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Gran torino movie analysis and evaluation
Gran torino analyse
Gran torino movie analysis and evaluation
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The film Gran Torino is a moving drama that shows how an old, angry widower finds acceptance with his Hmong neighbors. With the recent election and racism being more prevalent today, many individuals are disappointed with the perceived shift in American values. Today, Gran Torino is still relevant because the values Walt portrays is the same values that many Americans still display. Directed by and starring Clint Eastwood, as Walt Kowalski, depicts an old, grumpy Korean War veteran. The 2008 film reveals how a bitter man turns into a courageous, loving man who is willing to sacrifice himself by finding the good in his foreign neighbors. Roger Ebert’s review states: “Gran Torino stars Eastwood as an American icon once again—this time as a cantankerous,
He neglected the Vang Lors whenever they crossed paths or needed help. One day, Thao asked Walt for a jumper cable, and Walt slammed the door in his face. Walt did not want anything to do with anybody, especially his neighbors. Walt did not want to get to know the Vang Lors, and continues to call Thao “toad,” even though Thao corrects him multiple times. A Hmong gang, led by Thao’s cousin Fong, who likes to be called Spider tries to get Thao to join. Thao’s initiation was to steal Walt’s Gran Torino; when Thao tries to steal the Gran Torino, Walt approaches with a gun and sends him away. Kowalski becomes angrier and bitterer after Thao tried to steal his prized Gran Torino. One day, a fight begins to break out between the Hmong gang and Thao; the fighting winds up on Walt’s lawn. Walt comes outside with a gun and growls “get off my lawn.” The Vang Lors are very grateful for Walt saving them from the Hmong gang, and feel the need to repay Walt. Since Thao tried to steal Walt’s Gran Torino, his family makes him work for Walt. Thao does yard and housework while getting to know Walt. As the film progresses, a relationship between Walt, Thao, and Sue begins to
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
... on, Walt learns about the Hmong culture, and eventually he establishes a grumpy fatherly connection with Thao. Walt develops a relationship with the Vang Lor family and stops the Hmong gang from raping Thao’s sister. Although, Walt is dying from lung cancer, the gang kills him. Walt leaves behind all his inheritance to the Vang Lor family, and most importantly, Thao inherited the prized 1972 Gran Torino.
To begin, Tre learns to display loyalty to his family from his father. Black men are stereotyped as not wanting to work and having an inability to care for their children or their families. However, Furious seeks to prove this as a myth. The film illustrates Furious’s dedication to raising his son to be a respectable young man and provide for him. Not only does he instill self-responsibility in Tre but also, communal responsibility. Tre learns
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
...s at that time who have come of age. Perhaps no film in recent history has captured more attention and generated more controversial debate. This film resonates the feeling and question that common people had about the JFK assassination in the 60s. As a result, the debate about the validity of JFK extended much further into the war-torn cultural landscape of America in the 1990s than most observers noted. The JFK was a telling incident demonstrating the larger cultural conflict over values and meaning in America and the competition to define national identity. The whole affair demonstrated how effective a motion picture can be as a transmitter of knowledge, history, and culture. As a result, the debate about the validity of JFK extended much further into the war-torn cultural landscape of America in the 1990s than most observers have noted.
He searches to try and find his hometown and family. Saroo and his older brother Guddu steal coal from a moving train. After this dangerous act, they went to the market to trade the coal they stole. In return for the coal, they got two packets of milk.
When deciding what movie to do for this particular paper I faced a few issues. I knew what the requirements were, but I wanted something different and something I could have fun watching and writing as well. So, after looking around and pondering movies for weeks I finally decided on a perfect choice The 60’s directed by Mark Piznarski?
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
One of the more prevalent themes of this movie is racism, and how prejudicial mindsets ultimately lead to one’s own demise. The movie outlines how racism, among other things, can adversely affect someone’s judgment. After the father died, we see how the family gradually deteriorates financially as well as emotionally after Derek (the older brother played by Edward Norton) turns to a neo Nazi gang for an outlet, which eventually influences his younger brother Danny (played by Edward Furlong) to follow down ...
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
Clint Eastwood’s film “Gran Torino” traces the end of the life of Walt Kowalski. He has recently gone through a lot – the death of his beloved wife, his distant relationship with his son, his emotional scars from the Korean War and his bad health. All these things stop him from living a proper life. He doesn’t care about himself much – he smokes even though he is sick, he doesn’t eat a lot, he refuses to confess even though that was his wife’s last wish. However, all this changes when he meets the Hmong Family that lives next door. At the beginning he detests them because of their similarity to the Koreans, but later, as he gets to know them, they become the family that he was never able to have. The story traces the psychological changes in Walt’s character due to his unusual bond with the Hmong family, which changes are one of the main strengths of the film.
... son of a subsistent Italian farmer, prejudiced by many, Salvatore cut himself free of the thresholds and chains of the typical Italian-American. Through determination, he came to America and educated himself bringing him into the modern world, thus assimilating himself into the American way of life. Salvatore had overcome the difficulties of the entire immigration process, beginning with leaving his family behind, trekking across the Atlantic, and starting a new life in America. Racial prejudice had also not overwhelmed Salvatore’s willpower as he continued to fight again the stereotypical mold of the free-riding Italian-American who offers nothing to American society. Although he paid the ultimate price of leaving behind his extended family and Italian way of life, Salvatore by becoming a U.S. Immigration Official, had stitched himself to the American flag.