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Effects of conscription in world war 1
World War 1 personal narratives
Pros and cons of conscription in ww1
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The Great War was the first occurrence in written history to produce such an outpouring of first person testimony about the events of the war by first person observers. For many years, historians distanced themselves from analyzing and questioning the documents produced by these observers of history and just left them at their word. It was not until more recent history that historians have started to question the accounts provided in a scholastic manner of examination. Audoin-Rouzeau and Becker argue that these first person accounts should be taken with a grain of salt because the reader, and the historian for that matter, must remember that trauma such as war has a profound effect on memory, thus these accounts should not necessarily be taken …show more content…
He claims that the long held notion that the war was a tragedy and the soldier it’s victim is not necessarily true. He claims that the men consented to fight in the war and that they were not coerced into this action like many would have you believe. Furthermore, Smith contends that during the war, the soldiers were incredibly invested in wining the war and fighting it to the bitter end. The question is, does this concept only apply to the French, who held the idea of republic dear to their hearts and were attached to the idea of a nation a “an emotional and geographic space” , or does this notion apply to a larger scale and to all republics for that …show more content…
In the beginning, there were other methods soldiers used to understand and describe the events they witnessed during the Great War, i.e. rites of passage, mastery of survival, and the notion of consent, and eventually the story evolved into the metanarrative in place today. Smith limits these concepts only to the French, but close examination shows that some of these notions could apply to other nationalities fighting during the Great War. Through Cude’s eyes and voice, the reader is able to see the ideas of rites of passage and consent to the war, even if it was not specifically he that held such ideologies. Furthermore, although this was just the examination of one man’s diaries and accounts of the war, the concepts that Smith lays out is easily observed in other cultures and times. For example, the theology of joining the military and fighting in a war in order to make one a man is a notion that has long been in the national mind, which in a way is a rite of passage. It marks the transition of a boy to a man, a civilian to a soldier, which in a way is similar to what Smith was trying to say. Overall, Smith argues that these are just other examples of metanarratives that were in place before the concept of war as tragedy and soldier as the victim , which is a worthy concept to
In An American Soldier in World War I, David Snead examines account of George Browne, a civil engineer who fought as part of the American Expeditionary Forces (AEF) during World War I. Snead shares Browne’s account of the war through the letters he wrote to his fiancé Martha Ingersoll Johnson. Through Browne’s letters and research conducted of the AEF, Snead gives a concise, informative, and harrowing narrative of life as a soldier serving in the camps and front lines of the Great War. Snead attempts to give the reader an understanding of Browne’s service by focusing on his division, the 42nd Division, their training and preparation, combat on the front lines, and the effects of war on George and Martha’s relationship. As Snead describes, “Brownie’s letters offer a view of the experiences of an American soldier. He described the difficulties of training, transit to and from France, the dangers and excitement of combat, and the war’s impact on relationships.” (Browne 2006, 2) Furthermore, he describes that despite the war’s effect on their relationship, “their
“The war correspondent is responsible for most of the ideas of battle which the public possesses … I can’t write that it occurred if I know that it did not, even if by painting it that way I can rouse the blood and make the pulse beat faster – and undoubtedly these men here deserve that people’s pulses shall beat for them. But War Correspondents have so habitually exaggerated the heroism of battles that people don’t realise that real actions are heroic.”
Guy Sajer’s The Forgotten Soldier is a work notable not only for its vivid and uncompromising account of his experience as a member of the Wehrmacht in World War II, but also for its subtle and incisive commentary about the very nature of war itself. What is perhaps most intriguing about Sajer’s novel is his treatment of the supposedly “universal” virtues present within war such as professionalism, patriotism, camaraderie, and self-sacrifice. Sajer introduces a break between how war is thought about in the abstract and how it has actually been conducted historically.
A Narrative of a Revolutionary Soldier is a memoir written by Joseph Plumb Martin, an ordinary soldier who served the Continental Army during the American Revolutionary War. As the name indicated, the memoir mainly portrays the common men’s experiences and feelings, especially their dangers and sufferings, during the revolutionary period. Based on Martin’s unique perspective, his memoir cannot provide us with the big picture from the top down, such as the military strategy and the charismatic leadership of American revolutionary army. However, it offers exclusive insights and precious details that allow us to closely examine what truly transpired among the thousands of soldiers during that period.
Timothy Findley Creates a fictional world through his novels, where readers can relate to the situations and characters. The protagonists that Findley creates are often similar and connected to the hardships that they eventually encounter and defeat or that which they are defeated by. Findley takes his readers back in time to the First World War, displaying his knowledge of history and research, where the hardships of a young soldier’s battles internally and externally are brought to the reader’s attention in his historical-fiction novel The Wars. Findley writes about the reality and absurdity of the First World War, and takes the reader’s on a journey through the active reading process to find what is “sane” and “Insane” throughout the duration of the novel. Following the journey of the protagonist, Robert Ross as he enlists in the Canadian Army after the death of his sister Rowena, and undoubtedly is the turning point of the text and ideally where Findley initiates the active reading process, and where the contents placed in the story by Findley, are analyzed and opinionated based on the reader’s perception and subjectivity of truth. Essayist Anne Reynolds writes “ Findley manages, through technical prowess, to combine Hemingway-like choices of clear moment searing horror and truth at the battlefront with scenes depicting the effects of war on the families and lovers of the soldiers.” (Reynolds, 4) According to Reynolds Findley has been able to display the absurdity and affect that not only the First World War has caused but the ludicrousness war in general has caused the families of soldiers, and society as a whole. Using the literary theory of deconstruction many aspects and scenarios in The Wars can be analyzed, as Fin...
