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Slavery in africa before the transatlantic slave trade
Black american culture and traditions
Black american culture and traditions
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I was introduced to Gullah Geechee culture through a children's show named Gullah Gullah Island when I was in third grade. Later in high school, I came across a film about a Gullah family living off the coast of South Carolina in 1902 titled Daughter's of the Dust. Since then, I've read several books and watched documentaries about how this isolated community was able to retain several African cultural practices. I often suspect based on what many of my elder family members have said about the elders who have passed on (including my late grandmother), that there may be some connection to the Gullah Geechee through my great-grandfather. Like Prof. Walker, my family is from South Carolina and I've heard stories about the accent my grandmother
“Tracing a single Native American family from the 1780’s through the 1920’s posed a number of challenges,” for Claudio Saunt, author of Black, White, and Indian: Race and the Unmaking of an American Family. (pg. 217) A family tree is comprised of genealogical data that has many branches that take form by twisting, turning, and attempting to accurately represent descendants from the oldest to the youngest. “The Grayson family of the Creek Nation traces its origins to the late 1700’s, when Robert Grierson, a Scotsman, and Sinnugee, a Creek woman, settled down together in what is now north-central Alabama. Today, their descendants number in the thousands and have scores of surnames.” (pg. 3)
Pages one to sixty- nine in Indian From The Inside: Native American Philosophy and Cultural Renewal by Dennis McPherson and J. Douglas Rabb, provides the beginning of an in-depth analysis of Native American cultural philosophy. It also states the ways in which western perspective has played a role in our understanding of Native American culture and similarities between Western culture and Native American culture. The section of reading can be divided into three lenses. The first section focus is on the theoretical understanding of self in respect to the space around us. The second section provides a historical background into the relationship between Native Americans and British colonial power. The last section focus is on the affiliation of otherworldliness that exist between
Popular perception of both the Sioux and Zulu peoples often imagines them as timeless and unchanging (at least before their ultimate demise at the hands of whites). To what extent does Gump's book challenge the similarities and differences between the Sioux and Zulu people?
"Creole Materialities: Archaeological Explorations Of Hybridized Realities On A North American Plantation. " Journal of Historical Sociology 23.1 (2010): 16-39. Academic Search Complete. 27 Apr. 2014. The 'Standard' of the 'Standard'. Web.
Texas is an intricate state with deep roots embedded in limited government authority. Almost all, Texans, favor the limited government between citizens and state. The two most important cultures in Texas are individualistic and traditionalistic culture. Individualistic views are summoned by limited government and that politics are the root of malicious acts, and is usually responded with negative reactions from the community. The individualistic cultures’ vision is egotistical for ones self-interest. The individualistic culture is viewed as priority in private independent business rather that those of the community as a whole. Unlike individualistic views, traditionalistic culture is motioned by conservatism. This cultures vision is supported by the common wealth of society’s privileged. Its beliefs are usually of distrust in its bureaucracy. Traditionalistic culture maintains an obligation to its family hierarchy. The traditionalistic subculture has a lower voting turn out rate compared to the opposition. These distinctive cultures were bestowed upon Texans in the 1800’s, when Texas was changing into a diverse and demographically society. Individualistic and traditionalistic cultures are the outline of ideology and certainty to the way Texas government is administrated. This has a huge impact on the way the Texas structures its government and why people support such a structure. And Texas is viewed as both subcultures.
Underhill, R., Chona, M. (1936). The Autobiography of a Papago Woman, Memoirs of the American Anthropological Association, No. 46, Menasha, Wisconsin: Krause Reprint Co.
