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More handpicked essays just for you.
How has the representation of women in literature evolved since 1900
Women's gender role in the 1960s
How has the representation of women in literature evolved since 1900
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If one were to questions a man’s intentions when it comes to marriage, he would almost certainly speak humbly and nobly about a life of companionship, about starting a family, about a life of love and joy and happiness, while making sure that you know that all of this will be in sickness and in health. Although this is what we hear, and the romantic in all of us hopes that this is always the case, we sometimes have to wonder: were there other reasons why men in the 1970’s actually wanted a wife? In her article for The First Ms. Reader, Why I Want a Wife, Judy Syfers clearly and effectively uses irony, repetition and tone to expose the true nature of men and their attitude towards their significant others in the 1970’s, showcasing the idea that marriage isn’t always this idealized practice often think of it as. …show more content…
Immediately after reading the title, the outlook on the entire essays changes and begins to ooze irony because the reader realizes that this is a woman, who is a wife, writing about wanting a wife of her own. However, this irony establishes credibility to Syfers, because who could possibly know more about a wife than a wife herself? Syfers also uses irony to take on the male perspective, displaying how misogynistic and conceited men were at the time. There are multiple uses of ironic phrases such as “Of course,” “after all,” and “needless to say,” which establishes how diluted men were in assuming the cooperation and obedience of women to tend to the men’s strenuous lifestyle. These assumptions made by husbands at the time, also go hand in hand with the repetition the Syfers uses throughout the
The Bible which is seen as one of the most sacred text to man has contained in it not only the Ten Commandments, but wedding vows. In those vows couples promise to love, cherish, and honor each other until death does them apart. The irony of women accepting these vows in the nineteenth century is that women are viewed as property and often marry to secure a strong economic future for themselves and their family; love is never taken into consideration or questioned when a viable suitor presents himself to a women. Often times these women do not cherish their husband, and in the case of Edna Pontiellier while seeking freedom from inherited societal expectations and patriarchal control; even honor them. Women are expected to be caretakers of the home, which often time is where they remain confined. They are the quintessential mother and wife and are expected not to challenge that which...
Human beings are not isolated individuals. We do not wander through a landscape of trees and dunes alone, reveling in our own thoughts. Rather, we need relationships with other human beings to give us a sense of support and guidance. We are social beings, who need talk and company almost as much as we need food and sleep. We need others so much, that we have developed a custom that will insure company: marriage. Marriage assures each of us of company and association, even if it is not always positive and helpful. Unfortunately, the great majority of marriages are not paragons of support. Instead, they hold danger and barbs for both members. Only the best marriages improve both partners. So when we look at all three of Janie’s marriages, only her marriage to Teacake shows the support, guidance, and love.
In the end, readers are unsure whether to laugh or cry at the union of Carol and Howard, two people most undoubtedly not in love. Detailed character developments of the confused young adults combined with the brisk, businesslike tone used to describe this disastrous marriage effectively highlight the gap between marrying for love and marrying for ?reason.? As a piece written in the 1950s, when women still belonged to their husbands? households and marriages remained arranged for class and money?s sake, Gallant?s short story excerpt successfully utilizes fictional characters to point out a bigger picture: no human being ought to repress his or her own desires for love in exchange for just an adequate home and a tolerable spouse. May everyone find their own wild passions instead of merely settling for the security and banality of that ?Other Paris.?
Ethos, logos, and pathos are one of the most important literary strategies to making an effective essay. In the essay “Why I Want a Wife”, Judy Brady focuses most on her use of pathos to try and emotionally connect with her audience. Brady also strategically uses ethos and logos to successfully make a point to the readers of Ms. Magazine that a wife's duties are greatly exceeding what is acceptable. Although Brady uses all three of these strategies, the one that most successfully appeals to her audience is her use of pathos.
1. Daisy illustrates the typical women of high social standing; her life is moulded by society’s expectations. She is dependent and subservient to her husband. She is powerless in her marriage.
Judy Brady’s essay “I Want a Wife” uses a sarcastic tone in order to illuminate the amount of much pressure that is put on wives, not just by their husbands, but by society as well. Brady’s tone voices to the audience that changes need to be made to the role of women.
