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Poem characteristics of elizabeth bishops
Poem characteristics of elizabeth bishops
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The poem titled “The Fish” by Elizabeth Bishop is about a person that catches a well-sought after fish and realizes the fish is still something worth fighting for. The diction used in this poem would be informal because they talk in a relaxed conversational language. The speaker does use a ton of figurative language which is what made this one of Elizabeth Bishop's most famous poems. There is some positive connotation in the speaker's words mainly used to describe the relationship the speaker has with the fish. The speaker also uses middle diction in this poem to emphasize the time era in which this poem was written, which was in 2011. They used contemporary English to set a tone that shows the speaker's attitude in this poem is calm and collected, …show more content…
and also that their voice is average but educated. The speaker uses this tone to create a warm and humbling atmosphere in which they can relate to the reader. The speaker in this poem portrayed this by the words used to describe the fish because they wanted the reader to look at the fish in a different perspective. This poem is about the importance of seeing through outer appearances and respecting things that are often taken for granted. This poem is very unique in its use of figurative language, imagery especially. The speaker describes even the smallest details in the most meticulous way. This poem takes off with the speaker catching a fish off the side of the boat. In line one they announce that the fish is tremendous, which suggest that the fish is unlike any other, at least in size anyways. The author does use some form of repetition in lines 5 and 6, “He didn’t fight. He hadn’t fought at all” (Bishop 5-6), and this was to symbolize that this isn't a normal response of fish to not fight back. In lines 10 through 40, the speaker pays close attention to the fish’ characteristics, “his brown skin hung in strips like ancient wallpaper” (10-1). This classifies as a simile but depicts what the fish's skin looked like. Words like “hung” (10), “stained” (15), “speckled” (16), and “infested” (18) create a vivid representation of what this fish actually looks like so that the reader gives a new meaning to the relationship with the fish. Using descriptive words like that also draws the reader into the story. Beginning in line 35, the speaker describes the fish’s eyes as “irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass” (35-9). They use this metaphor to describe how the fish’s eyes may have related to how the fish is tired of fighting through the scars of past, unsuccessful fishermen. The way the speaker describes the fish in the first 40 lines of the poem, there is an obvious bond forming between the speaker and the fish. By saying “I admired his sullen face, the mechanism of his jaw, and I saw that from his lower lip - if you call it a lip grim, wet, weapon like” (45-50), the speaker describes that the relationship they have created with this fish now has gotten even more intense and the speaker realizes how the fish was once rare and unimaginable. The poem is filled mostly with similes and metaphors, but there are a few lines of personification. Beginning in line 63, the speaker says “a five-haired beard of wisdom trailing from his aching jaw” (63-4), which personifies the fishing line hanging from the jaw of the fish. There are also signs of assonance and some internal slant rhyme when the speaker uses the words “caught/water/fought” (1-6), and “backed/packed/scratched” (37-40). Towards the end of the poem, the speaker introduces the “rented boat” (67), “pool of bilge” (68), “rusted engine” (70), “sun-cracked thwarts” (72), and “oarlocks on their strings” (73). What this suggest is that maybe the speaker still finds beauty and respect in things that once glimmered and shined. In the very last line, the speaker releases the fish to show that the victory mentioned in line 66 wasn’t due to the act of catching the fish, but for seeing through the outer appearance of the fish and giving it value. The structure of this poem is overall simple.
