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The Ghost Scene of William Shakespeare's Hamlet
We have been studying the play 'Hamlet' by William Shakespeare. We
have read the original text as well as watching three film versions of
the play one by Zefferelli, Branagh and Almieda. We have been
concentrating mainly on the ghost scenes in these three films. We also
worked on an unusual ghost scene, which we made into a comical ghost
scene in a little booklet.
I have chosen to do a film production. I have chosen to do this
because after watching the three film versions of the ghost scene it
has given me ideas of costumes, settings and how to produce the ghost
to make him stand out, also in the film you can use special effects
and a lot more than you can do in a theatre production of the ghost
scene in 'Hamlet'.
I want my setting to be set in a castle on a staircase leading down
towards the cellar/basement of the castle. I want the set to seem very
cold, dark and musty with a real feel of tension in the air. I want
the sound of the ghosts voice to be unnatural and decayed, with slow
unnatural music playing quietly in the background and I want a sharp
possibly loud noise of music on certain words Hamlet or the ghost use
to emphasise them so people know the word has some sort of strong
meaning to it. On this ghost scene at first the only lighting will be
Hamlets candle as he is walking towards the cellar/basement staircase,
and then when the ghost appears I want the lighting to be a pale blue,
with a slight mist in the air to show the coldness and darkness of
this scene. I will be using quite a few camera techniques during this
scene. When either Hamlet or the ghost are talking I will have close
up shots of just there faces, I will have the camera focus onto
Hamlet's face when the ghost says something to describe the murder
which will then lead the a flashback of that image, and then to see
In act I scene ii Hamlet,his mother, and father/uncle were discussing how Hamlet should remain in Denmark and not go back to school in Wittenberg. This scene is crucial in the play because it takes the quote "keep your friends close, and your enemies closer" very literal. By asking Hamlet to stay Claudius is getting the upper hand with having the ability of keeping his eye on Hamlet.The main character Hamlet is viewed as a recently become madman because of his rejected love from Ophelia. He is also seen a inexperienced prince by his stepfather, Claudius and Polonius. In Hamlet's soliloquies we can see that he disapproves of his mothers marriage to Claudius[uncle/stepfather] because she married him so soon after his fathers death.Along with
skies and pelting rain on a dark night has more of a chilling feel to
which is theoretically meant to have a ghost in it. A man, who is not
Being in a dark setting is the first thing to create a foreboding mood. A dark
In the play Hamlet by William Shakespeare, Hamlet struggles with the abrupt death of his father at the hands of his uncle. It is in the very beginning of the play that Hamlet voices his opinion that death would be a peaceful release. But as the play progresses his attitude begins to slowly doubt the serenity in death. Hamlet had been surrounded by death but had yet to come face to face with it, escaping the lessons the world was trying to teach him. It is within Act 5 scene 1 that Hamlet has a direct confrontation with death, manifested primarily through the discovery of Yorick’s skull, a dear friend from his green world childhood. It is through this experience that Hamlet realizes that death is the true equalizer, that all men are the same in death, stripped of all power and position, and that he too will crumble into dust.
In discussions pertaining to the nature of Hamlet’s ghost, there is much debate. On the one hand, authors such as W.W. Greg believe that Hamlet’s ghost was merely a hallucination, but on the other hand, Maurice Egan believes that Hamlet’s ghost was a real character who truly existed. Egan also contends that the ghost is sent from purgatory, however, authors such as Roy Battenhouse believe that the ghost is pagan and came from hell. Others such as Robert West maintain that the ghost is neither from heaven or hell, but was written to be purposefully confusing so that any audience member could think of the ghost in many different ways. I personally believe that the ghost was a real character who came from hell and appeared before Hamlet in order to have him exact his revenge on Claudius.
