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Essays on romanticism in literature
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The Go-Between by L.P. Hartley
Settings create shortcuts - a novel or a film set, for example, in
Paris in 1944 comes with expectations that enrich the writing and give
it instant depth. Similarly, L.P. Hartley's The Go-Between, being set
in both in 1900 and 1952, immediately alerts its readers to the
significance of those years.
The main part of the novel paints a detailed picture of rural England
at the beginning of the twentieth century, when Hartley himself was
only five years old. It is, however, viewed in retrospect from 1952.
The choice of a new century and particularly the twentieth century
provides an ideal setting for Leo's story of youthful idealism and
ultimately his disillusionment.
The tragedy of the novel arises more acutely because of the modern
readers' knowledge of the epoch it refers to. While the new century
was dawning, all was not as tranquil and promising as it seemed to
young Leo. The Boer War was in progress and had left its brutal mark
on Lord Trimingham's face. His face, compared to Janus', reminds us of
the evils which had occurred already before the start of the century.
Janus, the god of thresholds stands as a warning of the wars to come.
The Boer war is in the background of the story throughout, even in the
images used in everyday situations: "…Trying to sneak past in dead
ground!" - calls Hugh accusingly when he sports the lurking Leo, and
for a moment Leo seems like one of the elusive Boer soldiers. All
these allusions to war, topical in 1900, develop a further meaning
when connected with the theme of the twentieth century as the opposite
of the 'Golden Age' for which Leo hoped.
"The pa...
... middle of paper ...
...c for the knowledge that they have of contextual
background makes the story of The Go-Between poignant.
BIBLIOGRAPHY
============
· York Notes - The Go-Between
· The Go-Between, Introduction by Colm TóibÃn, The New York Review of
Books, 2002
· The Go-Between study guide - Addison Wesley Longman Limited, 1980
· The Go-Between, Introduction by Douglas Brooks-Davies, the Penguin
Group, 1977
· The Novelist's Responsibility, L. P. Hartley, 1967
· www.learpremium.co.uk
· www.teachit.co.uk
· www.nyrb.com
· www.learnhistory.org.uk/
· www.thezodiac.com
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[1] 'Introduction', Colm TóibÃn
[2] The Novelist's Responsibility, L.P. Hartley
[3] Ibid
[4] Critical Essays on the Go-between
Throughout the short story “The Veldt," Bradbury uses foreshadowing to communicate the consequences of the overuse of technology on individuals. Lydia Hadley is the first of the two parents to point out the screams that are heard on the distance where the lions are. George soon dismisses them when he says he did not hear them. After George locks the nursery and everyone is supposed to be in bed, the screams are heard again insinuating that the children have broken into the nursery, but this time both the parents hear them. This is a great instant of foreshadowing as Lydia points out that "Those screams—they sound familiar" (Bradbury 6). At that moment, Bradbury suggests that George and Lydia have heard the screams before. He also includes a pun by saying that they are “awfully familiar” (Bradbury 6) and giving the word “awfully” two meanings. At the end we realize that “the screams are not only awfully familiar, but they are also familiar as well as awful" (Kattelman). When the children break into the nursery, even after George had locked it down, Bradbury lets the reader know that the children rely immensely on technology to not even be able to spend one night without it. The screams foreshadow that something awful is going to happen because of this technology.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
he doesn't he even own one. This where you can see how he is different
Sexuality is very diverse, in some instances normality is based on the cultural context of the individual 's society. In "The other side of desire" by Daniel Bergner, the author goes in depth into the lives of four individual 's whose lust and longing have led them far down the realms of desire. The current paper addresses the four individual 's Jacob, the Baroness, Roy, and Ron each exhibits a paraphilia that may or may not meet the full criteria in the DSM-5. Furthermore, each person’s specific paraphilia is conceptualized and explained in depth. Countertransferential issues anticipated before working with these individuals is analyzed and clarified. Also, the apprehension of sexual arousal and sexual behaviors is conceptualized into normality
The point the author, Russell Baker, is making in his essay, “Writing for Myself,” is quite evident. When Mr. Fleagle, Baker’s English teacher, assigned an informal essay to be completed as homework, Baker immediately became baffled by the daunting task. Though reluctant to start, Baker knew that it he had to swallow his animosity toward writing and select a topic to write on.
