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The house on mango street analysis
House on mango street analysis essay
The house on mango street analysis
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One mark of great storytelling is the portrayal of characters’ development or metamorphose throughout the plot. All great literary characters gradually transform, for better or for worse, as their journey progresses. Sandra Cisneros’ novella, The House on Mango Street, centers around Esperanza Cordero, a young girl living in a poverty stricken area of Chicago. The story follows Esperanza’s thoughts through several vignettes, showing her maturation from adolescence to early adulthood. Through the change in tone and juxtaposing vignettes, Cisneros shows how maturity is derived from the loss of innocence and the gaining of knowledge.
In The House on Mango Street, the theme of maturation through loss of innocence is based on Esperanza Cordero’s
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life. At the beginning, Esperanza is innocent and young. She talks about how the girls and boys in her neighborhood seem to “live in separate worlds” (Cisneros 8). At the time she is like most other little girls with no interest in the opposite sex and a confused but curious tone. But as the story progresses and Esperanza matures her interests change and we see her become more complex in her reflections. She expresses how someone “can never have too much sky. [Someone] can fall asleep and wake up drunk on sky, and sky can keep you safe when you are sad” (Cisneros 33). The reader can see here how she is able to appreciate the little things, making the best of what she has. This newfound view on life shows that she is developing a mature voice. Cisneros juxtaposes side stories to support the theme of education and loss of innocence as a means of maturation.
For example, in “The Monkey Garden,” Esperanza sees Sally being persuaded to kiss boys. She hopes to save sally from the boys but Sally is flirting and doesn’t want to be rescued. Esperanza doesn’t understand why they laugh like “it was a joke [she] didn’t get” (Cisneros 96). Here she is seen still as an innocent child, unable to understand the concept of flirting. But in the following vignette, “Red Clowns,” we see Esperanza lose this innocence when she is sexually abused at a carnival. She exclaims that she couldn’t make the man stop when he said, “I love you, Spanish girl, I love you, and pressed his sour mouth to [hers]” (Cisneros 100). The passages next to each other show Esperanza’s schoolyard innocence being torn away as she’s raped. By juxtaposing these stories, Cisneros heightens the contrast between innocence and …show more content…
adulthood. The theme is further developed by the change in Esperanza’s tone.
After being laughed at by the boys and Sally in “Monkey Garden,” Esperanza feels very hurt. She says “I felt stupid… They all looked at me as if I was the one that was crazy and made me feel ashamed” (Cisneros 97). Esperanza’s tone is confused and she is clearly humiliated by how innocence blinds her from grasping the concept of flirting. She runs away to hide in the garden and cries wishing she were dead or melting into the ground, a reaction everyone experiences at some point during childhood. But then, in “Red Clown,” Esperanza takes on an angry tone. The whole passage is directed towards Sally. “Why did you leave me all alone? I waited my whole life. You’re a liar. They all lied” (Cisneros 100). Esperanza was mad because Sally abandoned her, leaving her vulnerable to her abuser. It’s clear how Esperanza has learned and has matured. As she loses her childlike innocence and gains understanding Esperanza begins to transform into a more mature character.
Cisneros shows how a character will gain understanding and maturity when exposed to events that forever change their perspective.
The House on Mango Street shows how Esperanza’s pure outlook on life gradually changes, becoming more realistic and sophisticated. Mentally transitioning into adulthood is an organic part of life that all readers can relate to. Loss of innocence through experience is inevitable and ultimately irreversible. However, these moments are
educational and assist us in maturation. As these disillusioning thresholds are crossed and purity fades people begin to see the world for what it really is.
