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The hero's journey story concept outline
Summary of The Hero's Journey
Summary of The Hero's Journey
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The Heroic Journey of Jacob
Joseph Campbell, author of The Hero with a Thousand Faces, instituted the concept of the “monomyth,” the basic story pattern that can be applied to seemingly all literary works, which similarity shown as each of the text has a main character that goes on a journey. In the same way, the hero’s journey can be divided into three main sections: separation, initiation, and return. Into the three main sections, here are the several stages as the call to adventure, road of trail and magic flight, which all of these stages were shown in a lifelike way in the novel named Miss Peregrine’s Home for Peculiar children.
The hero’s call to adventure is always the main character’s first step of the journey and never leaves the character throughout the story. In the novel Miss Peregrine’s Home for Peculiar Children, the Jacob’s first steps in his journey, which was begun with his grandpa Portman’s last words. In novel, Jacob’s grandpa Portman notes, “ Find the bird. In the loop. On the other side of the old man’s grave.
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September, 1940”(Riggs 37), shows while Jacob’s grandpa Portman was impending of death, he told Jacob the what’s next he should do “find the bird”. Particularly, Jacob’s grandpa Portman gave him the exactly the place “the loop” to follow. In the same way, he also gave him several clues that help him on the way to find the loop, which here is one very typical range of call to adventure. The noble quality of the main character was shown the stage at the road of trail, which is the main characters, will overcome a series of obstacle, and then impresses us deeply. In Miss Peregrine’s Home for Peculiar Children, Jacob states, “What stood before me now was no refuge from monsters but a monster itself, staring down from its perch on the hill with vacant hunger. Trees burst forth from broken window and skins of scabrous vine gnawed at the walls like antibodies attacking a virus”(Riggs 83), here shows Jacob has already found the house. However, the house gave Jacob a very intense feeling of fear, hindered Jacob enters the house to find more clues about the loop. Therefore, here is part of story can be seen as the difficulty for the main character. Then here comes Jacob to overcome these impediments. In novel Jacob notes, “ Dozens of them. I got excited-and then just as quickly went cold, because something dreadful occurred to me. I have to go down there”(Riggs 112), which there shows Jacob overcame the fear for the house, and went down the house. In the finish, Jacob overcoming these obstacles showed the impression of the road of the trial in a lifelike way to us. The apex of the story comes where the stage named the magic flight, which is known as a very violent and intense flight between the main character and his adversary.
In Miss Peregrine’s for Peculiar Children, the magic flight is between Jacob the protagonist and his adversary Dr. Golan. In novel, Riggs notes, “ he comes with a gun,” Hugh said, studying the dirt… he touched the back of his ear and his finger s came away spotted with blood”(Riggs 309), shows Dr. Golan is ready for the fight, and has the relief to subdue everyone else. Same way for Jacob, he states in novel, “ I had, just for a moment, a clear shot. Tried to empty my mind and focus on steadying my arm, creating an imaginary line that extended fro my shoulder through the sight to my target... Now Squeeze”(Riggs 327), shows that Jacob is one hundred present focus on the fighting now. And in the finish, Jacob killed Dr. Golan, then their relationship concluded
here. In conclusion, the call of adventure, the road of trail and the magic flight are shown in a lifelike way in the novel Miss Peregrine’s Home for Peculiar Children. These small but essential stages support the whole story in an interesting and amazing way.
The monomyth, or Hero’s Journey, is an outline or pattern of events that a hero may follow in a story or movie. This so called pattern takes place in two locations: the ordinary world and the supernatural world. Joseph Campbell was the first person to notice this outline and actually research it. Osmosis Jones is just one example of a movie which follows the monomyth. This movie also serves as a great lesson of perseverance because even throughout the trials and tribulations, Jones never gives up and in the end is rewarded. As Jones goes through the stages of the monomyth, he is considered a hero and obtains perseverance.
Hundreds of thousands of books have been written throughout the Course of human history, each very different from another. It may seem that there are an infinite number of stories that can be told, most can all boil down to twelve simple points. These twelve points were outlined by Joseph Campbell in his book, The Hero With a Thousand Faces. These steps are: the ordinary world; call to adventure; refusal of the call; meeting with the mentor; crossing the threshold; tests, allies, and enemies; approach; the ordeal; reward; road back; resurrection; and return with elixir. The hero’s journey always begins and ends in a comfortable and familiar place, the ordinary world. During the course of their journey, the hero travels to a strange new place, or the special world. The Scarlet Letter by Nathaniel Hawthorne is no exception to these rules, as the character Arthur Dimmesdale follows nearly all the steps of a true hero.
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
An Analysis of the Ten Stages of the Hero’s Journey in Joseph Campbell’s The Hero with a Thousand Faces
The mold of the heroic template is evident throughout various types of media. Within movies, novels, and poems the hero’s journey is present. Of course, not every piece of literature or movie follows the cycle. However, the idea of the monomyth arose from Joseph Campbell. He wrote his own book, The Hero of a Thousand Faces, within his writing he describes that heroes’ follow the same basic procedure throughout their quest(s). This is where the idea of the hero monomyth arose. In Michael Lewis’s novel, The Blind Side, he portrays “The heroic monomyth.” The Blind Side consists of the basic characters and archetypes that accurately reflect the heroic template.
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
In every culture, there are stories that get past down from generation to generation (Campbell 1). Tales of knights who slay dragons and princesses who kissed frogs are a part of every culture. All over the world, stories share comment characteristic. Joseph Campbell introduces a theory based on this idea called the monomyth, the idea that stories all share the same narrative pattern, in the book The Hero with a Thousand Faces. Overall, this theory shows the same narrative pattern in stories throughout the world, which symbolically reveals all humans must tackle difficulties and overcome them many times throughout life (5). Specifically, Campbell’s hero’s journey is comprised of six steps, which, collectively
“The Hero’s Journey.” Ariane Publications, 1997. Course handout. AS English I. Dept. of English, Woodside High School. 26 October 2013.
The second concept of the Hero’s journey shows us that all stories are the same. They all follow the same pattern or algorithm of separation, initiation, and return. An example from the movie is the Wizard of Oz where Dorothy is removed from her natural environment by a tornado, initiated with a lion, scarecrow, and tin man, and the group embarks on a journey to see the wizard. In the end, she is able to return home by clicking her heels. She realizes she has had the ability the whole time, but she needed to test herself. We are just like the characters we see in our favoritie movies, books, and shows – they are a metaphor for us as normal human beings. The last concept I learned is “Follow your bliss”. This concept of bliss is defined in many ways. One definition is serenity. Another definition is the thing you cannot not do. It is what makes a person feel alive. In order to answer the question of what is your bliss, you must ask yourself difficult questions like: What am I passionate about? What makes hours seem like minutes? What made me different as a child? After answering these tough questions, a person can find their
The “Call to Adventure” is the part in the hero’s journey where the hero receives their first
scenes which gives you the need to be one of the characters from the flick.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.