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Good and evil in literature
Good and evil in literature
The battle of good and evil in literature
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Stephen King says “We make up horrors to help us deal with the real ones” and Heidi Strengell wrote an essay called “The Monster Never Dies” were she discusses the gothic double. She says “the gothic double reveals our inability to evolve past our base instincts, to purge them form the human psyche.” A gothic double is something found in all sorts of literature. A gothic double would be opposites that are related, whether it be a person, a setting, a group, ect. For example good and evil, or right and wrong. They are connected because they have some form of conflict or tension with one another but also share a commonality. There are examples of gothic doubles everywhere. One example that first pops in my head that people should know is Dr Jekyll …show more content…
In True Detectives there are two main characters who are detectives at a Louisiana Police station where they are partners. Their names are Rust Cohle and Marty Hart and the whole show is kind of focused on them. The gothic double is definitely seen in this show, in many ways. One of the most major ways would be Rust Cohle, just him no one else. Rust is very different from many of the other characters in the story he is not a good ole boy like the rest of the cops and detectives at the station and he holds very different opinions than others in that town. Rust and his thoughts are and his actions would be one example of a gothic double in True Detectives. For example his thoughts display an entirely different personal than his actions. I would say the difference in this case is good and evil and the conflict between them. You can see the good and innocence in his actions and the evil and horrors in his thoughts. I would have to say you could compare Rust’s thoughts and Rust’s actions to a fallen angel. Even Dewalt says he sees evil in Rust in one of the episodes Dewalt says “”I can see your soul on the edges of your eyes…you’re a demon.” and “There is a shadow on you.”. (Pizzolatto) The good and evil in him makes this true. And the example I gave from the show basically explains how one person out of all of the characters in the show could see through Rust, only …show more content…
In Fight Club case it is more like a dual personality kind of like Dr. Jekyll and Mr. Hyde. The gothic double would be our nameless narrator and Tyler Durden. Even from the very beginning of the story you realize that the unnamed Narrator is having a major identity crisis. You can see that he feels trapped in the ordinary, corporate world that he lives in. Such an identity crises is described as a very common cause of the appearance of a double. So because the Narrator feels trapped in his own life with no means of escape, he actually unconsciously creates a double which would be Tyler Durden. Tyler will help resurrect him. Tyler is a suppressed double, even though he is evident for the Narrator himself, who primarily sees Tyler as an entirely separate human being, unaware that Tyler is truly a part of his unconscious being projected into his consciousness. Though Tyler is rebellious and destructive, destroying things that are in the Narrator’s life to the Narrator’s initial dismay, the Narrator begins to start accepting these losses as a part of the procedure to becoming a new man. It is not until when Tyler grows too strong, and then Tyler starts to take complete control over the Narrator’s life, that the narrator finds the need to fight back against Tyler. The Narrator already questions his own mental stability, now adding such a psychological double could be a huge problem. Tyler does indeed begin to possess the Narrator and
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Edgar Allen Poe and Nathaniel Hawthorne, were two authors who became well know for when it came to writing Gothic Literature. Both Nathaniel and Edgar knew exactly what they wanted and succeeded in taking you places you didn’t think your mind could go. They each had their own way of producing Gothic stories, but yet, can still show you what happens behind closed doors that we usually keep doubled-locked.
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
Gothic literature and magical realism go hand in hand, both provide a lasting impact within the story, and they’re all unique. Romance, death, adventures and provoking sounds all work together in harmony rather than in
The world always has something dark to it. For example, there are deaths every day cause by accidents. In the book " Strange Case Of Dr. Jekyll And Mr. Hyde," there are gothic like symbols around the case. Many people can have a shadow, yet it can be good or it can be terrifying. Three symbols that make this book gothic like are the characters, the weather, and also having multiple personalities being in use in actual life.
Gothic fiction as a genre is mode of literature and film that combines elements of fiction, horror, death and romance into one. At heart, the bulk of Gothic romance stories are essentially about the human mind – specifically what remains hidden in the subconscious and dreams.
In “The Fall of the House of Usher,” there is a ghost twin. “While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread--and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps.”(The Fall of the House of Usher) The above quote from the text tells us that Madeline is a ghost. She has come back to haunt them for burying her alive in the tomb that was placed inside the dark bleak basement. Edgar Allan Poe’s story of “The Black Cat,” has a definite doppelganger. “What added, no doubt, to my hatred of the beast, was the discovery, on thre morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes.”(The Black Cat) In the story the new cat had one eye, and was also black, just like Pluto. The doppelganger in the “The Black Cat” and the ghost in “The Fall of the House of Usher,” were both great examples of a gothic
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
The Sisters Grimm: Fairy-Tale Detectives written by Michael Buckley expresses the difficulty that two girls had to face when their parents disappeared making them move to many foster homes. Sabrina and Daphne had to get over what happened to them in the different homes and open their eyes to a new adventure with a grandma they never knew about. The book sets up the reader with a theme that no matter how difficult life gets do not give up, the setting gives the reader a mental image of what Ferryport Landing was like and the types of characters makes the literary work have great quality.
Gothic writing was usually written in mysterious and ominous tine. Most Gothic novels were filled with death and terror. The authors of Gothic novels most commonly filled their books with omens and foreshadows, showing the dark side of mankind.
A painting known as American Gothic was painted in 1930 by Grant Wood. It portrays a farmer with pitchfork (Grant’s dentist) and a woman (Grant’s sister) in front of a house. After Grant Wood won his competition with the painting, it became extremely well known and was often borrowed for cartoons, commercials and novels. Novels such as Gothic literature, even though Gothic literature was “invented” about two hundred years before the painting, people still somehow connected the two. Whenever people read Gothic literatures they would visualize the painting or vice versa. “Gothic literature is part of fiction that became popular during the late 1700s in Europe.”(Brooklyn.cuny.edu) Many of the stories generally have combinations of horror, mystery and romantic with a particular focus of settings. Settings such as inside a castle are used often in the earlier Gothic literature along with the supernatural elements.
A doppelganger or twin is an apparition or double of a living person or thing. Poe uses this technique in the Black cat mostly. He goes into detail about the second cat saying
Herdman also touches on the idea `Doppelgänger' which was coined by Jean-Paul Richter. However, while it was Richter was inventor of the term, it was Ralph Tymms, in his work Doubles in Literary Psychology, who “rightly asserts that ‘Jean Paul’s conception of the double is never profound, and sometimes it is quite trivial.’” The true double or Doppelgänger is defined as a “second self, or alter ego, which appears as a distinct and separate being apprehensible by the physical senses, but exists in a dependent relation to the original” (Herdman). The second type of double adapts characteristics of Dostoevsky and has been referred to as the ‘quasi-double’ by Joseph Frank. This type of double occur in numerous forms, however, “always have an unambiguously independent existence within the fictional scheme” or in other words “characters who exist in their own right, but refl...