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American dream in the pursuit of happiness
American dream in the pursuit of happiness
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Deep down inside everyone has the same desire – to do what one wants whenever he or she chooses to and to not have to worry about anyone or anything else. Along with this desire to be able to do what ever it is that one wishes to at any given time, a person wants to be successful at what they do. The type of success that a person wants may be measured in money, property, fame, or even the entourage that follows him or her. This kind of lifestyle is only truly lived by a certain kind of people – gangsters and mobsters. For the rest it is just a dream to be able to live such a life, but for gangsters and mobsters this lifestyle is reality. But these gangsters can go around doing anything they want without the fear of consequences, which would, for most people, lead to long-term prison sentences. We are commonly shown in many movies and television shows that gangsters can just walk into an alley and beat up whoever they wish and be able to leave as if nothing ever happened. In “The Gangster as Tragic Hero” by Robert Warshow and “Our Mobsters, Ourselves: Why The Sopranos Is Therapeutic TV” written by Ellen Willis the gangster’s middleclass part of his or her lifestyle is brought out along with this “dream” reality at the same time. When we hear the words gangster or mobster, the first picture that comes to mind is bloodshed and violence. But Warshow shows us in his writings that this is not necessarily the case by giving us examples from the movie The Godfather of how the family is very similar to a normal everyday household yet very different at the same time. The family has this unique kind of courage that allows them to do what they want without having to care about what they can lawfully do. The family does not openly talk abou... ... middle of paper ... ...done so much and lived the “dream” life that portrayed Americanism from a different view than what most other books or movies show it to us as. Doing every little crime they pleased, fulfilling every wish they had ended up in there being nothing more left to do. Gangsters and mobsters both live the true American dream that all of society has to do what one wants to when one wants to. Being successful in their way of life is what allowed them to be able to do what they wanted and not have to care about anyone stopping them. But too much of this success is what leads to their permanent fall. If a majority of society had such success to be able to do what they pleased when they pleased, would it be a good thing? Would it help them achieve the happiness they long for? Or would it just lead to their fall much quicker than the mobsters and gangsters in movies and on TV.
Let me tell you about the “Gabardine Gang”. My father was the leader of an organized crime gang in the city of Hartford Connecticut. Far enough away from New York, New Jersey and Boston crime circuits. Yet, we lived close enough to know what the big guys were doing.. These small gangsters are nothing like you would see on TV or in the movies. My father ran his operation that worked in gambling, burglary, prostitution and bribery. You will never see films or books on these types of gangsters. They are not the glamorous expensive suit wearing types. They don't live in mansions, have maids or servants. These are the ‘blue’ collar types, or as I call them the 'lower-level' gangster. While you may not hear much about these types of gangsters,
In Mike Sager’s Death in Venice, Sager creates a vivid story about the gang in Venice as well as their addiction to cocaine. What I enjoyed about this article, was that it told a story in the perception of the gang members. It allowed me to see a glance through the lives of the gangs in the late twentieth century. Throughout the story, I felt multiple emotions, it ranged from disbelief to anger. It is astounding how Sager documented the lives of young males in Venice. As a Chicana, I was surprised by the actions in the article, I grew up in an environment where my daily life was not surrounded by gangs and drive-bys.
People are often remembered for being overly successful, extremely talented, or insanely wealthy; but there are exceptions to every rule. Being a fearless outlaw is not the ideal way to gain fame, but John Dillinger managed to do so. Dillinger’s fearless charisma, led him to go above and beyond to provoke law enforcement. Not many criminals have succeeded in the way John Dillinger did during the 1920s and 30s. He managed to put society in awe due to his obstreperous acts of rebellion. Being one of the most infamous criminals from his time, Dillinger had a huge influence on crime, and has greatly impacted gangsters all over the country.
The notorious and capable Al Capone once commented, “This American system of ours, call it Americanism, call it capitalism, call it what you will, gives each and every one of us a great opportunity if we only seize it with both hands and make the most of it.” “This American system,” as referred to by Capone, is not simply one idea alone but a conglomerate of all ideals held to represent the American culture: capitalism, freedom, and opportunity. These ideals go hand in hand with each other; freedom allows for capitalism to flourish and, in turn, allows equal opportunity for every citizen. However, the key to success in the American system is not simply available by going through the motions of life, but rather requires determination, will, and an urge to succeed and capitalize on every opportunity provided to us. In F. Scott Fitzgerald’s novel The Great Gatsby, Gatsby, the poverty-stricken army officer turned eccentric millionaire, proves that the American system is one that does not discriminate between the rich and the poor, or by creed, or even by race, but allows for equal opportunity for all, supporting those with ambition and drive, while punishing those who lack purpose and initiative, one where everyone has a chance for greatness if they have the drive and initiative to seize that opportunity and “make the most of it” and that the resulting success derived from that motivation erases the significance of one’s background.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
I am always for freedom; that is the truth. But I realize that today, we have too much freedom, so much so that the truth of our lives have been muddled into this really vague truth: whatever works is OK; as long as you harm no one, what you do is OK; if you obey the law, whatever you do within it is OK; that as long as you are conventional, as long as you obey what people say today, your amorality, your insincerity, your plain stoic unfeelingness is OK.
Tobin, Kimberly. Gangs: An Individual and Group Perspective. Upper Saddle River, NJ: Pearson/Prentice Hall, 2008. Print.