The speaker describes the fish, and then the relationship they create with the fish. It appears that there is only one overall theme which means that the entire poem supports a common moral. The speaker immediately identifies their role as first person, although without a gender. The rhetoric is pretty straightforward and when the speaker talks about the relationship they create with the fish we know it's strictly about the relationship. It could be slightly persuasive at the beginning when the speaker begins to pity the fish because that might would imply that the speaker is an empathetic human. The positive connotation used all throughout the poem suggest that the speaker respects this fish. This poem doesn’t contain subtle hints to lead the reader to believe that there are any deeper themes. The syntax used in this poem is not convoluted, but it is skillfully created because it is full of imagery. Being as the poem was written in 2011, the modern language correlates with the syntax. The sentences are mostly compound because they are full of descriptive words that are either describing the fish or the way the speaker felt towards the fish. The word choice used in this poem indicates that our speaker was an average educated person. Since this is considered a free verse poem, there aren't many visual patterns in this poem besides the fact that there is only one stanza. The only thing that might catch the reader's eye is that the breaks in the lines could pass as the speaker's thought process. For example in lines 42 through 44, the speaker says “to return my start. - It was more like the tipping of an object toward the light” (42-4). The way the breaks and dashes are positioned some may seem like they are interrupting a thought and then coming back to it. There is not an official rhyme scheme and most of the sentences follow a normal subject verb agreement. Overall this poem combines a skillfully crafted diction, syntax
and creative story line to emphasize the vivid elements Elizabeth Bishop used to create this poem.
Blackfish is a 2013 documentary, directed by Gabriela Cowperthwaite, about the captive orca, Tilikum. The documentary chronicles Tilikum’s life in captivity while examining the conditions that SeaWorld’s orcas live under. Cowperthwaite argues that SeaWorld mistreats their Orcas and intentionally misinforms both their employees and the general public. Rhetorical analysis reveals that Cowperthwaite uses emotional appeals and juxtaposition to sway the viewer to her perspective.
In fact, the fish story has become a metaphor reflecting the technique used by Finney for expressing the difficult thing beautifully, to compress a poem choosing what should be kept in a poem and what should be thrown away (Finney, “Interview with: Nikky Finney”), to express whatever difficult feelings she has without much noise or rage. Finney sees activism as a basic part of her work.
Salt to The Sea is a book by Ruta sepetys about 4 people trying to escape the grasps of the russians and in the case of Florian the nazis. They cross the countryside and land at a port. On the way there they lost people and possessions. When they get to the boat they get hit by a torpedo and 2 of them die, Alfred and Emilia.
“Doodle was just about the craziest brother a boy could ever have, he wasn’t a crazy crazy…. but was a nice crazy, like someone you meet in your dreams”(Hurst 416).These brothers loved each other. They were closer than most brothers are. Doodle might have been crippled but he tried his hardest to impress his brother. They were close because Doodle was taught everything from his older brother. This made a close friendship. The mood of the Scarlet Ibis is very somber and that is shown by the symbols that were used by the author.
Imagery and Diction in The Fish by Elizabeth Bishop. Elizabeth Bishop's use of imagery and diction in "The Fish" is meant to support the themes of observation and the deceptive nature of surface appearance. Throughout the course of the poem these themes lead the narrator to the important realization that aging (as represented by the fish) is not a negative process, and allows for a reverie for all life. Imagery and diction are the cornerstone methods implemented by Bishop in the symbolic nature of this poem. The title of the poem itself dictates the simplicity Bishop wishes to convey regarding the narrator's view of his catch.
The poet uses diction to characterize the female lover as a fish, showing their playful, endearing nature, but also the physical limitations their love possesses. She has “scales”, “fish eyes,” and “kissy lips”(4,8,9). These are all the characteristics of a fish, making her seem unnatural and
The speaker from the first stanza is the observer, someone who pays closer attention to the entire piece of work, noticing all the details and able to understand the painting as a fluid story and not a snapshot. He is a man with fishing experience. He knows violent the seas and the power nature holds, strong and unforgiving to any individual. The second speaker in the poem is the observer, his voice is heard in the second stanza. He describes the individual looking at the painting as an innocent bystander embracing the art in a museum. The man views the painting, not fully immersing oneself in the complete story of the painting. Instead, he just looks on as a spectator, not fully appreciating the intensity of what he is looking at. Breaking the poem into two stanzas not only allows Finkel to voice two speakers, but also allows him to alternate the tone. The tone of the first stanza with the observer is dark, the speaker describes the events in the painting with a terror, making the painting more realistic with hints of personal experiences. The second stanza is divided into two parts: the first is calm, the onlooker is innocent, gazing at the still image on the canvas, describing the painting at face-value. The latter half of the stanza brings the painting to life. Similar to the first stanza, it transitions back into darkness, a contrast of what the observer views on the
The poet seems to share the same pain with the fish, observing the scene and enjoying the detail just like enjoying an artwork. The poet lets the fish go because she is totally touched by the process between life and death; she loves life but, meanwhile, is deeply hurt by the life. In the poem, the fish has no fear towards her; the desire to live is in the moving and tragic details when she faces the death.
