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123 essays on character analysis
123 essays on character analysis
123 essays on character analysis
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“In history you have the record of the infinite variety of human experience plainly set out for all to see; and in that record you can find for yourself both examples and warnings: fine things to take as models, base things, rotten through and through to avoid.” (Livy 34). Herodotus lived centuries before Livy’s time, but fits Livy’s view of the historian’s job remarkably well, with only a few minor discrepancies. The anecdotal nature of The Histories lends itself well to stories of morality, to give its audience Livy’s “fine things to take as models, base things [...] to avoid,” although the focus is not necessarily on cultural values, but rather to document the history, as he knew it, of the Greek world.
In the opening lines of The Histories,
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Herodotus makes this clear, stating that he undertook his research “so that human achievements man not become forgotten in time [...] and especially to show why the two peoples fought with each other.” (1.0). This is not entirely dissimilar to Livy, with a stronger emphasis on preserving knowledge of the past and educating Athenians on their history rather than on conveying a moral message, although the message is still there. For instance, in the history of Pisistratus, son of Hippocrates, there is a comment that Chilon the Lacedaemonian, one of the seven wise men of Ancient Greece, had advised Hippocrates to avoid having children, based on an omen (Herod. 1.59). This is the only direct mention that Pisistratus may not have been the best thing to happen to Athens, with his violence and tyranny. The same applies to the Battles of Marathon and Salamis. While the primary purpose of their portrayal appears to be the glorification of those who fought, and as a record of the events themselves, evident in the list of ships in the fleet, “16 ships from Lacedaemon, the same number from Corinth as at Artemisium, 15 from Sicyon, 10 from Epidaurus [...]” (Herod. 8.42) Although the focus is not necessarily on Greek values, it is a subject that appears quite frequently.
There is a plethora of anecdotes conveying the ideals of Athenian society, from celebrated heroes to moral tales of wisdom and adherence to ethical codes. An example of the latter is the tale of Gyges and Candaules, to tell the tale of succession. “Candaules conceived a passion for his own wife,” and wanted others to observe her beauty. Candaules, king of Sardis, demanded that his bodyguard, Gyges, see her naked, a major taboo. Gyges is in no position to disobey his king, so he does as directed. The queen realizes, and since only her husband can see her naked, tells Gyges: “Kill Candaules and seize the throne, with me as your wife; or die yourself on the spot [...] One of you must die; either my husband, the author of this wicked plot; or you, who have outraged propriety.” He chose the first option, and becomes the head of a new dynasty (Herod 1.8-12). In this case, the breach of morality ends up with one king dead and another rising into a colorful new dynasty, something that never would have happened if the original king had simply kept to propriety: this is Herodotus’ purpose in including anecdotes such as this; a bridge between etiology and a lesson in
morals. However, Herodotus was not entirely loyal to portraying Livy’s clause of “the infinite variety” of human experience. He was somewhat biased toward Athens and Greece. This is likely because he himself was Greek, as was his audience. Whether or not this bias was intentional, it is still evident, particularly in the description of the Babylonians. Perhaps his sources were unreliable, or perhaps he created her himself, but the fact stands that there never was a queen of Babylon named Nitocris, and most of the things she was described as having done were, in fact, done by Nebuchadnezzar (Herod. 1.185-188). Between the fiction of Nitocris and various other stories Herodotus decided to tell about Babylon, particularly that of the tradition of a wife prostituting herself at the temple of the fertility goddess before consummating her marriage (Herod. 1.199), an appalling tradition in the conservative eyes of the Greeks, it seems as though Herodotus was selecting and arranging his tales of Babylon in a manner to demean the city, which was under the control of the Persians during his lifetime.
185-196. Dillon, Mathew, and Garland, Lynda. Ancient Greece: Social and Historical Documents from Archaic Times to the Death of Socrates. Routledge International Thompson Publishing Company, 1994, pp. 179-215 Lefkowitz, Mary.
Some evaluations claim that the Dionysus appearing in The Bacchae is fairly true embodiment of the ideals of ancient Athens. He demands only worship and proper reverence for his name, two matters of honor that pervaded both the Greek tragedies and the pious society that viewed them. In other plays, Oedipus' consultations with Apollo and the many Choral appeals to Zeus reveal the Athenian respect for their gods, while Electra's need for revenge and Antigone's obligation to bury Polyneices both epitomize the themes of respect and dignity. Yet although Dionysus personifies these two motifs, his clashes with the rest of Athenian tradition seem to make him its true adversary. Dionysius distinctly opposes the usual views on gender, age, rationality and divinity, leaving the reader to wonder whether these contrasts were Euripidean attempts to illuminate specific facets of the culture itself.
