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The Groundhog by Richard Eberhart
In Richard Eberhart's poem "The Groundhog", the author uses his expertise in language to contrast life and death in nature. With diction and contrasting imagery the author discloses his idea that the world is in constant change. Changes in which things eventually decompose, or disappear, but also, at the same time saying that nature will renew itself.
The groundhog's "senseless change" shows the irrational but ordered controlling force of nature as it decays and changes. The authors returning visits embody the change in the groundhog. In Eberhart's four visits the groundhog changes. From a "seething cauldron", becoming a "bony sodden hulk", to only become "bones bleaching", and "only a little hair". The last visit "there is no sign of the groundhog".
The author feels so emotional over the continuing changes of the groundhog because he resents change. It makes him feel that he is not in control over himself and what is going on. Eberhart treats it as if he is losing a tradition in his life, not feeling comfortable about life. The author "capped a withered heart" because that is his way of taking control of his life.
Eberhart uses wonderful, artistic diction to illustrate contrasting imagery. He contrasts "golden fields" with "the groundhog lying dead", and "vigorous summer" and "dead lay he". The result of these comparisons creates the picture of a hot and calm summer day in a peaceful field with a dead groundhog. The mental picture created can be one of sadness and dismay that on such a wonderful day, such a horrible thing could happen. The frightening picture is amplified by "inspecting close his maggots' might".
The author goes on further to contrast in the imagery by showing how he appreciates the groundhog and it's slow decay. He inspects the body up close, but "half with loathing" of the dead creature, it's smell, and disgusting appearance, and yet with a "strange love", he shows how he strangely likes the animal and starts to care about the changes that it is going through, to renew nature.
Many people dream about leaving everything behind and starting a new life, but it’s not as easy as it seems. Learning how to adapt to a new environment may be a challenge. In the book Into the Wild by Jon Krakauer, Christopher McCandless has no knowledge of the conditions he’s going to face when he arrives in Alaska. I would classify Christopher McCandless as a fearless crazy guy, because he leaves his well-shaped life behind. McCandless is not prepared for his expedition to Alaska, because he’s not familiar with the different lifestyles. Making all of these changes to his life like, detaching himself from his family and changing his name to Alexander Supertramp was a bad idea; because losing all of his connections means that he has no help from the people who really know him.
Everything is criticized at every level in this story, the people by the main character, the main character by the author and even the story by the author as well. The cruel egoistic personality of Anders is definitely identifiable through these different levels of criticism. I will prove that the inner motivation of this behaviour derives from Anders' egoistic personality which sometimes makes him cruel against others, sometimes against himself. Furthermore, I will prove that whenever Anders criticizes somebody or something he actually tries to punish because of the imperfectness of the object. In order to make the referring to the different part of the story easier I divide it into three parts. The first part ends when the robbers appear at the door of the bank, the second ends when one of the robbers shoots at Anders and the left is the third part.
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
Is society too egotistical? In Hunters in the Snow, Tobias Wolfe gives an illustration of the selfishness and self-centeredness of humankind through the actions of his characters. The story opens up with three friends going on their habitual hunting routine; their names are Frank, Kenny, and Tub. In the course of the story, there are several moments of tension and arguments that, in essence, exposes the faults of each man: they are all narcissistic. Through his writing in Hunters in the Snow, Wolfe is conveying that the ultimate fault of mankind is egotism and the lack of consideration given to others.
American consumers think of voting as something to be done in a booth when election season comes around. In fact, voting happens with every swipe of a credit card in a supermarket, and with every drive-through window order. Every bite taken in the United States has repercussions that are socially, politically, economically, and morally based. How food is produced and where it comes from is so much more complicated than the picture of the pastured cow on the packaging seen when placing a vote. So what happens when parents are forced to make a vote for their children each and every meal? This is the dilemma that Jonathan Safran Foer is faced with, and what prompted his novel, Eating Animals. Perhaps one of the core issues explored is the American factory farm. Although it is said that factory farms are the best way to produce a large amount of food at an affordable price, I agree with Foer that government subsidized factory farms use taxpayer dollars to exploit animals to feed citizens meat produced in a way that is unsustainable, unhealthy, immoral, and wasteful. Foer also argues for vegetarianism and decreased meat consumption overall, however based on the facts it seems more logical to take baby steps such as encouraging people to buy locally grown or at least family farmed meat, rather than from the big dogs. This will encourage the government to reevaluate the way meat is produced. People eat animals, but they should do so responsibly for their own benefit.