his fathers death, and would stop at nothing to take the life of his uncle. His
Hamlet is arguably the most famous play written by the highly renowned English playwright, William Shakespeare--a man known in much of the western world as the father of english literature. Part of the reason for this title is for Shakespeare’s ability to take a character, and through a basic plot, transform said character into becoming something that many scholars have debated over for years. Hamlet in this play is this character; a character whose mental instability or sheer lack of perception has lead to countless debate and argument over the actual explanation for the characters behavior. Schizophrenia can be defined as a lasting mental disorder that forms a fundamental impediment in thought and emotion (as well as behaviour). This disorder can then lead to a lack of judgment in perception, and unusual actions and feelings, all in addition to an overall withdrawal from reality and a devolution of personal relationships to delusional perceptions of oneself and his surroundings--in all, schizophrenia is a mental disorder involving the breaking down of the mind and one’s grip on reality (National Library of Medicine). With the above definition, it may at first seem rash to criticize Hamlet and declare that he has Schizophrenia; however, once it is considered the varying degrees in which Schizophrenia can manifest itself, it no longer becomes such a farfetched thought. It must be contended then, that Hamlet is neither insane nor lazy, but merely a man who suffers from Schizophrenic-hallucinations; hallucinations that spiral up the plot into one focused primarily on Hamlet’s search for truth.
One of Shakespeare’s great pieces of work, Hamlet, has been divided to alternate versions Quarto 1and Quarto 2. Focusing on Act I Scene iii, apparently the differences in these two versions are mainly on the way the characters are formed and the language that is used. Quarto 1 is a much more compact version that has weakly defined characters and uninformed language. As for Quarto 2 this lack of complexity is not so. This version has a higher quality of character depth and a language that is more comprehensible to allow more meaning to the play. Nonetheless the mutuality between these two versions main idea are clearly the significant mutilations to these scene are factors that make the play have a different meaning. The Quarto that would be most appealing to actors and the one that would be more fulfilling to the reader would be the second one because of it richness in characters and language.
A vast tragedy, negating any attempt at a single interpretation, Hamlet is before anything else the drama of a man who does not hesitate to confront his own imperfections and who refuses illusions and idealised appearances:
In Hamlet and the Ghost Again by John D. Rea, the author gains credibility by implementing ethos and refuting other authors’ claims, essentially strengthening his own. Rea begins by asserting his claim that Hamlet’s belief in the authenticity of his father’s Ghost is questionable and proceeds to provide historical evidence along with strong analysis. By acknowlegding the numerous and redundant works published pertaining to Hamlet, the author strengthens his argument by suggesting that his article raises a new idea, intriguing the audience causing them to read more, further establishing his credibility. The author cites a leading scientist of the 17th century who maintains that apparitions and ghosts of the dead are not the souls of the dead,
William Shakespeare's play Hamlet, is a ghost story, a detective story and a revenge story all within one plot. Throughout the play, qualities of all three types of stories are displayed. The ghost story consists of Hamlet Senior and the circumstances surrounding his untimely demise at the hands of the present King, Claudius. He is being tortured in hell until his death is properly avenged. The detective aspect of Hamlet is brought about by Hamlet trying to figure out whether or not his fathers ghost was real and also to what, if any extent, his mother the "virtuous" Queen Gertrude was involved with the murder of his Father. Both Hamlet and Laertes, bring yet another aspect to this most versatile play, by seeking revenge for their fathers death, each in their own way. By viewing the play as either one or all of these different aspects we learn to have different perspectives on the play.
Perhaps the most notable aspect of Shakespeare’s play, Hamlet, is its intense focus on its eponymous character.
In traditional and modern, ghost reflects death and fear, and it never change. In Hamlet, the ghost is a symbol of Hamlet’s father who is killed by Claudius. Its propose is to demand Hamlet to avenge its death. Although the ghost only appears three times in front of Hamlet, it is a specify role to develop the whole story and plot. Through Hamlet, the ghost is the motive to make Hamlet kill Claudius, and the ghost plays a critical role to influence Hamlet.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.