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What does the house symbolize in the house on mango street
House on a mango street
Gender roles in hispanic culture for women
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The House on Mango Street by Sandra Cisneros puts in perspective what it is like to grow up in a Latino neighborhood. Esperanza Cordero, the protagonist, is a young Chicana that lives in a Latino neighborhood in the city of Chicago. Esperanza comes from a big family that is constantly on the move from house to house until they get to the house on Mango Street. The neighborhood that Esperanza and her family find themselves in is one where the opportunities are low. In The House on Mango Street, the setting impacts Esperanza’s views on roles of women, violence, and the economy in the Hispanic culture. In the Latino neighborhood, there are different roles that women take upon, and Esperanza gets to observe that, which impacts what she thinks about …show more content…
Esperanza had always lived in poor neighborhoods where her family rented houses until they bought the house on Mango Street, and this made her create a stance on economic aspects in her life. She was very first impacted when a nun made the comment of “You live there?,” (Cisneros 5) referring to her old house, from then on Esperanza developed an obsession to get herself a pretty house of her own. As said by Christina Rose Dubb, after the event between Esperanza and the nun, Esperanza “makes the internal realization… that she must own a ‘real’ house,” (225). Esperanza even said “I knew then I had to have a house. A real house. One I could point to,” (Cisneros 5). That event was what would set her to always be talking about the perfect house that she wanted and how she pictured it. She wanted a “white house with trees around it, a great big yard and grass growing without a fence,” (Cisneros 4) and by living in the Latino neighborhood it made her obsession bigger because it was the complete opposite of what she dreamed of. Esperanza, as said by Faruk Kalay, wanted “a place where she can freely express and do,” (Kalay) something that she could not do in the house on Mango Street. In the neighborhood Esperanza gets got to witness the different social classes that exist there, she talks about the Vargas’s kids as if they were lower than she was because of their economic status. Overall, Mango Street gives Esperanza a view of the economic status of the Hispanics in her
When Esperanza is struck by the realization that she is not accepted in society, she aspires to bring a more hospitable environment to fruition. At the beginning of The House on Mango Street, Esperanza is questioned by a nun about where she lives. The condemning tone of the harridan shakes Esperanza, causing her to state, “There. I lived there… I knew then I had to have a house. A
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Esperanza sees all of the women around her, and most of them are the same. The overall idea of the women on Mango Street is they are property to their husbands. They cannot do anything unless their husbands allow them to. It also starts out at a young age. The young girls like Esperanza see the women that live around them and think that is the way to live. They admire them so they start to mature faster than they should. Sally is one of them. Sally loves the attention that she gets from boys, but her father does not like that. Sally grew up and got married at a young age.
Esperanza begins her journal by stating where she has been and where she has temporarily ended at. When she finally moved with her family, Esperanza immediately realizes that her place in the world was not going to be in the “small and red”
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
Esperanza is constantly influenced by the women in her own family including her mother, sister and other various family members. Even early in the novel Esperanza recognizes that the boys hold more powers than the girl. She states “The boys and the girls live in different worlds” and how once outside of the house her brothers will not talk to the girls (10). Her brothers recognize that if the other boys in the neighborhood see them with their sisters, they will be mocked. This signals that Esperanza has internalized that the men hold more power even from an early age and her male siblings hold mor...
The plot of The House on Mango Street symbolizes an immigrant family moving to the United States in hope of a future with more opportunities. It is a story about a girl by the name of Esperanza and the retelling of the events in her childhood. Esperanza faces many challenges growing up in an underdeveloped neighborhood of inner city Chicago. Through her experiences at home, school, and with people she starts to blossom into the young woman she always wanted to be. Esperanza encounters many unjust acts as a result of living in an urban neighborhood. These encounters make her want to move to a different neighborhood because she feels like she does not belong on Mango Street. She feels trapped because she has a dream to attend college and become a writer. Her hope is that she will be able to live a prosperous American life and be able to come back to Mango Street to help those who cannot escape on their own. It is, most importantly, the story of a girl maturing into a woman an...
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
Tradition in House On Mango Street In The House On Mango Street Sandra Cisneros uses diction to illustrate how Mexican-American women are forced to live traditional lives. Esperanza describes how Alice’s father says“a woman's place is sleeping so she can wake up with the tortilla star” (31). Cisneros’s usage of phrases like “a woman’s place.” and “wake up with the tortilla star.” is very powerful because it shows that most Mexican-American women are the ones that are supposed to cook and do housework.
The 2002 Pura Belpré Medal was bestowed upon Pam Muñoz Ryan’s book Esperanza Rising. This novel, set during the 1920s, tells of Esperanza Ortega, a thirteen-year-old girl who goes from being known as the daughter of a wealthy rancher in Mexico, to just another Mexican immigrant working a farm in California. Esperanza Rising features topics such as immigration and worker’s rights, and how it affects the lives of millions of people.