She dreams about a young boy named Sire, a neighborhood boy who she always catches looking at her, and she starts to develop a small crush on him. Esperanza is told by her parents that he’s a punk and to not talk to him. “I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can’t see” (Cisneros 73). All Esperanza wants to do is leave her little red house with boarded up windows, and move into the house of her dreams. Not only is leaving her house a desire of hers, but also growing up and finding some place better, no matter where it is. Esperanza’s desires of getting older are stronger, but she’s also becoming more independent. She’s beginning her transition into young womanhood. Her fall of innocence occurs in the chapter called ‘Red Clowns’. In this chapter, she experiences something she’s never thought of going through before. This experience teaches Esperanza that she shouldn’t believe everything she hears, and the world is nothing like it is said to be in the books and magazines. I would say Esperanza, so you emphasize what she learned. She also learns that the world is not a perfect place either, but is full of many bitter things and
However, each work is special and focuses on a different aspect of life as compared to the other. In addition, the thematic ideas between the two works are often correlated and often overlap between the two. Moreover, the multiple thematic ideas in the novel and the movie can still apply to the people of today as they also go through many hard times much like Celie and Esperanza. The House on Mango Street is able to focus on abuse of women, and discrimination of the female gender much like The Color Purple. However, The House on Mango Street is able to elaborate on the topic of maturity especially through the various experiences of Esperanza. Nevertheless, many important lessons can be learned from both the novel and the movie, among these include treatment of women, discrimination, and maturity. The novel and the movie do a wonderful job at emphasizing and focusing on these relatable topics that are vital to the growth of
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
Esperanza's syntax reveals that innocence is irrevocable. Reminiscing of the Monkey Garden Esperanza "suppose[s], the reason why [they] went there" was because it was "Far away from where [their] mothers could find [them]"Cisneros (95). In the garden the kids were able to play without any adults around. The garden became a place of rejuvenation for Esperanza, where only kids were allowed and the horrors of the adult world remain unnoticed. Esperanza observes, "Things had a way of disappearing in the garden, as if the garden itself ate them, or, as if with its old-man memory, it put them away and forgot them."(95). This shows that the garden was a place where things easily went unnoticed and it was not uncommon to loose things. For Esperanza, this represents the place where she is forced into her loss of childhood, and comparing this to a forgetful old man makes sense since when people mature they loose their innocence and childlike attributes. When the boys stole Sally's keys "they were all laughing" and "[Sally] was too" however, "It was a joke [Esperanza] didn't get"(96). The boys take advantage of Sally by stealing her keys so Sally seizes the opportunity to be able to flirt back with them.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Sandra Cisneros born on December 20, 1954 grew up in Chicago settling with a neighborhood known with Hispanic immigrants. Until then her migrating with her six brothers, from different communities in Chicago, and visiting her grandmother in Mexico, she has never really make ones home in. Being the only girl with no sisters, Cisneros only way that would deprive her from loneliness, is by reading books where she found her talents in writing. Fast forwarding to college Sandra Cisneros worked on her master’s degree at University of Iowa Writers Workshop where found her interest as Mexican-American woman with a self-reliant passion and how being a Hispanic were different in the American culture.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
The idea of the alienated artist is very common in feminist works. Esperanza, the protagonist, is alienated from the rest of society in many ways. Her Latino neighborhood seems to be excluded from the rest of the world, while Esperanza is also separated from the other members of her community. Members of other cultures are afraid to enter the neighborhood because they believe it is dangerous. Esperanza seems to be the only one who refuses to just accept Mango Street, and she dreams of someday leaving it behind. She is considered an artist because she has an extremely creative imagination which creates a conflict with the type of liberal individuality she seeks. This creative "genius survives even under the most adverse conditions..." (Gagnier 137). To escape the pain of this division, Esperanza turns to writing. She says, "I put it down on paper and then the ghost does not ache so much" (Cisneros 110). Gagnier sees a "distinction of the writer who nonetheless sees herself as somehow different, separate..." (137).
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
The House on Mango Street” is a novel that will take you in a journey but not just any journey, a one year journey of a twelve year old Chicana girl (Mexican-American girl) named Esperanza Cordero.The journey of Esperanza begins when she moves in to her new house on Mango Street with her family,going thru puberty,having her first crush,sexual assault,coming of age,maturity and it ends with her becoming more aware of all the things around her.This novel is a great book because in a way you can actually understand what she is going thru as she becomes a teen and is trying to accept who she and trying to find her own path to take.
In other words The House on Mango Street can be considered as an autobiographical, that is to say she may be her book’s protagonist Esperanza Cordero. then At the first sight of the title of Sandra Cisneros’s book, the word “House” might seem to be something that Cisneros gives a great importance, because throughout the books, the major responsibility of her displaced protagonist is a quest of a house similarly to her who feels displaced and homeless because of the frequent displacement she made from the United States and Mexico to visit her father’s parents, consequently the use of the theme responsibility by Sandra Cisneros takes back in away its origins from this
It is common to read literature about a young protagonist that is searching to find themselves and trying to make sense of the world around them. This is something that all humans must learn how to do, given varies situations that make is increasingly difficult. This is a crucial concept in The House on Mango Street by Sandra Cisneros, for this novella describes the struggle of a young Latina girl growing up and learning about the way it is. Cisneros brilliantly uses setting, style, point of view, and allusions in order to convey the themes of youth and identity.
Steve Jobs once said “Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition.” In The House on Mango Street, a novel by Sandra Cisneros, adolescent Esperanza as she reviews her neighbors with an naïve eye and tries to understand what is happening around her. As Steve Jobs said, Esperanza learns to follow her dreams and intuitions and not pass her power to control her future to men as many on Mango Street are influenced to do. Using vignettes, Cisneros explains Esperanza’s realizations about how gender