Throughout the first half of the poem, Bishop describes the fish as an inanimate object, as reflected in her comparisons, which uses objects to describe the fish as shown when she says, “Here and there his brown skin hung in strips like ancient wallpaper…”. (9-11) She chooses a wallpaper to describe the skin of the fish in order to accurately portray its battered and worn state; her decision to compare the fish to an inorganic ...
“The Fish” by Elizabeth Bishop is an excellent poem that goes beyond its straightforward subject. She vividly describes the act of catching a fish while also utilizing the thematic elements of figurative language, imagery and tone to bring many more ideas into the picture. Overall “The Fish” is a poem that champions the beauty of nature while also putting forth a negative connotation on all things artificial through a simple topic.
"The Fish" by Elizabeth Bishop is saturated with vivid imagery and abundant description, which help the reader visualize the action. Bishop's use of imagery, narration, and tone allow the reader to visualize the fish and create a bond with him, a bond in which the reader has a great deal of admiration for the fish's plight. The mental pictures created are, in fact, so brilliant that the reader believes incident actually happened to a real person, thus building respect from the reader to the fish.
Far from the usual poems that I am familiar with, this poem consists of fragments. When read with the expectation of instantly gaining a coherent idea or message, one would be puzzled of the writing style and might initially think it’s full of senseless lines. It’s quite a challenge to gain full understanding of the message the poem wants to give out.
In the next stanza the author writes “While his gills were breathing in the terrible oxygen … I looked into his eyes which were far larger than mine but shallower, and yellowed … scratched isinglass. They shifted a little, but not to return my stare” (Bishop). In this stanza the author uses more descriptive details to appeal to the five senses of the reader by describing how vulnerable the fish actually is, reminding the readers that the fish is at the mercy of the speake. Furthermore, the author uses simile to compare the fish’s skin to a feather ( I thought of the coarse white flesh packed in like feathers (Bishop)). The author keeps on correlating the the fish’s unattractive appearance to decorative objects such as a rose and a feather, giving the readers a (somewhat) paradox, the ugly beauty. In the fifth stanza the author writes “ It was more like the tipping ... that from his lower lip … hung five old pieces of fish-line, … with all their five big hooks grown firmly in his mouth” (Bishop). In this stanza the author describes the that fish already had five fishing hooks attached to its mouth. He suggest that the fish was able to fight of death five time in the past and starts to admire the fish for its strength. The author again uses more descriptive detail as noted
Within Elizabeth Bishop’s The Fish, the Fisherman holds the fish in his hands, staring deeply with contemplation into the clouded and scratched lens of the eyes. Inadvertently, a shift of light causes a stir of the fish’s eyes, returning the Fisherman’s gaze. Yet, depth is understood by the Fisherman, who exalts this interaction to divine revelation. Similarly, all of us grasp for an understanding of personal experience. Fantasy replaces stark reality. Religion projects a personal distortion of events. However, the raw and grueling nature of truth reveals the imperfections ignored with perspective amnesia. Within the poem, the fish exists as both a warrior and priestly figure – secular and religion – to fully represent the facets of human nature
Besides having the same name and subject, “The Fish” by Marianne Moore and “The Fish” by Elizabeth Bishop, don’t have much else in common. Moore’s poem, more or less, is about a fish swimming through the ocean after something terrible has happened to it (the ocean). Bishop’s poem is about a fish that has survived many encounters with death, a victor. Although they bear some minor similarities, the distinctions between Moore’s “The Fish” and Bishop’s “The Fish” are very prominent.