The three aspects of this worldview often when illustrated in historical works, such as in Spartan Society, need to be understood and examined together because of the large amount of overlapping in worldview concepts. For example, the humanistic view of Lycurgus and his many great accomplishments does not only prove the emphasis of human accomplishments as seen in ancient Greek humanism, but as they are often put in contrast to the other countries and described as these ideals that the “other” cannot attain proves to illustrate the idealism present in the worldview of the ancient Spartan people. Lycurgus, as recorded in Spartan Society, also is seen in a rationalistic way of thought. Xenophon will even say, “I certainly admire him and consider him in the highest degree a wise man” (Spartan Society, 166). Lycurgus, the highest of wise men, is the leader, and the man who does not follow the ways of the “others,” but takes the high road and creates the ideal society through his many great accomplishments. The “others” or sometimes referred to as “elsewhere” is mentioned frequently in this account of this great
Sophocles’ Antigone and Euripides’ The Bacchae are indubitably plays of antitheses and conflicts, and this condition is personified in the manifestation of their characters, each completely opposed to the other. Both tragedians reveal tensions between two permanent and irreconcilable moral codes; divine law represented by Antigone and Dionysus and human law represented by Creon and Pentheus. The central purpose is evidently the association of law which has its consent in political authority and the law which has its consent in the private conscience, the association of obligations imposed on human beings as citizens and members of state, and the obligations imposed on them in the home as members of families. Both these laws presenting themselves in their most crucial form are in direct collision. Sophocles and Euripides include a great deal of controversial material, once the reader realizes the inquiries behind their work. Inquiries that pertain to the very fabric of life, that still make up the garments of society today.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
Here, Herodotus accounts the story of Candaules’s fond passion for his wife’s beauty, thinking her the “fairest women in the whole world” and he wants to show off his wife to his trusted bodyguard. Herodotus explains how Candaules has respect for the beauty of his wife, but does not respect any of her wishes or desires upon showing herself to a stranger bodyguard.
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
The strengths and weaknesses of the Athenian character traits laid out in the “Funeral Oration” are exemplified by the character of Creon in Sophocles’ Antigone, and suggest that Athenians held certain concerns in the Golden Age of their empire.
In conclusion, it becomes obvious by these three plays that for a woman to achieve kleos in ancient Greece, she usually had to become more man-like in her role. The murders committed by Electra and Medea, the bravery of Antigone—all three of these were fulfilled by what would have normally been considered a man’s role. A woman could rarely be considered a hero unless she became like a man in her actions. Otherwise, she would be only a simple woman.
Any examination of women in Livy’s writing demands not only a literal interpretation of their character development and values, but also must account for their symbolic importance—thus creating a much more complex representation. Livy, an ancient historian, authored The Early History of Rome to be an exploration of Rome from its foundation, focusing on historical events and societal organization. In it, he examines the patriarchal society that stabilized Rome throughout its dominance. However, as a result of this explicitly defined hierarchy in Rome, women were seen as secondary figures in society. Most were viewed as submissive and passive, and it was well within the rights of men to assert their dominance—many women even agreed with these values. This can be seen in Livy’s portrayals of such women as the Sabine women, Horatia, and Lucretia. Yet Lucretia provides an interesting complexity to the exempla of women. On a symbolic level, Lucretia is an important catalyst in affecting the political organization of Rome. This representation is furthered with Livy’s descriptions of Lavinia, Rhea Silvia, and Verginia. Despite the work of Livy to create an accurate portrayal of women in ancient Rome, other authors showed women to actively defy this patriarchal society he describes. However, Livy’s effort to create the most accurate explanation of early Rome through a historical representation drives this discrepancy in characterization through genre. Therefore, Livy’s work serves as both an accurate and complex examination of the role of women in ancient Rome. According to Livy, a woman’s role was defined by her sacrifice; culturally, women were to be subordinate to men in the patriarchal structure of society, but also served as important...
...ion back to the seasons and agriculture. Greeks were also very concerned about property rights and inheritance, as Hesiod shows us with his worries about the uncertainty of children’s paternity when women are not kept submissively in the home. Through his advice to his brother, Hesiod’s Works and Days becomes a wealth of information about the particulars of life in ancient Greece during the 7th and 8th centuries B.C.E.
Government and its different forms appears many times throughout Herodotus’s Histories, sometimes its positive and other times its negative, however in the readings Herodotus demonstrates that it is not the Athenian democratic values that makes freedom but rather the absence of tyranny along with equality among men. Herodotus’s assessment of Athenian democracy is overall a positive development to Greek cultural identity in the eyes of Herodotus.
Greek Mythology ingeniously enforces many important life lessons in its stories. For example, a great moral is presented in the story of Baucis and Philemon: “Good people… ask whatever you want and you shall have your wish” (Hamilton 153). At that point in the story, Jupiter is rewarding Baucis and Philemon for being excellent hosts and punishing all the other single-minded citizens in the country. This story portrays two distinguished morals: love lasts forever and karma. People might not believe in karma, or even in love, but believing in karma leads people to assist others more than causing inconvenience, which is beneficial to the society. In a more informal method, myths present stories “about relationships… [And] especially stories that explore and evaluate the behavior of their principal characters” (Kromholz and McCarter 4). Not only does Greek Mythology present magnificent ideals, but also exploits the true nature of humans. From these kinds of stories, people will become aware of malicious behavior in humans and advise caution toward that behavior. Directly or indirectl...
One of the best summarizes of Greeks’ gods attitude toward human is the claim of Aphrodite in Euripides’ Hippolytus that she will treat well the people who revere her power, but will “trip up” those who are proud towards her, and this pri...
Thucydides’ written history of the Mytilenian Debate and the Melian Dialogue reflects the reality of a period where morality is dependent on the exercise of power and those who possess it. The main theme running through the course of these two debates is that those with the power to act as they wish inherently have the power to dictate morality. The arguments that decide the fate of the Mytilene are made not strictly on the basis of morality but on how their power allows them to exercise the moral course they choose. The Melian dialogue reveals how those in power can dictate morality in terms of self-interest. Both cases also demonstrate how morality is also a function of self-interest. The question of the relationship between power and morality also hinges on the definition of these two vague terms.