Groundhog Day is a film starring Bill Murray who plays Phil Connor’s, a news anchorman, who gets stuck on the repeating Groundhog Day every day. He is a man who does not appreciate things around him but he expects others to look up to him. He lives the same day while time goes on; he does not make an effort to reach out to others. Phil follows the same daily routines and does not attempt to change anything and accepts his life as it is, even though he doesn’t like it. Phil doesn’t understand the idea of the man creating his own being by experiencing life.
In Mary Oliver’s poem “The Black Snake,” the narrator contemplates the cycle of life with the unpredictability of death. Mary Oliver’s work is “known for its natural themes and a continual affirmation of nature as a place of mystery and spirituality that holds the power to teach humans how to value one’s life and one’s place” (Riley). In the poem, The Black Snake, the narrator witnesses a black snake hit by a truck and killed on a road one morning. Feeling sympathy for the snake, the narrator stops, and removes the dead snake from the road. Noting the snake’s beauty, the narrator carries it from the road to some nearby bushes. Continuing to drive, the narrator reflects on how the abruptness of death ultimately revealed how the snake lived his life.
The conceit in line 8, “like an iceberg between the shoulder blades” (line 8), illustrates the briskness death emanates whilst taking the life from the warmth of your body. This ice and fire comparison coaxes the reader to pursue the unwelcoming thought of death as the adverse path to travel by. By no means does Oliver attempt to romanticize the idea of a brief and painless endeavor. Furthermore, the recurrence of cessation illustrated by the “hungry bear in autumn” (2) simile suggests the seasonal regularity death’s toll takes on the living. The presence of frequency characterizes the shift in forbearance to the acceptance of the inevitable. Oliver is caught up in reminiscent thought as she employs worldly imagery to describe life. For example, in lines 15-16 Oliver writes “and I think of each life as a flower, as common / as a field daisy.” This line stands out in the fact that it represents the first occurrence of communal thought. Describing each life as a “flower” in a “field” suggests that life is supposed to be about the people whom you surround yourself with, and less about the solidarity that stems from the notion of darkness. Oliver’s implication of poetry and down-to-earth imagery captures not only the progression of thought, but also her feelings towards the concepts of life and
Phil woke up this ground hogs day morning for the 98th time, but today he is so fed up and he knows that whatever happens he will wake up the next morning and it would be as if nothing has happened, and ground hogs day will begin over again.
Overall, it expresses the love and affection of Collin about this poem. This poem is basically looked at, or listened to, and the rodent tested. Such imagery used in poem supports the central ideas of Collin in poem, that the reading poetry must be, just like a good exploration, a discovery act. The poem has a very conversational effect and scholastic feel in it. First stanza directly linked to the second stanza while the third and fourth stanza of this poem has distinct thoughts in them. Similarly, the six stanzas come in a follow-up way but the mood actually changed in the last two stanzas of the poem. In short, Collin has written this poem in a very special and artistic way which really changes other’s minds about how to better understand a poem by knowing its actual meaning.
Phil!,Phil!,Phil!,Phil! Dang hearing my name gives me the rush, as you all know i'm Punxsutawney Phil the cutest, fluffiest,and awesomest groundhog you have ever seen i'm for sure you already know who I am. What!? You haven't well pull up a chair and listen to my story on how I became the fabulous Punxsutawney Phil.It was a quiet day, I was getting a nice healthy snack which involved clovers, and bark. All of a sudden a very large dark figure picked me up and loaded me into some big cage. I was then in a new home it was strange were I was at I was really hot, but here the temperature has been just fine, not too hot to cold, I was inkling to see where I was still a little figure came up to see me through some weird shield I was startled due
She describes the September morning as “mild, benignant, yet with a keener breath than the summer months.” She then goes on to describe the field outside her window, using word choice that is quite the opposite of words that would be used to describe a depressing story. She depicts the exact opposite of death, and creates a feeling of joy, happiness, and life to the world outside her room. After this, she goes into great detail about the “festivities” of the rooks among the treetops, and how they “soared round the treetops until it looked as if a vast net with thousands of black knots in it had been cast up into the air”. There is so much going on around her that “it was difficult to keep the eyes strictly turned upon the book.” Descriptions like these are no way to describe a seemingly depressing story about a moth, but by using these, joyful descriptions, Woolf connects everything happening outside to a single strand of energy. These images set a lively tone for the world around her, and now allow her to further introduce the moth into the story.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
Connors is a conceited, inconsiderate weatherman. He firmly believes that he is the most imperative component of the entire weather channel; therefore, all of his needs and desires should be met before anyone else’s. He travels with two other crew members who he will be reporting with on Groundhog Day. He awakes to the identical day the next morning, and interestingly, he is the only one who seems to notice anything peculiar. Connors goes through various stages of self-awareness as a means of dealing with his situation in atte...
In "Death of a Naturalist" we find that the poem is about being out in