Growing up with different social circumstances, attending social mixers was an enlightening experience and once she made the move to Memphis, she gained a continual stream of suitors that accompanied her to such events. New opportunities emerged for Ida, giving her a sense of what life was like being a bachelorette in a land among woman seeking to marry. As an attractive, un-married woman in her mid twenties with an active social life she often generated suspicion and talk. Although Ida struck flings with many persistent suitors, her feelings have never been entirely clear in whom she ever truly loved. It was evident that she was not romanticized by the concept of marriage like many women were at the time.
The narrator in “The Yellow Wallpaper” and Elisa Allen of “The Crysanthemums” both have husbands who fancy the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The narrator’s husband also assumes that he knows what is best for his wife. He thinks isolation and confinement will cure her “nervous depression.” Nevertheless, this “cure” makes her weak; it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband about the fights and his immediate reply is, “We can go if you want, but I don’t think you would like them much.” He cannot fathom the idea that she may actually enjoy this non-feminine event.
Warren Farrell is a well educated man who focuses his attention on gender. In his essay “Men as Success Objects,” he writes about gender roles in male-female relationships. He begins, “for thousands of years, marriages were about economic security and survival” (Farrell 185). The key word in that statement is were. This implies the fact that marriage has changed in the last century. He relates the fact that post 1950s, marriage was more about what the male and female were getting out of the relationship rather than just the security of being married. Divorce rates grew and added to the tension of which gender held the supremacy and which role the individuals were supposed to accept. “Inequality in the workplace” covered up all of the conflicts involved with the “inequality in the homeplace”(Farrell). Farrell brings to attention all ...
Beauty’s sisters marry rich men, who seemingly have acceptably desirable attributes as husbands. One man is detailed as a man of good looks. The other man is noted for having great wit. The two possess qualities most women seek in a husband, but it is indicated in descriptions that the two sisters are both unhappy in their marriages. Although the first husband is handsome, this serves him as a drawback, for he is a narcissist, only concerned with himself. The second husband’s wit is also a severe disadvantage due to the fact he uses his wit to torment other people, including his wife. It is when Beauty reviews her sisters’ marriages and the unhappiness her sisters experience in relation to their husbands that helps Beauty realize The Beast’s true worth and her love for him: “I should be happier with the monster than my sisters are with their husbands; it is neither wit, nor a fine person, in a husband, that makes a woman happy, but virtue, sweetness of temper and complaisance and Beast has all these valuable qualifications.” (9). The juxtaposition made between the husbands and The Beast create the disclosure of the appropriate masculine qualities a man should encompass. De Beaumont presents the contrast of characters to the reader as a method of emphasizing the
In Judy Brady’s, “I Want A Wife” (1971) sarcasm or a humorous tone is expressed on the topic of what makes a wife. Brady repetitively states, “I want a wife” and begins to list what makes “a wife.” Brady defines a wife as someone who takes care of the children, cleans and cooks, gives up her ti...
Since the beginning of time, marriage exists as a large part of life. The values of marriage change on a year to year basis and as trends continue to change so will marriage. There have been numerous reasons for marriage throughout time such as arranged, wealth, love or many others. In the 18th century, many marriages were based on one’s class and wealth and not true love. Today, many marriages do not take wealth or class into account they focus on that person’s inner self and love. Marriage exists as an overlying theme throughout Pride and Prejudice and every marriage appears for a different reason.
In addition, the man’s ego is disclosed more subtly through some ironical statements. The first one that can be seen is: “Mr. Fix-it, his wife called him”(2). At first, this remark would seem insignificant but in this way, the author mocked the husband that is unable to fix his own marriage. We can analyze the man behavior to understand that he would rather find a way to evacuate his stress than to confront the problem he has with his wife so that he won’t have to admit his mistakes. Both examples show us that every character acts, as they are inconsiderate to each other but consider nonetheless doing the right
By presenting that Judy is revealing how being a woman is an exhausting experience and how she has a desire to have a wife. As Judy’s article progresses, she reversed her role to a husband as she continues to write from first-person point of view. Judy Brady’s satirical tone of expression exhibits the
Within these marriages, readers get a sense of how education plays an important role in a successful marriage, as this fulfills both of their dreams of personal identity. Although women in the nineteenth century were viewed to be superior wives and mothers, manage the household, and perform domestic tasks, it was important for women to become educated as “an education was supposed to enable these girls to become successful women in society” (Leigh 117). Women were not meant to be “trained” in some way to become good wives, but needed to be formally educated in order to be a successful wife and