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The effect of world war ii on american literature pdf
The effect of world war ii on american literature pdf
The effect of world war ii on american literature pdf
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In each of Kafka’s writings, there are prominent metaphors relating to anti-Semitic culture and sentiments before, during, and after World War I. Through absurd and irrational predicaments, the characters in Kafka’s stories illustrate the of Jewish people as “alien” and their various identity crises. In the beginning of the 20th century, a negative stigma of the Jewish population multiplied. They were seen as “alien” or inferior to the rest of the human race due to a perceived difference in physical and mental attributions. Also, there were many stereotypes surrounding Jewish people, like big noses or being stingy. In Kafka’s A Report to an Academy, he confronts the notion of Jewish people seen as a lesser race through Social Darwinism – the …show more content…
For Gregor Samsa in The Metamorphosis, this is evident through his transformation from a human into a bug. Actually, in the original German it’s not a direct translation to any specific type of bug. When Gregor awakes from his sleep, he does not realize he has become a bug and for a long time refuses to acknowledge it. Even Samsa’s job reflects his identity crisis; he is a “traveling” salesman. (Similar to the explorer from In the Penal Colony, who explores other cultures.) When Gregor first awoke and touched himself, “he was invaded by chills” (Metamorphosis 12). The use of the word “invaded” illustrates the magnitude of crisis for Gregor that gives him the uneasy feeling. When something is invaded, usually it is taken over by something else; Gregor’s human body was taken over by a bug-like …show more content…
Kafka shows this idea in In the Penal Colony through the machine which could represent an organized religion. Thus, the explorer rejects the idea of having a machine because possibly in Kafka’s eyes it is better to have no religion. In addition to the machine, the old governor, could represent God or a higher power. The tombstone of the old governor reads, “There exists a prophecy that after a certain number of years the governor will rise again…” (Colony 74). This is similar to the Biblical idea of Jesus’s Second Coming. Kafka is demonstrating the ideas of traditional religion through the officer, on the contrary, the explorer represents a modern view of the world. This coincides with the officers saying of “Be Just!” taken from the unintelligible blueprints of the machine which could be seen as the laws, like the Biblical ten commandments (Colony 70). Therefore, Kafka is critiquing the “organization” of religion and the laws associated with it. In the end, the machine breaks and the “promised redemption” can never be sought for the officer (Colony 74). Thus, for Kafka, taking full-fledged heed in your own religion can result in no promise in the afterlife – Kafka’s skepticism on
The world lies on a thick plate of morality, love, sympathy, opinion, and vitality – all of which are contributions to what shapes humanity. Humanity overtime has strengthened in fluctuating wavelengths through infinite trials and tribulations. In ‘The Metamorphosis,’ the protagonist of the novel, Gregor Samsa, transforms into a vile, repulsive insect: a cockroach. This occurrence strikes a test for the Samsa household, playing a role on their behaviors and the meaning of “humanity” itself.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
Bruce, Iris. "Elements of Jewish Folklore in Kafka's Metamorphosis." The Metamorphosis: Translation, Backgrounds and Contexts, Criticism. New York: W.W. Norton, 1996. 107-25. Print.
For thousands of years, the Jewish People have endured negative stereotypes such as the "insects of humanity." As Sander Gilman pointed out, the Nazi Party labeled Jews as "insects like lice and cockroaches, that generate general disgust among all humanity" (Gilman 80).1 These derogative stereotypes, although championed by the Nazis, have their origins many centuries earlier and have appeared throughout Western culture for thousands of years. This fierce anti-Semitism specifically surfaced in Europe’s large cities in the early twentieth century, partially in conjunction with the growing tide of nationalism, patriotism, and xenophobia that sparked the First World War in 1914. Today, one often learns the history of this critical, pre-WWI era from the perspective of Europe’s anti-Semitic population, while the opposite perspective—that of the Jews in early twentieth-century European society—is largely ignored. Questions like: "How did the Jews view and respond to their mistreatment?" and "How were the Jews affected mentally and psychologically by the prejudices against them?" remain largely unanswered. Insight into these perplexing social questions, while not found in most history books, may be discovered in a complex and highly symbolic story of this era: "The Metamorphosis" by Franz Kafka. Through the use of an extended metaphor, "The Metamorphosis" provides both a basic summary of the common views held against Jews and offers an insight as to what may be the ultimate result of Europe’s anti-Semitism. This work serves as a social commentary and criticism of early twentieth-century Europe. It fulfills two main functions: first, it provides an outline of the s...
conviction that Gregor was set for life in his firm . . . they were so
Sokel, Walter H. "Franz Kafka." European Writers. Ed. George Stade. Vol. 2. New York: Charles Scribner's Sons, 1992. 847-75. Print. European Writers. Ward, Bruce K. "Giving Voice to Isaac: The Sacrificial Victim in Kafka's Trial." Shofar 22.2 (2004): 64+. Literature Resource Center. Web. 1 Oct. 2013. .
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
house. This way of narrating it is very opened to us, and makes us feel like we
Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the only way to ever be successful was to “find a spot on the world’s map that his father’s enormous shadow had not reached—and that spot was literature” (Sokel 1).... ... middle of paper ... ...
Bernstein, Richard. “A VOYAGE THROUGH KAFKA'S AMBIGUITIES”. New York Times 02 May 1983. : n. pag. ProQuest Platinum.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
...ntryman, has come prepared to influence the gatekeeper into giving him a chance to pass. Despite the countryman’s determination the gatekeeper does not provide for him the authorization, abandoning us to feel that one cannot buy access to God. On the other hand, it ought to be expressed that the gatekeeper takes the valuables offered by the countryman, which is somewhat similar to the way religion asks individuals for “indulgences” in order to reach alleged salvation. Put differently, Kafka is contributing his critique upon the idea to which individuals have systematized religion and most significantly changed its immaculate and profound importance. Also, in the event that we may look upon the character of Law as being God, the gatekeeper as being a modernized servant of God, and the countryman as an individual in search of God; the parable seems to make some sense.
ii Kafka, F. The Trial. Translated by Willa and Edwin Muir. Introduction by George Steiner. New York, Schocken Books, 1992, 1.