The Hmong people, an Asian ethnic group from the mountainous regions of China, Vietnam and Laos, greatly value their culture and traditions. The film “The Split Horn: Life of a Hmong Shaman in America” documents the seventeen year journey of the Hmong Shaman, Paja Thao and his family from the mountains of Laos to the heartland of America. This film shows the struggle of Paja Thao to maintain their 5000 year-old shamanic traditions as his children embrace the American culture. Moreover, the film shows that one of the major problems refugees like Paja Thao and his family face upon their arrival to the United States is conflict with the American medical system. Despite the dominant biomedical model of health, the film “The Split Horn” shows that
Texas Indians were very unique in their culture and way of life. The Texas Indians had a unique social order; physical appearance, acquired subsistence in many different ways, and had many unique cultural practice. As a result, many historians study the native Indians in Texas with awe and amazement. With a deep and interesting analysis of the Texas Indians, historians can understand the people; and their way of life. Based on the text, “La Relacion” which was written by Alvar Nunez de Vaca, an analysis of said subject can be conducted.
...gh for me, and I will hope that one day I can learn even more, maybe from the vary people themselves, (I do wish I could meet my ancestors and ask them myself) So now when we think Penobscot Indians, we think, Maine, french and Indian war, Gluskabe, and Nokomis and hopefully the wisdom in a grandmother's guidance.
Nous sommes Acadiens. (We are Acadians.) Some outsiders see us as a quaint, virtuous people, spending a great deal of time singing, dancing, praying, and visiting? (Conrad, 1978, p.14). Others see us as independent and unsophisticated. We see ourselves as fun-loving, carefree, happy, proud people who have a great love for our culture. The Acadians were French settlers of eastern Canada who were exiled from their land in the 1750?s. The Acadians are known to have settled in the southern bayou lands of Louisiana around that time. The Acadiana people acquired their nickname, ?Cajuns,? from those people who could not pronounce Acadians correctly. Due to the opinion that Cajuns were ?different?, they lived close together and became isolated from others in Louisiana. They have since developed their own distinct characteristics which make them unique and unlike no others in the bayou state. Family, music, housing, food, marriages, and ?traiteurs? were all a part of the simple but challenging lifestyle of the Cajuns.
The Hmong Culture of South Asia is a very interesting ethnic group. Between 300,000 to 600,000 Hmong live in Southeast Asian countries, such as Vietnam, Laos, Thailand, and Myanmar. About 8 million more live in the southern provinces of China. Since the Vietnam War ended in 1975, Hmong refugees from Southeast Asia have settled in Australia, France, Canada, and the United States. The largest Hmong refugee community lives in the United States with a population of about 110,000. The U.S. Department of state has tried to spread Hmong refugees out across the country to reduce the impact on any one region. Because Hmong families tend to be large in numbers, the community grows rapidly.
In Jamilla Okubo’s, African-American Gothic, African culture is woven into an interpretation of Grant Wood’s famous painting, American Gothic (http://www.americangothichouse.net/about/the-painting/). Through this painting, I believe that African American artists today do identify with their ancestral past in Africa. Okubo is a Kenyan-American artist who works primarily with textiles (Afful). In this painting, one can see that Okubo has added her own cultural spin to American Gothic. She portrays the farmer couple from the original with African skin tones. Also, she has added kente and kanga fabric scraps, fabric native to African countries such as Ghana (“The History of Kanga”, “Kente Cloth Origins”), to give the couple traditional African
The cultural context for the Armenian person is the result of upholding and defending a way of life and values that have been maintained for centuries, for perhaps two thousand years. For that reason, although Armenians living in the United States today come from a variety of countries of origin, and may to some extent speak different dialects or even different languages, yet they have many cultural similarities due to centuries of commonality. The cultural similarities among the Armenians can be seen mainly in three different areas: Spirituality, historicity, and family.
The African culture is well known for its dance, song, and music and much of today’s version are influenced by the indigenous sounds (Terrell, 2015). Much of the southern or soul food was introduced by the African slaves and continues to be a part of modern times. Traditions passed down from generations through storytelling, parables, and style of dress aid in the preservation of the African culture. Our children benefit from the African culture in the form of nursery rhymes. There is much to appreciate, learn, and pass along from the culture of those who endured the
then lived in teepees when they took on a nomadic lifestyle. They spoke in the Algonquian language. They hunted and ate buffalo, deer, elk, bear and wild turkey.Roots and wild