Indian Music:
History:
The history of the Indian music is based on the classical music as well as the art of the music of their traditions which related to the subcontinent of the Indian music. We can found the origin of the Indian music which is based on the Vedas this is the popular place of the Indian music from where the traditional music was started. The Indian music has the demand in the all over the world and they promote their music in the international level as well as used their traditions in it. The word of samaveda is derived from the word of the Rig-Veda as well as the main purpose is to sung the hymns and those hymns is snugs on the Indian dramas as well as in the bharat films and used their traditional music in front on their Gods as well as they promote their music from the earlier stage of the schooling (Carter, 2012).
Before the Twenty centuries ago, the Indian music was prevailed in all over the world as well as has the importance in their religious. At the beginning music is use as the art and the way to present the gift in front of their Gods and after then the music is become the part of entertainment in all over the world. According to our point of views music is become the activity for the entertainment and listen it in their happy as well as their sad modes but the Indian used the music for their religious purpose and give the respect to their music in their own religious. All class of music has the importance among the all classes of the Indian music. Indian were deeply impressed by the holy power of the music in this regard the classical music was born. Almost all the music art which is exist in the world have the three main purposes in which included the following points.
• Melody
• Rhythm
• Harmony
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1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Stolba, M. K. (1998) The Development of Western Music, A History, Third Edition. Boston, MA: McGraw Hill
To this day, many of Stradivarius violins remain in the human world, but only one can resound with the beauty of Stradivari's soul; this one Hermes keeps for himself. But to honor Stradivari's life and to share his gift with the world, Hermes joins with Apollo every night and plays the symphonies of nature; these can be heard in the winds, in the oceans, indeed, in the fabric of everyday life.
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White, Michael. "Classical Music: Sweet Dream, Sour Looks." The Independent. Independent Digital News and Media, 22 May 1994. Web. 15 Dec. 2013.
Susskind, Pamela. "Clara Schumann." The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie and George Grove. 1980. Print.
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Burkholder, Peter J., Donald Jay Grout, Claude V. Palisca. A History of Western Music. New York: W.W. Norton & Company Inc., 2010. Print.
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Seaton, Douglass. Ideas and Styles in the Western Musical Tradition. Mountain View, California: Mayfield Publishing Company, 1991. 153.
Smith, Jane Stuart and Betty Carlson. “The Gift of Music: Great Composures and Their Influence.” Wheaton, Illinois: Crossway Books Publishing. 1987. Print.
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Smith, Jane Stuart and Betty Carlson. The Gift of Music: Great Composers and their Influence. Wheaton, IL: Crossway, 1995. Print