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The importance of the handkerchief in othello
Symbolism and dramatic devices in othello
Symbolism and dramatic devices in othello
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The handkerchief is a representation of different values to each character. Desdemona keeps it as a symbol of Othello’s love for her, as it was the first present she received from him. Because of Iago and his manipulation, Othello sees the it as Desdemona’s purity and devotion to him. Quickly, the symbol of a bond between husband and wife is taken by Iago and made into evidence of infidelity. Othello proclaims to Desdemona that a female prophet made the handkerchief using silk and “was dyed in mummy which the skillful conserved of maidens' hearts” (III.iv.65-66),
and that his mother said “Twould make her amiable and subdue [his] father, entirely to her love, but if she lost it or made gift of it, [his] father’s eye should hold her loathèd and his spirits should hunt after new fancies” (III.iv.51-55). - turning the handkerchief into a symbol of chastity. The strawberry pattern, colored with virgin’s blood on the plain white background correlates with the loss of virginity on a wedding night, creating the handkerchief into a symbol of virginity.
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The impact the handkerchief has on Othello’s mind reaffirms the success of Iago’s manipulation.
Othello becomes obsessed with knowing where the handkerchief is wondering, “Is ’t lost? Is ’t gone? Speak, is ’t out o' th' way?” (III.iv.71), worrying about Desdemona’s faithfulness to him. This infatuation means that Othello is paranoid about the idea that Desdemona would ever cheat on him. In a situation of jealousy, an item like a handkerchief could sway opinions of people. The handkerchief is the proof needed to convict the criminal of the murder charges, as it is also in Othello because it is the final symbol of Desdemona’s infidelity, which ends her life. It is a believable element as it is a similar representation to a modern day wedding ring- cheaters are known to take them off to hide their motives and lives as a married person at home. Both objects represent marital
devotion.
Pray you let Cassio be received again.” (Shakespeare III.IV 81-83) At this point in the story, Othello is demanding that Desdemona present his handkerchief, a gift which he gave to her. In Othello, the manipulation, and whole story, revolves around a select few individuals.
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
...demona’s handkerchief was the main object and symbol that was known for betrayal. In result, Iago had been the primary reason why we experience betrayal in the play. Due to Othello giving away the handkerchief was a sign for his affection to his beloved wife. In addition, it then moves from person onto the next person which was caused by Iago. Once Othello becomes jealous it makes it act on as an illusion since Desdemona. She had been faithful the entire time during their marriage and thinks that she has been cheating on him. The people Iago had betrayed with this handkerchief were: Othello, Emila, Cassio, and Desdemona. Furthermore, it was intended to have significance as a symbol of sacred trust. It was known as the “pledge of love” to Desdemona.
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
Emilia is not just in the play to be a simply friend. She is there to tell everyone the horrible acts that have happened. Once, Emilia realizes her mistress has died she starts asking questions which helps her put two and two together. Emilia finds out that Othello thinks Desdemona cheated on her something that Desdemona would never do. Emilia then asks Othello, why? The main reason is the handkerchief. Othello gave Desdemona handkerchief that represents their love and its precious. Because Othello finds out Cassio had it he thinks an affair was going on. Then is when, Emilia reveals that she gave the handkerchief to Iago because she found it. Quickly after that it’s revealed that Iago (her husband) is doing evil acts. Emilia “...That handkerchief thou speak’st of I found by fortune and did give my husband. For often, with a solemn earnestness—More than indeed belonged to such a trifle—He begged of me to steal it.” With that said, Emilia was much more than a
Iago plants the handkerchief on Cassio. Convinced of Desdemona’s infidelity, Othello smothers his beloved wife in their marriage bed. Emilia then proves Iago’s guilt and Desdemona’s innocence to Othello. Othello stabs Iago, who is under arrest, but fails to kill him and commits suicide.
He suspects that Othello and Emilia have been together intimately. He then seeks revenge on the Moor; in the process, he uses his own wife as an accomplice. This leads to, the case of the missing handkerchief! Emilia is completely naive and without any suspicion she never suspects that Iago envies the Moor and will use the handkerchief to deceive him. When Emilia says: I am glad I have found this napkin!