They wear fancy suits, drive luxurious cars, and parade around with different women each day. Although being a gangster has some advantages, everything comes with a price. Tom and Matt were such successful gangsters that they attracted enemies from other gangs. The audience watches as Tom and Matt walk down the street, and suddenly gunshots are heard, Matt has been shot and killed. The audience may have assumed all the violence and tragedy would end there but the death of Tom only sparked a bloody mob war. This film was one of the first films of its time to show a mob war which were very common during the 1920s. Competition was one of the biggest parts of being a gangster. Al Pacino who played a famous gangster in the movie The Godfather says in the film, “Everybody loves you until you become competition.” Gangsters were perceived as powerful men who were above the law and who could handle anything, but that is not always the case, especially for Tom. In the end of the film, Tom reign as a gangster comes to an end. He wanted to get revenge for his friend Matt, but it only resulted in his death as well. Some people aren’t as tough as they think they
There are frequently tales of heroic outlaws who perform deeds for the weak and battle with the corrupt and against injustice in human history. One of these heroic outlaws is Vito Corleone from The Godfather. Similar to Robin Hood and his stories of “taking from the rich and giving to the poor” which made Robin into a hero to many readers, Vito did the same in the book by Mario Puzo albeit by more force. Vito Corleone was ruthless but he did it for family. A family is a basic social unit consisting of parents and their children, and is considered a group, whether they reside together or not. (Dictionary.com Unabridged. Random House, Inc.) At its core, The Godfather is a study of how the ebbs and flow of power change Vito’s family and how he struggles to maintain power to maintain family. The Corleone family lives in the midst of the crime and violence. Some of the family members take the law into their own hands, by protecting the weak by avenging crime while others may use it to their advantage to position themselves higher within the family for more wealth and power. The Godfather gives help to all those who have proven their loyalties as a “Robin Hood” of the Sicilian people. He is more than willing to lend a helping hand to those who need it as long as they call them his friend; he has the confidence that “Friendship is everything. Friendship is more than talent. It is more than government. It is almost the equal of family” (Puzo 38)
now the story behind him. What made him to be the most feared gangster in the city of Chicago? How did this kid from a rough neighborhood and no money grow up to have $60,000,000? I’ve always been fascinated with organized crime but had never been taught anything in school about it. This report gave me the chance to explore something interesting and also educational. The more I researched Al Capone, the more I wanted to learn about him. He may look like an innocent Italian at a glance, but he has done a lot of crime in the city of Chicago.
During the twenties, there was this romanticized idea that with a lot of wealth and possessions came a lot of happiness, otherwise known as the American Dream. The American Dream not only flourished during this time, but redefined itself. It went from people wanting to be able to sustain themselves and have land, to having exuberant amounts of money and a happy healthy family. But how were people supposed to achieve this? The minimal amounts of people who did achieve this dream, achieved it through illegal activity. We see this idea in the Great Gatsby, by F. Scott Fitzgerald. Gatsby was not only a young, wealthy man, but a bootlegger. But there were also those who couldn’t achieve it due to their place in society. The vision of the American Dream was perceived to happen with hard work and persistence; however, it was mobsters who got the money with little effort and the poor and African Americans who worked hard to make ends meet with little left over.
What do you think of when you hear Jazz Age Gangsters? Gangsters in the 1920’s were known for the drive by shootings common in Chicago. In the newspapers they were well known. The articles were written like scripts in a movie. More described as a drama than a crime. The romanticization of the gangsters covered up all the violence they caused. The era was called journalistic war. Everyone wanted a piece of the violence. War between the Editorial page and News columns. Some gangsters like Al Capone were mighty many citizens scared for their lives. Citizens of Chicago on the other hand didn’t make peace with any of the mobsters, while some judges and senators did. This was caused because most senators knew more than the citizens. Crime began
The emrgence and growth of traditional gangs in America like the ones in New York, Chicago, Los Angelos and Southern gangs all started out light, nothing too violent happening in the communities until these cities grew over time. One of the first gangs gangs that were started in the Northeast region of America happened to be in New York. One of the first gangs in New York was named Forty Thieves, who was made up of local thieves, pickpocketing and thugs. Other gangs came about such as the Kerryonians, Bowery Boys and the Five Point gangs, there happened to be a ballte between the Bowery Boys and Five Point gang, these two gangs are too close together which is why there was a battle between the two, they were trying to etsablish who's the best gang and fighitng over territory. Sometimes these gangs of New York City out-manned the police to the point where they had to get the National Guard and even the army to stop the fights.
...ng to fashion, morality, and the prevailing definition of what constitutes illegal and immoral activities. There is even a recognizable gangster “look”, regardless of the era, that depends on an insatiable appetite for flamboyant clothes that marks him as a strutting peacock and a social misfit (Yaquinto xii). The faces of the gangsters have also changed over the years, not just because movie stars shine and fade away, but because the images of real-life criminals have changed. Gangsters have nearly always come from the bottom of society and get their start in the gangs that thrive on America’s meanest streets (Lexis-Nexus). The personnel of gangs has changed over the years to reflect the newest wave of underdogs who stir together anger and unrealized ambition to cook
The Gangster Genre as a Creation of the Necessity to Promote Civic Responsibility and Social Contentment With Ones Society