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The globe elizabethan theatre
The Elizabethan Theatre
The globe elizabethan theatre
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The Globe Theatre
The Globe Theatre in London , where William Shakespeare's most famous plays premiered; Hamlet, Othello, King Lear, Macbeth, and Twelfth Night, was built in 1599 in Southwark on the south bank of London’s River Thames by Richard Burbage. It was co-owned by Shakespeare, with a share of 12.5%. The Globe was a large, open-aired, three-tiered theater made out of timber taken from the Theatre-– a former theatre owned by Richard Burbage’s father.
The Globe Theatre burned to the ground on June 29, 1613, during a performance of Shakespeare’s last history play Henry VIII: Or, All is True, when a special effect, a cannon set light to the thatched roof and the fire quickly spread. The Globe was rebuilt in 1614.
In 1997 a third version of The Globe Theatre was built as “Shakespeare’s Globe Theatre”, close to the original site in Southwark.
Shakespeare's Globe Theatre
Shakespeare refers to the Globe Theatre in several of his plays, describing it in the opening passage of Henry V as “this wooden O.” In one of Shakespeare’s last plays, his beloved romance, The Tempest (1611), Prospero abruptly ends his daughter’s wedding masque, claiming, “Our revels are now ended,” and continues “the great globe itself / …shall dissolve” (The Tempest 4.1.148, 153-154).1
The theatre was a sight of action. Because of no electricity, all performances were held during the afternoon. None of the props that we have today; the lights, speakers, or microphones, were present then. No play was repeated twice, all were performed at regular short intervals, in a repertory. The Elizabethan audiences were deprived of eye-catching background scenes and props. Thus emphasis was on the language and the costumes. The sumptuous, breathtaking clothes were...
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..., Retrieved 15 April. 2014.
3. William Shakespeare, Macbeth, Act III, Scene 2, http://www.enotes.com/macbeth-text/act-iii-scene-ii#mac-3-2-14, Retrieved 15 April. 2014.
4. William Shakespeare, All's Well That Ends Well, http://shakespeare.mit.edu/allswell/full.html, Retrieved 15 April. 2014.
5. “A Brief History of the Audience”. http://www.shakespearetheatre.org. n.p. n.d. Web. Retrieved 15 April. 2014.
6. Mabillard, Amanda. Shakespeare's Audience: The Groundlings. Shakespeare Online. 20 Aug. 2000. Retrieved 15 April. 2014. .
7. Alchin, L.K. “Elizabethan Theatre audiences”. http://www.elizabethan-era.org.uk. n.p. n.d. Web. Retrieved 15 April. 2014. < http://www.elizabethan-era.org.uk/elizabethan-theatre-audiences.htm>
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
Shakespeare's first tragedy has been a topic of discussion since the day it was written. Titus Andronicus "was staged on 24 January 1594 by the Earl of Sussex's Men at the Rose Theatre" (Welsh 1). Though this tidbit of information seems somewhat irrelevant to Titus, we must note that there are certain standards and practices established by a play from its first performance. It is also important to establish the general attributes that audiences attribute to Shakespearean performance.
...ry VIII. Not long after the cannon was fired, the thatched roof caught on fire. It did not take long to spread as the building was made of materials prone to fire. The theatre had to be knocked down for health and safety reasons. However, it was reconstructed shortly after in the year of 1614.
Howard, Jean E. “Crossdressing, the Theatre, and Gender Struggle in Early Modern England.” Shakespeare Quarterly 39.4 (1988): 418-40. Print.
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
theater was re-built by the next year, 1614. It was referred to as the Globe II.
"Elizabethan Theatre Audiences." Elizabethan Theatre Audiences. Strayer University, 16 May 2012. Web. 24 Mar. 2014.
The Globe Theater, home of many of William Shakespeare’s plays became exciting to watch and hear. Shakespeare’s plays will forever be heard from generation to generation. People would come from all over to watch his creative side from costumes to props and his actors. Shakespeare’s writing will always influence writers to write great poems and plays.
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
... the people of the Renaissance would have during the fifteenth and sixteenth century. It continues to affect, inform, and inspire its audiences in London. The Globe Theater will always be “All the World’s Stage” ("Fun Facts on the Globe theater”).
Russell Brown, J. 1995. The Oxford Illustrated History of the Theatre. 3rd ed. Oxford: Oxford University Press.
1908 Government Regulation of the Elizabethan Drama. The. New York: Columbia University Press. Lee, Sir. Sir Sidney. 1916
The impeccable style and craft of Shakespeare’s writing has always been looked upon with great respect, and it continues to serve as an inspiration to writers and thinkers today even as it did when it was being first performed in London. Shakespeare’s modern audience, however, is far less diverse than the one for which he originally wrote. Due to the antiquity of his language, Shakespeare’s modern readership consists mostly of students and intellectuals, whereas in Shakespeare’s own time, his plays were performed in playhouses packed with everyone from royalty to peasants. Because of this, Shakespeare was forced to write on many different levels, the most sophisticated of which appealed to his more elite audience members, while the more straightforward and often more crude of which appealed to his less educated viewers, and the most universal of which still appeals to us.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...