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
He arrives back at his town, unused to the total absence of shells. He wonders how the populations can live such civil lives when there are such horrors occurring at the front. Sitting in his room, he attempts to recapture his innocence of youth preceding the war. But he is now of a lost generation, he has been estranged from his previous life and war is now the only thing he can believe in. It has ruined him in an irreversible way and has displayed a side of life which causes a childhood to vanish alongside any ambitions subsequent to the war in a civil life. They entered the war as mere children, yet they rapidly become adults. The only ideas as an adult they know are those of war. They have not experienced adulthood before so they cannot imagine what it will be lie when they return. His incompatibility is shown immediately after he arrives at the station of his home town. ”On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!"—She calls me "Comrade," but I will have none of it.” He is now aware of what she is
In The Red Badge of Courage, Henry Fleming was drawn to enlist by his boyhood dreams. His highly romanticized notion of war was eclectic, borrowing from various classical and medieval sources. Nevertheless, his exalted, almost deified, conception of the life of a soldier at rest and in combat began to deflate before the even the ink had dried on his enlistment signature. Soon the army ceased to possess any personal characteristics Henry had once envisioned, becoming an unthinking, dispas...
In the history of modern western civilization, there have been few incidents of war, famine, and other calamities that severely affected the modern European society. The First World War was one such incident which served as a reflection of modern European society in its industrial age, altering mankind’s perception of war into catastrophic levels of carnage and violence. As a transition to modern warfare, the experiences of the Great War were entirely new and unfamiliar. In this anomalous environment, a range of first hand accounts have emerged, detailing the events and experiences of the authors. For instance, both the works of Ernst Junger and Erich Maria Remarque emphasize the frightening and inhumane nature of war to some degree – more explicit in Jünger’s than in Remarque’s – but the sense of glorification, heroism, and nationalism in Jünger’s The Storm of Steel is absent in Remarque’s All Quiet on the Western Front. Instead, they are replaced by psychological damage caused by the war – the internalization of loss and pain, coupled with a sense of helplessness and disconnectedness with the past and the future. As such, the accounts of Jünger and Remarque reveal the similar experiences of extreme violence and danger of World War I shared by soldiers but draw from their experiences differing ideologies and perception of war.
Another unique aspect to this book is the constant change in point of view. This change in point of view emphasizes the disorder associated with war. At some points during the book, it is a first person point of view, and at other times it changes to an outside third person point of view. In the first chapter of the book, “The Things They Carried,” O’Brien writes, “The things they carried were largely determined by necessity (2).
World War I was a very deadly war with over 100 million human casualties(deaths plus injured). Therefore war is a very transformative event for humanity, because it always affects individuals, societies, and even the world in a pessimistic way.
The first chapter of his book titled “Old, Unhappy, Far-off Things” gives Keegan’s recognition to the fact that historians do not focus enough on actual soldiers. To explain this further, what Keegan is saying is that a historian puts things in a pack of sequential dates and times; but to the soldier, these things happen very rapidly and many times without planning. Keegan continues on to make note that when a historian puts together the pain-staking task of compilation of facts, the information is put down on paper as the writer’s view of how the facts unfolded and not from the soldier’s perspective.
Through Baümer, Remarque examines how war makes man inhuman. He uses excellent words and phrases to describe crucial details to this theme. "The first bomb, the first explosion, burst in our hearts," (page #). Baümer and his classmates who enlisted into the army see the true reality of the war. They enter the war fresh from school, knowing nothing except the environment of hopeful youth and they come to a premature maturity with the war, their only home. "We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. We are not youth any longer" (page #). They have lost their innocence. Everything they are taught, the world of work, duty, culture, and progress, are not the slightest use to them because the only thing they need to know is how to survive. They need to know how to escape the shells as well as the emotional and psychological torment of the war.
It is evident that the occurrence of war throughout history has made a lasting impression on soldiers and civilians alike. This has been expressed over the years through different works of literature. The cost of war to the individual is illustrated in “The Red Convertible” by Louise Erdrich, “The Things They Carried” by Tim O’Brien, and “The Shawl” by Cynthia Ozick because each story shows some element of mental, emotional, and physical toll.
World War I was a conflict that claimed over 10 million peoples’ lives, ravaged all of Europe and engineered modern warfare, as it is know today. The Great War has been scrutinized and examined through many complex theories in order to understand how such a conflict escalated to one of the most epic wars in history. This essay, like many works before it, looks to examine WWI and determine its causes through two distinct levels of analysis, individual and systemic. The individual level of analysis locates the cause of conflicts in individual leaders or decision makers within a particular country, focusing on the characteristics of human decision-making. The systemic level of analysis explains the causation of a conflict from a system wide level that includes all states, taking in to account the distribution of power and the interaction of states in the international system.