Most of us do not think twice about the foods we pick up from the supermarket. Many Americans have a preconceived belief that the food being sold to us is safe, and withholds the highest standard of quality. Certainly, compared to many places in the world, this is true. But is the United States sincerely trying to carry out these standards, or have we begun to see a reverse in the health and safety of our food- and more explicitly in our meat? Jonathan Foer, author of “Eating Animals” argues for reform within the food industry- not only for the humane treatment of animals but moreover for our own health. Although Foer exposes the ills within the food industries in order to persuade readers to change their diets for the better, his “vegetarianism or die” assessment may be too extreme for most Americans. The true ills do not start with the meat, but with industrialized production of it through methods practiced by factory farming.
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
The meaning of the first stanza is do the things you need to get done because tomorrow the opportunity may not exist. It states this by saying gather rosebuds while you can because that beautiful flower “tomorrow will be dying” (Herrick 385). The next stanza talks about the Sun’s life from dawn to dusk. By describing it’s race against time it is telling a person that there is not much sunlight so make the most of it To the Virgins, to Make Much of Time and Carpe Diem
The most powerful motivation is greed and it only can be stopped with proper mediators but they must not become too excited and act foolish or their cause will become too big to consume. Great ideas for good causes take time, and warnings must be kept in mind, no matter how much the plan is needed to happen. Even though the world of a dystopian society is absolutely horrible, no government is ever overthrown easily. The exempt people of such societies, who call themselves leaders, lead lives of too much decadence as they can as they choose the lives of others. In “Burning Bright,” part three of Fahrenheit 451, Beatty says, “Old Montag wanted to fly near the sun and now that he’s burnt his damn wings, he wonders why.” This allusion demonstrates that Guy Montag and Kurt Vonnegut’s title character “Harrison Bergeron” both suffered like Icarus because they failed to heed warnings.
However, a cosmopolitan would argue that the ethical value and rights granted should apply to every individual, instead of communities or nations. Even David Miller recognizes that it is natural to believe we have a certain obligation or responsibility to others outside our own nation, such as the world’s poor. This is because we are all human and have a humanitarian impulse inside us that makes us concerned with the well-being of others.
The human being is an analytical creature. From scientists to philosophers to star-crossed teenaged lovers, the human is internally motivated to understand the world around him. That world provides countless puzzles for the human to solve, whether these puzzles lie in the forests of the heart, the laws of mathematics or the annals of history. However, some of the most unfathomable aspects of this world have been entirely created by humans. The Holocaust is one of the most unfathomable events in human history. Countless documentaries, pieces of literature, psychological analyses and films have explored the topic in an attempt to understand exactly how humans could commit such terrible atrocities against one another. Time’s Arrow, by Martin Amis, initially attempts to answer this question by exploring the life of a Nazi doctor. To do this, he separates the narrator’s consciousness from his mind, re-living his life backwards. In doing so, Amis tries to reverse the laws of entropy, to heal by un-creating human destruction. However, as the narrator (the doctor’s consciousness) eventually finds, reversing time’s arrow does not make the Holocaust fathomable. Therefore, in Time’s Arrow, Martin Amis suggests that humans will always manage to increase entropy, despite the reversal of time and the laws of the physical world.
Life is no bowl of cherries. Sometimes you can't explain everything. You just can't, and Martin Amis knows this. Time's Arrow is a book on the holocaust. There is nothing new about its material, and it makes no attempt at explaining anything. So why bother reading (or writing) it? What separates this book from your average "holocaust book" is that this really will, as it says on the backcover, present you with a "different" perspective. Time's Arrow is not your typical holocaust book. It does more than just make your head think - it takes you through the whole ordeal backwards.
Jonathan Swift and Katha Pollitt, separated by 200 years, share a common interest in the welfare of people. Specifically, the two authors write of different experiences regarding the underprivileged women and children in their particular countries. While my experience might be limited in the environment of poverty personally, I have had some exposure to underprivileged youth and their families. My perception of poverty is based on attending both primary and secondary school in a depressed socioeconomic community filled with single mothers living in government funded housing on the north side of Houston. From my experiences, I have found that, while divorce can be damaging for children, the deterioration of family values in society doesn’t
Guidance is an important factor in growing up and maturing. Kids and young adults must have a person who they trust and feel understands them, a person who will help guide them through life and teach them lessons they need to know. Without guidance, children will never learn right from wrong, nor be able to find meaning in life. What happens when a child has that source of guidance, but loses it? The book Extremely loud and incredibly close by Jonathan Safran Foer tells the story of a young boy named Oskar who loses the most important person in his life: his father. Oskar loses not only his father, but the only person he trusts to guide him through life. This significant loss of guidance is shown numerous times throughout the novel as Oskar
The setting for this novel was a constantly shifting one. Taking place during what seems to be the Late Industrial Revolution and the high of the British Empire, the era is portrayed amongst influential Englishmen, the value of the pound, the presence of steamers, railroads, ferries, and a European globe.