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The hunger games feminist perspective
The hunger games feminist perspective
The hunger games feminist perspective
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The Hunger Games Feral Feminism written by Katha Pollitt was one of the most interesting articles I have ever read. I agree with Pollitt that the movie go some things right and wrong about the book. One way the movie got it right was by showing us the dystopian capital city. Pollitt writes “In the Capitol, which has the dated-futuristic look of a fascist Oz.” (Pg. 555) I agree with Pollitt is that I love what they did with the Capital City in the movies and especially in the third with the destroyed city that was littered with the deadly booby traps/mines. Another thing about the city is what the Capital city was based on other human cultures. Pollitt wrote how lifestyle is somewhere between Roman Empire, the Court of Louis XVI, and the Cirque
In both books they share some traits, even though they may not look anything alike they are. both of these novels are dystopian novels and many characters share similarity’s.
The book The Hunger Games is full of critical scenes. A critical scene is a type of scene that is necessary for the book to have a story. One very important critical scene is when Prim was chosen at the reaping. When she was chosen Katniss decided to take her place as a tribute. Why did Katniss take her place? What could have happened if she didn't take her place?
The Hunger Games are basically the embodiment of society's off sense of entertainment. It combines the oddities that are violence and reality TV. However, what is it that insinuates the tones for this type of movie? Initially, there's a scene that addresses the fact that the society of this movie is conducting the games as though it was a standardized athletic tournament. In the movie, Haymitch Abernathy brings up how there are sponsors who deliver supplies to the “contestants”. Basically, sponsors influence the who will live or die, incidentally affecting the course of the games. During this scene, he claims, “And to get sponsors, you have to make people like you.” This scene mentions the thought on how people living in societies today work
Yamato, Jen. Burning Questions.“The Hunger Games and Real World Parallels: “Can kids all become Katniss Everdeen”. Movie Line. March 13, 2012. Web. May 04, 2012
The hero’s journey is a useful tool in analyzing narratives of all kinds, from myths to movies to everyday life. One of the most iconic stages in the Hero’s Journey is the ordeal, otherwise known as the belly of the whale or the cave, in which the protagonist has reached their darkest and most hopeless point – things cannot get worse. Once the hero gets through the main ordeal, their journey home is much more sedated. This can be paralleled to the encompassing plot structure, in which there is a climax, and then the intensity of the story winds down again. This stage is one of the most universal in the hero’s journey, because without conflict and climax, there is no drive or reward within the story. Popular movies such as The Hunger Games,
In The Hunger Games District 12 gives the capital a very negative connotation because in the movie katniss shows everyone in her district that there is life outside of coal mining. In the movie when Katniss and Peeta get on the train they look amazed to see the surplus of deserts and fruits, but Effie chuckles and acts like it’s no big deal. This part of the movie shows how classism has taken over to the point where fruit is a luxury to district 12 but is normal to the capitol. I think that the author was smart to put this part of the movie in because it really shows the economic difference between district 12 and the capitol. This section shows the difference in perspective between katniss and peeta to the people of the capital because even the way they see kinds of foods shows marxist theory at work.
In a not-too-distant, some 74 years, into the future the United States of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 13 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games; these children are referred to as tributes (Collins, 2008). The Games are meant to be viewed as entertainment, but every citizen knows their purpose, as brutal intimidation of the subjugated districts. The televised games are broadcasted throughout Panem as the 24 participants are forced to eradicate their competitors, literally, with all citizens required to watch. The main character throughout the series is a 16-year-old girl from District 12 named Katniss Everdeen.
In our Society when you don't follow the rules, you become an outcast to the rest of the society. Suzanne Collins’ novel series, The Hunger Games criticizes our society and its demands for people of specific genders to act in certain ways and become certain things. Stereotypes concerning gender are prevalent in our society and all over the world. However, The Hunger Games gives a very refreshing tone of “mockery” to these stereotypes. Katniss Everdeen isn’t your typical 16 year old girl, and neither is Peeta Mellark a typical 16 year old boy, especially when they are fighting everyday just to survive. The Hunger Games is a work of social commentary, used to convince us that there can’t and shouldn’t be any defined “roles” based on gender. A mixture of “stereo-typical” gender roles within a person and their actions is what people need just to survive in our world that is changing every day.
My group chose the movie, The Hunger Games, because we felt like it represented clear differences between today’s society and the society in the movie. This movie offers different mindsets and ideas compared to today’s modern society. For instance, the concepts of socialization, politics, and government are different in the movies society. In addition, the United States also does not select two members to compete to the death, nor split up groups according to power and wealth. Our government also does not allow the deviance like the movie does. The social changes are a huge factor as well in the movie. These are just a few concepts of sociology that will be discussed by the group that touch upon major cultural differences.
The movie “The Hunger Games” has many similarities and relations to World Mythology. While it may not seem like this movie is as myth related as others, such as Troy and Thor, many of the themes and situations in the movie were inspired by the stories of the great myths and epics. The overall theme of the movie is courage, strength, and destiny.
In a nation where children and teenagers fight each other to the death for live entertainment annually, what social norms can actually be considered ethical? This is the question that Katniss Everdeen faces throughout The Hunger Games series. She must choose between doing what is right, and what is accepted, because in her world, the wrong thing is breaking the rules, no matter how wrong they may be. The rules that she deals with are much different than the ethical principles that people in the real world deal with, but for Katniss and the rest of the districts in Panem, these rules are what they have known their entire lives. Catching Fire is the second installment in The Hunger Games trilogy, based on the books written by Suzanne Collins,
In our universal society, Rodney M. DeVault argues in “The Masks of Femininity perceptions of the Feminine in The Hunger Games”, acknowledges we have a natural proclivity for placing gender groups within certain arenas of social expectation. This is to say that men and women are expected to conform to gender roles. As a simple example, females are not expected to exhibit such male-associated attributes as dauntlessness, strength, and heroism. In The Hunger Games, however, Katniss Everdeen, the protagonist, actually exemplifies these attributes, which are associated with masculinity. She is not found in the private sphere serving in domestic capacities; she is exhibiting signs of strength, negating the manner in which women are perceived. Everdeen negates the manner in which women are usually portray by engaging in unwomanly traits such as hunting, dominating, and restricting
When Gary Ross’ 2012 adaptation of Suzanne Collins’ famous novel ‘The Hunger Games’ exploded on screens, it was received as an action-packed, thrilling story of survival, determination and over-coming corruption. Audience’s watched in equal parts awe and horror as Katniss was thrust into Panem’s battle arena and fought for justice, family and friendship. However, if we as an audience think more critically about the film; if we think beyond the wild costumes, gripping action and skilful performances, we can see that the story explores complex philosophical ideas that strongly relate to the experiences of humanity in the real world.
The novel Anthem by Ayn Rand and the movie The Hunger Games directed by Francis Lawrence and Gary Ross are popular among teens because they can relate to them by the high expectations put upon them. In a dystopian novel or movie, there is a dystopian protagonist. A dystopian protagonist is someone who often feels trapped, struggles to escape, questions existing systems, believes or feels as if something is wrong in the place they live in, and then helps the audience realize the effects of dystopian worlds. These are both good examples because it takes us on a walk through the protagonist's life and only then do we see what dystopian really is.
Dystopia is a term that defines a corrupt government that projects a false image. Thus, in a dystopian society, making belief and comfort that the society is proper to its followers. One good example of dystopian society is the Hunger Games. The terms that describe that dystopia towards the Hunger games are a “hierarchical society, fear of the outside world, penal system and a back story” (“Dystopia”).