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Continuing Act three, Scene three, Othello feels the beginning of a headache. Desdemona offers Othello a handkerchief to ease the pain upon Othello’s forehead. The handkerchief is a gift from Othello to Desdemona as a symbol of the love shared by Othello and Desdemona. In Othello’s pain the handkerchief falls from Othello’s hand and Emilia steals the handkerchief. Iago uses the characters of the play as pawns, including wife Emilia. Jealousy is the fuel and the handkerchief is the spark. With the handkerchief in Iago’s possession, Iago can continue to spin the web of lies and deceit. Iago plans to leave the handkerchief in Cassio’s lodgings to further support the suspicion of Desdemona’s infidelity.
Othello has a beneficial quality to him; a quality that he uses time and time again. He uses his foreign and exotic nature to his advantage. Othello’s mystique and masculinity captivates his young Venetian wife Desdemona and sets him apart from her other uninteresting Venetian suitors, and Othello’s stories about the dangerous and exciting outside world and warfare provide marvelous entertainment and wonderment for her. After Brabantio, the father of Desdemona and a powerful senator, learns about the marriage of his daughter and Othello, he is outraged and accuses him of “looting” his daughter. For he sees her as property and doesn’t account for her free will and desire to marry the middle aged Othello, different in race and class. In the courtroom Othello gives a speech, “What conjuration and what mighty magic, for such proceeding I am charged withal, I won his daughter”. (Act i Scene iii) Othello denies the use of witchcraft or ma...
Emilia and Desdemona were best friends and were always seen together. Dead or alive, Emilia was always alongside Desdemona. Emilia laid down Othello and Desdemona's wedding sheets. "I have laid those sheets you bade me on the bed (Shakespeare 4.3.22). Emilia would do anything and everything to make Desdemona happy. Emilia placed the wedding sheets on the bed for Desdemona to try and make Othello happier and remember their wonderful wedding night . Othello was very angry with Desdemona because she lost his handkerchief whom he received from his mom. When in reality Desdemona dropped it and Iago stole it from Emilia and then Iago placed hankerchief in Cassio's bedroom. Othello was so angry about the lost hankerchief that he devised a plan
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
Already there is a high importance to the handkerchief in the start of the story. This being due to the fact that it originally came from Othello’s mother. The reason it is also seem to be placed on a pedestal is because it is believed by Othello to possess magical powers. He had been told that it was woven by a 200-year-old sibyl also known as an Egyptian charmer. The process was done by using the silk from sacred worms, and the dye from mummified virgin hearts. Later being given to his mother; who he claims used it to keep his father from being unfaithful to her. This further illustrates Othello’s fixed perspective of the handkerchief, and the value of fidelity that it holds within it. When he presents Desdemona with the handkerchief, he expects nothing but love and faithfulness in return. The handkerchief, as mentioned, does give a variety of meanings to each of the characters as it falls into each of their hands throughout the entire story. So for Desdemona, the strawberry embroidered handkerchief, means nothing but Oth...
'” (III,3,2092) This psychological strategy angers Othello to no end. Othello has been jealous of Cassio (who is everything that Othello is not: white, Christian, young). This shows that Iago is very clever: he first uses psychological plants before he moves to physical evidence. When Othello demands ocular proof, Iago brings out the handkerchief, the magical symbol of Othello 's manhood and source of his jealousy: “I know not that; but such a handkerchief I am sure it was your wife 's--did I to-day
Othello could have prevented the horrific events that led to the death of Desdemona if he were not absorbed in his own allusions of marital deception. Iago uses the handkerchief as evidence for sealing Othello’s nightmare. Othello is turned from Christian to Turk and refuses to acknowledge his wife’s promise of love. He attacks Desdemona who is innocent in the crime of treason. In the first act we learn Desdemona has eloped with Othello. During the early Renaissance period, it was illegal for any woman to marry a man without her parents’ consent. The shock from this betrayal killed Brabanzio, her father. Desdemona’s boldness in her choice was not a whim of lust but a strong force of passion. The audience hears in the first scene Brabanzio voice his disgust for Iago. Brabanzio: “Thou art a villain” Iago: You are a senator” (1.1.2103) Brabanzio is the only person who recognizes Iago’s treacherous