns. A failed suicide attempt by Conrad reveals how much he blames himself for the tragic turn of events and the lack of communication between him and his parents. The process of healing is painfully slow till the end. Conrad visits a psychiatrist, the conflict with his mother continues to grow and he somewhat patches up the relationship with his father. In the very end, Conrad learns he cannot replace his dead brother and can only be himself; he is prepared for whatever might come.
In Frankenstein, by Mary Shelley, the Creature executes extreme and irreversible acts due to his isolation from society. Although the Creature displays kindness, his isolation drives him to act inhumanely. The Creature, pushed away from his creator because he is an abomination, and indicates his isolation as the only one of his species. As the Creature gets more comfortable with the De Lacey ’s, he approaches the old man as his children are gone but before he can explain himself, the children come home and see the Creature, “Who can describe their horror and consternation on beholding me?
In the stories “To Set Our House in Order” and “The Lamp at Noon” the authors are both able to effectively communicate that alienation is self-inflicted, while using multiple different techniques. As a result it becomes apparent that each author can take a similar approach to the alienation of a character in the story yet develop the theme in a unique way.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
Three of the main characters in Mary Shelley 's 1818 novel Frankenstein have commonalities that may not be immediately recognized but are significant in terms of theme. Robert Walton, a man who sets out to seek new land, Victor Frankenstein, a man who sets out to create new life, and the Creature, who sets out to become accepted, are all different in their own ways but tragically the same. Though the first use of the word "isolation" did not occur until 1833 (Merriam-Webster), Frankenstein is replete with instances in which the three central characters must confront their alienation from others. Understanding a mariner, a mad man, and a monster may seem like a difficult task to accomplish, yet with Shelley’s use of isolation as a theme it
Few human experiences are as wretched as facing the fact that one is alone; perhaps because isolation is so easily recognized and dwelled upon when one is without friends to distract from life’s woes. Now consider isolation at its most extreme and ponder what such abject loneliness would do to man. This is the fate of Dr. Frankenstein and the Monster in Mary Shelly’s Frankenstein. Frankenstein is the story of how one man’s experiment has the unintended consequence of making Frankenstein and his creation, the Monster, completely isolated from the rest of humanity: the creator of the unnatural monster dares not relate his tale lest due to his punishing guilt, and the hideous being himself shares neither kinship nor experience with anyone.
In Mary Shelley’s Frankenstein, there are many themes present. One prominent and reoccurring theme in the novel is isolation and the effect it has on the characters. Through the thoughts and feelings of both Victor and his monster, Frankenstein reveals the negative effects of isolation from society. The negative effects that Victor faces are becoming obsessed with building a monster and becoming sick. The monster faces effects such as confusion about life and his identity, wanting companionship, and wanting to seek revenge on Victor. Victor and the monster are both negatively affected by the isolation they face.
Throughout Dr. Frankenstein's struggle, he is overwhelmed by fear, hatred, regret and his culpability in interfering with nature: "a weight of despair and remorse pressed on my heart, which nothing could remove. Sleep fled from my eyes; I wandered like an evil spirit, for I had committed deeds of mischief beyond description horrible" (Shelly 59). Since such sentiments are all expressed in the first person, it allows the reader to more closely sympathize with his pain and moreover makes the message all the more accessible. These themes are not solely portrayed by the doctor, for the sorrow harbored by his creation outweigh even those of his grief-stricken creator. While Dr. Frankenstein may be lonely in the sense that he is so utterly bound by worry that he cannot interact with those whom he loves, the monster is forced to endure absolute isolation and censure from all people.
We as humans want to be with each other. We actively pursue this goal be finding friends and significant others. While a moderate amount of solitude can be good we crave togetherness with others. In Mary Shelley’s Frankenstein isolation is a key theme in the novel. The creature created by Victor Frankenstein is driven into isolation from society based on people’s fear of him. Both the creature and Victor experience first hand the effects that isolation have on the creature's actions. Thus Frankenstein shows very clearly how lifelong isolation keeps someone from developing a moral compass and in turn makes them do wrongful deeds.
While reading the play Oedipus the King, my response to the work became more and more clear as the play continued. When I finished the play, my reaction to the work and to two particular characters was startling and very different from my response while I was still reading. My initial response was to the text, and it was mostly an intellectual one. I felt cheated by the play because the challenge of solving the mystery of the plot was spoiled for me by the obvious clues laid out in the work. My second response was not as intellectual; instead, it came more from a feeling that the play evoked in me. I felt a strong disappointment in the drastic actions that Oedipus and Jocasta took at the end of the play. My two different responses to Oedipus the King, one intellectual and one not, now seem to feed off and to amplify each other as if they were one collective response.
The greek playwright, Sophocles, was born around 496 B.C., and died in 406 B.C. During his life, he wrote many plays, one of which was Oedipus Rex. Sophocles was the first dramatist to add the third actor to the play. Actors were able to perfrom many different parts, but the play was limited to only three actors and the chorus. (Literature, page 1065)
In the three chosen works of literature, Ordinary People by Judith Guest, Frankenstein by Mary Wollstonecraft Shelley and Antigone by Sophocles, alienation, initiation, journey, suffering and reconciliation are among the themes covered by the these great works of literature. The writers through the various characters in the scripts have clearly brought out the five themes as the main themes. These works of literature act as a reflection of what was happening in the society then. In terms of literature, not much has changed and we would still expect the same to be happening in the society today. As acknowledged, literature indeed reflects the society, its ill and good values.
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
There is no doubt that the creature in Mary Shelley’s Frankenstein is the epitome of an alienated literary character. The creature his rejected at “birth” by his master, tormented by the townspeople, and out casted by a family he had grown to admire. These examples of the creature’s alienation reveal how alienation can affect someone and the creatures surrounding society’s assumptions and true moral values. Victor Frankenstein’s rejection and abandonment of his creation is where the creature’s alienation first begins. The creature was Frankenstein’s ultimate goal, the
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.